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Asia Tech x Singapore, 2025, 01: Expo-nential

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Asia Tech x Singapore, 2025, 01: Expo-nential

What began as a regular event at the Expo Exhibition during end May/beginning June, the humungous technology extravaganza was held during May 27-29 this year. This is where it began, and after stints at Marina Bay and Suntec City, it has returned to its roots, at Expo, in the far East of Singapore, which is where I first attended it, some 25 years back. It was then known as CommmunicAsia. Some years later, it added Satellite Asia, Broadcast Asia, TechXLR8 Asia and other related technological advancements, as add-ons. Soon, these became integral parts of the main event and it has now been re-named Asia Tech x Singapore. Though the accent is on exhibitors selling their products to visiting buyers, there were many conferences and presentations about the state-of-the-art stuff, under ATX Enterprise, Start Up Arena and the AI Summit Singapore.

A parallel event was organised by the Infocomm Media Development Authority of Singapore, called ATxSummit, where entry was by invitation only. I was not invited. In the words of the website, Asia Tech x Singapore (ATxSG) is Asia's flagship tech event, jointly organised by the Infocomm Media Development Authority (IMDA) and Informa, with support from the Singapore Tourism Board. The event features three main segments: ATxSummit, ATxEnterprise and ATxInspire. My forays were confined to Expo, which has a Mass Rapid Transit (MRT, Singapore’s metro network) named after it and located a short walk away. I arrived in Singapore on the 26th of May, the eve of the inauguration, and visited Asia Tech x Singapore on all three working days. My rounds were confined to the stalls/booths/pavilions, and not being a techie, I did not attend any conferences, seminars or summits.

In terms of timing, the event is held during a period when Singaporean and Indian schools have their annual vacations either over-lapping or merging. This makes flights, especially direct flights from India, costlier by as much as 300%. But if you book some two months or more in advance, seats are available at heavy discounts. Good for those who can plan three months ahead, whereas it is a drain on the pockets of those who can only firm-up dates a week or two in advance. Needless to say, I fell in the latter category this year. I had to book a late-night/early morning flight, with several hours of Transit, and arrived on the 26th of May, late in the evening, collapsing with jet lag, fatigue and loss of sleep. But the required rest was ruled out, for Asia Tech x Singapore was to roll out next morning.

As early as February, the organisers sent us journalists a press release, telling us what to expect.

“ATxEnterprise (ATxE) 2025, a flagship event of Asia Tech x Singapore (ATxSG), returns for its fifth year, providing a strategic platform for enterprises, governments, and technology leaders to drive innovation, cybersecurity resilience, and digital transformation. Taking place from 27–29 May 2025 at Singapore Expo, this milestone edition will explore the evolving role of artificial intelligence (AI) in enterprise strategy, the next frontier of cyber defence, and the future of digital connectivity.

AI continues to transform business operations by optimising workflows, accelerating decision-making, and redefining customer engagement. NTT’s 2025 Global CEO Survey found that 89% of CEOs consider AI essential to profitability, with 77% planning to increase investments this year. As businesses integrate AI, they must balance automation with human-centric innovation while addressing digital trust, workforce adaptation, and cybersecurit

Daily for Cannes May 20th

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FUORI by MARIO MARTONE and UN SIMPLE ACCIDENT        

 

COMPÉTITION (SÉLECTION OFFICIELLE)

ALPHA by JULIA DUCOURNAU at  08:30 (runtime 2h08)

Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo on her arm.

EAGLES OF THE REPUBLIC (LES AIGLES DE LA RÉPUBLIQUE) by TARIK SALEH at 11:45 (runtime 2h07)

UN SIMPLE ACCIDENT de / by JAFAR PANAHI at 16:00 (runtime 1h45)

What begins as a minor accident sets in motion a series of escalating consequences.

FUORI by MARIO MARTONE at 22:00 (runtime 1h55)

Rome, 1980. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza ends up in prison for stealing jewelry, but the encounter with some young inmates turns out to be a life-changing experience. After their release and over the course of a sweltering summer, the women continue to meet, and Goliarda forms a deep bond with Roberta, a repeat offender and political activist. A connection no one on the outside can truly understand, but through which Goliarda rediscovers the joy of living and the drive to write again.
 
 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

AISHA CAN’T FLY AWAY by MORAD MOSTAFA at 11:00 (runtime 2h03)

Aisha is a 26-year-old Sudanese caregiver living in a neighbourhood in the heart of Cairo where she witnesses the tension between her fellow African migrants and local gangs. Stuck between an undefined relationship with a young Egyptian cook, a gangster that blackmails her into an unethical deal in exchange for safety, and a new house she’s assigned to work in, Aisha struggles to cope with her fears and lost battles, causing her dreams to cross with reality and leading her to an impasse.

ELEANOR THE GREAT by SCARLETT JOHANSSON at 14:00 (runtime 1h48)

In Eleanor The Great, June Squibb brings to vivid life the witty and proudly troublesome 94-year-old Eleanor Morgenstein, who after a devastating loss, tells a tale that takes on a dangerous life of its own. Scarlett Johansson’s directorial debut is a comically poignant exploration of how the stories we hear become the stories we tell.

LOVE ME TENDER by ANNA CAZENAVE CAMBET at 16:30 (runtime 2h)

One late summer, Clémence tells her ex-husband that she’s having romantic relationships with women. Her life is turned upside down when he takes custody of her son. Clémence must fight to remain a mother, a woman and a free woman.

 

 

CANNES CLASSICS (SÉLECTION OFFICIELLE)

UKIGUMO (NUAGES FLOTTANTS / FLOATING CLOUDS) by MIKIO NARUSE at 17:00 (runtime 2h03)

Mikio Naruse’s masterful exploration of obsessive love, follows Yukiko (Hideko Takamine), a woman returning to postwar Japan after working in French Indochina. Hoping to rekindle an affair with a married man, Tomioka (Masayuki Mori), she finds herself trapped in a destructive cycle of longing, betrayal, and despair. Set against the bombed-out landscapes of a devastated Japan, the film drifts between painful memories and harsh realities, culminating in one of Naruse’s most

Daily for Cannes May 19th

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                   Alpha and Highest 2 Lowest

 

COMPÉTITION (SÉLECTION OFFICIELLE)

THE PHOENICIAN SCHEME by WES ANDERSON at 08.30 11.15 (runtime 1h45)

The story of a family and a family business.

O AGENTE SECRETO (L’AGENT SECRET / THE SECRET AGENT)\by KLEBER MENDONÇA FILHO at 11:15 (runtime  2h38)

Brazil, 1977. Marcelo, a technology expert in his early 40s, is on the run. He arrives in Recife during carnival week, hoping to reunite with his son but soon realizes that the city is far from being the non-violent refuge he seeks.

EAGLES OF THE REPUBLIC (LES AIGLES DE LA RÉPUBLIQUE) by TARIK SALEH at 15:45 (runtime  2h07)

ALPHA by JULIA DUCOURNAU at 22:30 (runtime  2h08)

Alpha, a troubled 13-year-old lives with her single mom. Their world collapses the day she returns from school with a tattoo on her arm.

 

 

HORS COMPÉTITION SÉANCES SPÉCIALES & DE MINUIT (CANNES PREMIÈRE)

HIGHEST 2 LOWEST by SPIKE LEE at 19:00 (runtime 2h13)

When a titan music mogul (Denzel Washington), widely known as having the “best ears in the business”, is targeted with a ransom plot, he is jammed up in a life-or-death moral dilemma. Brothers Denzel Washington and Spike Lee reunite for the 5th in their long working relationship for a reinterpretation of the great filmmaker Akira Kurosawa’s crime thriller High and Low, now played out on the mean streets of modern day New York City.

DITES-LUI QUE JE L’AIME (TELL HER I LOVE HER) by ROMANE BOHRINGER at 19:15 (runtime 1h32)

Romane has directed a film adaptation of the book that Clémentine Autain wrote and dedicated to her mother, actress Dominique Laffin. Through this project, Romane is forced to confront her past and her own mother, who abandoned her when she was nine months old.

SPLITSVILLE by MICHAEL ANGELO COVINO at 19:30 (runtime 1h40)

Splitsville picks up with Ashley (Adria Arjona) asking for a divorce, watching as the good-natured Carey (Kyle Marvin) runs to his friends, Julie (Dakota Johnson) and Paul (Michael Covino), for support. He’s shocked to discover that the secret to their happiness is an open marriage; that is, until Carey crosses the line and throws all of their relationships into chaos.

 

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

ONCE UPON A TIME IN GAZA by ARAB NASSER & TARZAN NASSER at 11:00 (runtime 1h30)

Gaza, 2007. Yahya, a young student, forges a friendship with Osama, a charismatic restaurant owner with a big heart. Together, they start peddling drugs while delivering falafel sandwiches, but they are soon forced to grapple with a corrupt cop and his oversized ego …

MÉTÉORS by HUBERT CHARUEL at 14:00 (runtime 1h51)

France’s rural wasteland. Three long-time friends, Tony has become the construction king, Mika and Daniel the kings of nothing. They have big dreams but little luck. Cornered after another blunder, they end up working for Tony at the nuclear dumping ground. So far, so bad…

UN POETA by SIMÓN MESA SOTO at 16:45 (runtime 2h)

Oscar Restrepo’s obsession with poetry brought him no glory. Aging and e

Interview With Filmmakers Jenny Schweitzer Bell & Brian Bell for Short Doc "The Puzzle Palace" (2024)

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Interview With Filmmakers Jenny Schweitzer Bell & Brian Bell for Short Doc "The Puzzle Palace" (2024)THE PUZZLE PALACE

“Amassing the world’s largest puzzle collection is a labor of love for one inseparable couple.”

“The Puzzle Palace” (2024) is a short documentary film about the unique love story of George and Roxanne Miller, their life living in the suburbs of Boca Raton, Florida and their mutual passion for puzzles, proud owners of one of the world’s largest puzzle collections. The film was produced and directed by Jenny Schweitzer Bell and Brian Bell and held its world premiere at SXSW. 

In an interview with filmmakers Jenny Schweitzer Bell and Brian Bell about their film, here is what they had to say:

 

Can you tell us about your background and what led you to filmmaking?

JENNY & BRIAN: Jenny has embraced visual storytelling since adolescence, starting as a street and portrait photographer in her high school years.  After college she spent fifteen years working in production, coordinating and eventually line producing narrative feature films. Brian, a natural storyteller, transitioned from radio dramas in college to screenwriting at NYU, ultimately finding his niche in producing.

 

How did your working relationship begin?

JENNY & BRIAN: Our paths crossed in an indie film's production office in NYC in the early 2000’s, where Jenny coordinated, and Brian assisted the producers. Marriage and family followed, and Jenny shifted to creating short documentaries while Brian continued with feature films. “The Puzzle Palace” marks our first documentary collaboration. 

 

What do you love about documentary films that features cannot achieve? 

JENNY & BRIAN: Documentaries offer a raw, unfiltered reality that scripted narratives seldom match. “The Puzzle Palace” showcases this authenticity, capturing an unscripted, unpredictable journey that outstrips fictional storytelling. 

 

Can you share the genesis of “The Puzzle Palace” and its transformation into a film?

JENNY & BRIAN: Inspired by her father's interest in mechanical puzzles, Jenny delved into the niche world of puzzle enthusiasts, discovering the captivating Millers on YouTube. With our children away, we seized the opportunity to fly down to Boca with our cameras where we embedded ourselves in the Puzzle Palace and became fast friends with the Millers. 

 

What message do you hope audiences derive from your film?

JENNY & BRIAN: Embrace individuality and live boldly—this film champions the spirit of uniqueness and living life to its fullest. 

 

What was a standout puzzle during filming, and why?

JENNY & BRIAN: That’s easy. It was the life-sized replica sculpture of The Millers (they appropriately titled “The Lovers”) in an embrace with a rope belt that needed to be untied from around their waist. It epitomized the theme of the film and became the focal point.

 

How do puzzles enhance life quality, in your view?

JENNY & BRIAN: Puzzles mirror life's complexity and the satisfaction of problem-solving. They’re complicated and sometimes seemingly impossible to solve. But solving can ultimately bring great joy and fulfillment in one

Interview With Filmmakers Jenny Schweitzer Bell & Brian Bell for Short Doc "The Puzzle Palace" (2024)

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Interview With Filmmakers Jenny Schweitzer Bell & Brian Bell for Short Doc "The Puzzle Palace" (2024)THE PUZZLE PALACE

“Amassing the world’s largest puzzle collection is a labor of love for one inseparable couple.”

“The Puzzle Palace” (2024) is a short documentary film about the unique love story of George and Roxanne Miller, their life living in the suburbs of Boca Raton, Florida and their mutual passion for puzzles, proud owners of one of the world’s largest puzzle collections. The film was produced and directed by Jenny Schweitzer Bell and Brian Bell and held its world premiere at SXSW. 

In an interview with filmmakers Jenny Schweitzer Bell and Brian Bell about their film, here is what they had to say:

 

Can you tell us about your background and what led you to filmmaking?

JENNY & BRIAN: Jenny has embraced visual storytelling since adolescence, starting as a street and portrait photographer in her high school years.  After college she spent fifteen years working in production, coordinating and eventually line producing narrative feature films. Brian, a natural storyteller, transitioned from radio dramas in college to screenwriting at NYU, ultimately finding his niche in producing.

 

How did your working relationship begin?

JENNY & BRIAN: Our paths crossed in an indie film's production office in NYC in the early 2000’s, where Jenny coordinated, and Brian assisted the producers. Marriage and family followed, and Jenny shifted to creating short documentaries while Brian continued with feature films. “The Puzzle Palace” marks our first documentary collaboration. 

 

What do you love about documentary films that features cannot achieve? 

JENNY & BRIAN: Documentaries offer a raw, unfiltered reality that scripted narratives seldom match. “The Puzzle Palace” showcases this authenticity, capturing an unscripted, unpredictable journey that outstrips fictional storytelling. 

 

Can you share the genesis of “The Puzzle Palace” and its transformation into a film?

JENNY & BRIAN: Inspired by her father's interest in mechanical puzzles, Jenny delved into the niche world of puzzle enthusiasts, discovering the captivating Millers on YouTube. With our children away, we seized the opportunity to fly down to Boca with our cameras where we embedded ourselves in the Puzzle Palace and became fast friends with the Millers. 

 

What message do you hope audiences derive from your film?

JENNY & BRIAN: Embrace individuality and live boldly—this film champions the spirit of uniqueness and living life to its fullest. 

 

What was a standout puzzle during filming, and why?

JENNY & BRIAN: That’s easy. It was the life-sized replica sculpture of The Millers (they appropriately titled “The Lovers”) in an embrace with a rope belt that needed to be untied from around their waist. It epitomized the theme of the film and became the focal point.

 

How do puzzles enhance life quality, in your view?

JENNY & BRIAN: Puzzles mirror life's complexity and the satisfaction of problem-solving. They’re complicated and sometimes seemingly impossible to solve. But solving can ultimately bring great joy and fulfillment in one

The Festival Beat N°1123

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THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995  
 
I take this opportunity to extend our warmest wishes for a successful new year on the festival circuit. We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles.In the meantime we are busy maintaining the old site and offering some visibility and promotion in our temp dailies. Bruno Chatelin
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

With other 11 000 festivals worldwide which we cover: no surprise reaching the '1100' mark for our newsletters count. We proudly share our knowledge of the Festival circuit with our community and really hope our audience will ENJOY THE EXPERIENCE. In case you missed any of these 1100+ newsletters ... you ll find them all here.    

 
BERLIN in focus
HUB75 – The new Berlinale Festival Center opens for talks, networking and meetings
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TALKS. MEETINGS. CONNECTIONS. For the 75th anniversary of the Berlin International Film Festival, a new centerpiece has been built near Potsdamer Platz, right next to the red carpet of the Berlinale Palast:  HUB75. This Festival Center is an inviting place for encounters and exchanges. Various events for audiences and film industry professionals will take place here every day. PROGRAMME Feb 14 – 21, 202...
 
 

‘I HATE MYSELF AND WANT TO DIE’ At the Santa Barbara International Film Festival

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An interview with Star: Ali Gallo 
 

Meet rising Star, Ali Gallo! You might have catch her in ‘Incoming’ or ‘The Sex lives of college girls.’ Ali is the leading actress of the  new dark comedy ‘I hate myself and want to die’ directed by the very talented J.Davis who had directed a little gem: ‘Manson Family Vacation’. Ali Gallo is the young ‘Hayley’ who, with other friends and family members, are trying to stop the very depressed ‘Jacob’, played by the excellent Mike Castle, from committing suicide. Ali Gallo shines on the screen per her suave performance and the depth of the emotions she conveys. For sure she has a long career in front of her. As for ‘I hate myself and want to die’ and its director J.Davis the future is also bright and full of appreciation. The success encountered at the Austin film festival last year was just the first sign of a great run at many more festivals in 2025.

I was lucky to catch up with Ali, who lives in Los Angeles, and is excited to come to Santa Barbara, especially after the exhausting fire disaster that sent a shock wave all over the city of the Angels.

Q: What attracted you to play ‘Hayley’ and how did it happen?

Ali: I knew I wanted to play that part the second I read the script. As soon as I read it, I sent it to my team who manages me. I loved this script so much and I understood this character from the second I read it. I know exactly who she is, and I knew

Q: Talking about a message, what is this film truly about? What are the themes and the messages this film conveys?

Ali: To me, difficult topics like suicide and mental health; things of 

that nature; I find I like to explore them through humor. It’s really an approachable way to talk about it. The message of the film, I hope people get from it, is that life is worth living at the end of the day. And we all have something that’s worth living for. There is something for everybody.

Q: What were the challenges you faced making this film?

Ali: The hardest part was the weather. We had the craziest weather for California: it snowed! And it never snows. On top of this we were shooting mainly at night, so it was freezing. It was physically challenging and exhausting. And I was wearing that little dress, so you can imagine how tough this filming was. And I even got very sick at the end of the shooting. Also, there is the pressure of making a small independent movie. There is less room for error. It’s not like we can call the Studio, and we can get extra days and extra money. Or if it rains the Studio can put us on a soundstage. We didn’t have that luxury to get help. So, everybody had to work together very well. It’s a small crew and every person there is very important. Everything they do contribute and affect the whole production. But I love making independent movies because you feel you are part of an intimate family.

Q: What does the Santa Barbara film festival represent to you and what are your expectations?

Ali: I have never been to the Santa Barbara film festival so I’m not sure what to expect. But I’m excited about coming to this festival because I heard great things about it from friends who had been there. It’s all about sharing the film with an audience. I couldn’t go to the screening in Austin; therefore, I’m loo

The 12th Annual Boston International Kids Film Festival (BIKFF) returns with 60 films for, by or about kids.

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 BIKFF '24

12TH ANNUAL BOSTON INTERNATAIONAL KIDS FILM FESTIVAL SET TO TAKE PLACE NOVEMBER 22-24 AT MOSESIAN CENTER FOR THE ARTS IN WATERTOWN, MA

Festival for Families of Greater Boston to Showcase Films For, By and About Kids

 

 

The festival runs November 22-24, 2024 at Mosesian Center for the Arts in Watertown, MA. All screenings are open to the public and tickets can be purchased at bikff.org. Tickets for individual screenings start at $10 and festival passes begin at $59 for complete access to all screenings and question and answer sessions. Family discounts are available.

 

A program of Filmmakers Collaborative, BIKFF works to inspire kids to use the media to tell to tell their own stories while screening some of the best films that independent filmmaking has to offer.to offer. Both student and professional filmmakers will present full-length documentaries, animated shorts, and short narrative films appropriate for all ages (screenings are divided into age-appropriate blocks). The festival will also feature films made by students in FC Academy, an after-school and summer vacation filmmaking program that teaches students in grades k-8 how to make short films. More than half of the films being screened are student-made, with the producers and directors being 18 years or younger.

 

The festival kicks off on Friday, November 22 with a screening of "STAND UP & SHOUT." HBO Documentary Films, in association with Director and Producer Amy Schatz of Get Lifted Film Co., created this heartfelt documentary that follows a unique music program that teaches students to write, compose, produce, and perform original songs. Together with local musicians, they create an album that not only captures the challenging times they're living in, but also showcases the pure joy of making music . Mike Jackson, John Legend, Ty Stiklorius, and Tommy Benjamin are some of the film's influential executive producers.

 

The Saturday night feature will be ROBIN AND THE HOODS. Directed by Phil Hawkins, this family-friendly, action adventure stars Oscar-Nominee Naomie Harris (BOND, MOONLIGHT), Gwendoline Christie (STAR WARS, GAME OF THRONES), Mark Williams (HARRY POTTER) and Darcey Ewart (PRANCER: A CHRISTMAS TALE) and tells the story of an 11- year-old girl named Robin and her loyal band of friends, 'The Hoods', as they work to save their "magical kingdom" (the patch of scrubland on their street) from the threat of property development.

 

All day Saturday, November 23 and Sunday, November 24, the festival will feature a full slate of short films, sixty in total, across a wide range of categories. These films come from all over the world and are created by both professional filmmakers and students as young as 7 years old. This year's selections include a variety of powerful voices tackling issues like climate change and dyslexia, while others approach topics such as in-classroom learning with humor and heart.

 

In the festival's first "full circle" moment since its inception, local filmmaker and recent college graduate Ben Tobin, past recipient of BIKFF's "Best Student Film" award, now has a film in the professional short films category.

 

"All of our films showcase extraordinary kids doing things many adults only dream of," said Laura Azevedo, executive director of Filmmakers Collaborative, the festival's presenter. "At its heart, the Boston International Kids Film Festival is all about kids, and this year's selections highlight kids from all over the world doing some remarkable and inspiring work."

 

Awards will be presented for Best Docume

The 34th FilmFestival Cottbus: The competitions at a glance

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The 34th FilmFestival Cottbus offers exceptional cinema from Central and Eastern Europe in three exciting competitions from November 5-10.

In the feature film competition, twelve titles from 19 (co-)production countries will compete for the prestigious Lubina prizes, including the main prize for the best film (EUR 15,000, donated by Medienboard Berlin-Brandenburg), the special prize for the best director (EUR 7,500, donated by Rundfunk Berlin-Brandenburg rbb) and the prize for an outstanding individual acting performance (EUR 5,000, donated by Sparkasse Spree-Neiße).


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This year's competition once again showcases the stylistic and thematic breadth of Central and Eastern European cinema. Stories and experiences that reflect the challenges of life between family and society - between hope and grief, nature conservation and “turning point”, historical film and science fiction. Bittersweet screen adventures, realistic and touching, that leave nobody unmoved.

DWELLING AMONG THE GODS (RS/HR/IT 2024) by Vuk Ršumović is a modern-day Antigone drama about an Afghan family in Belgrade. The protagonist Fereshteh is faced with an almost impossible decision: should she continue her journey to the West, to a supposedly better future, or stay and give her brother, who died on the run, a proper burial? Magical suburban realism: in RIVIERA (GR/FR 2024), Orfeas Peretzis' debut, 17-year-old Alkistis faces a summer between loss and a new beginning. In UNDER THE VOLCANO (PL 2024) by Damian Kocur, a family from Kyiv struggles with the news of a war of aggression against their homeland during an involuntary vacation in Tenerife. The sci-film U ARE THE UNIVERSE (UA/BE 2024) by Pavlo Ostrikov tells of a destroyed Earth, togetherness in space and the last hope for a human encounter.


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U R THE UNIVERSE

In BIKECHESS (Assel Aushakimova, KAZ/FR/NO 2024), a female journalist is confronted with the limits of freedom of expression and attacks on women's rights in an authoritarian state. In the gripping thriller DEAL AT THE BORDER (Dastan Zhapar Ryskeldi, KG 2024), two smugglers in the mountains of Central Asia help a young woman to escape slavery, putting her own life in danger. GOOD CHILDREN (Filip Peruzović, HR 2024 2024) portrays the difficult emotional journey of a brother and sister who, after the death of their mother, have to break up the family home and come to terms with their past and their estranged relationship. In OUR LOVELY PIG SLAUGHTER (CZ/SK 2024) by Adam Martinec, a rural family tradition becomes the starting point for a sensitive, ironic portrait of morality reminiscent of the films of the Czechoslovakian New Wave.

SOUTHERN CHRONICLES (Ignas Miškinis, LT/EE 2024) is a touching coming-of-age story about two young people from different social classes in the Lithuanian province of the 1990s who fall in love despite all their social differences. The world premiere THE TOWER OF STRENGTH (Nikola Vukčević, ME/RS/HR/DE 2024) is set during the Second World War. A Muslim-Albanian family hides a Christian child and becomes the target of an Albanian SS division - a gripping historical film about courage and humanity. In THE TRAP (Nadejda Koseva, BG/DE 2023), the fierce Yovo fights agains

PÖFF unveils line-up and jury for 2024 Official Selection Competition

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Tallinn Black Nights Film Festival (PÖFF) reveals the full selection and the jury for the Official Selection Competition 2024. The flagship of the PÖFF programme comprises 18 titles, of which 11 are world premieres and 7 are international premieres. The jury is chaired by acclaimed German director Christoph Hochhäusler.

The Official Selection Competition has been run in its present form since the festival received it’s ‘A-category’ status from FIAPF in 2014. Ever since, the Official Selection Competition has been curated without geographic restrictions, whereas the main focus has always been on artistic quality and strong auteur cinema. 

"As always, there are all kinds of genres our Official Selection Competition. At the same time, we don't select films solely on the basis of genre, as the genre is rather a tool of expressing a message," says the festival director and the curator of the Official Selection Competition, Tiina Lokk. 

The Official Selection Competition 2024 has 18 titles from 23 countries. "In the Official Selection, we are not trying to highlight a certain theme or a particular region, we are free in our choices. This year's trends and topics include themes of old age, the end of life and euthanasia, perhaps due to the influence of COVID. On the other hand, bullying in schools and children's rights are topical issues too," Lokk shares her thoughts. 

As a festival director, Lokk wants society and festival audiences to think along with the filmmakers. "Being a film theorist myself, and coming from a generation of great audiovisually-minded directors, I am very happy to find submitted films, in which the plot develops not only through causal narrative, but through images and symbols. However, the competition also includes dramas with a linear storyline that are psychologically complex. For me, they are both appetizing, and the Official Selection has them both," she proudly says. 


OFFICIAL SELECTION COMPETITION 2024

Buzzheart | International Premiere
Greek director Dennis Iliadis (Hardcore 2005; The Last House On The Left, 2009) takes viewers to 1990s Athens, a city where he grew up. 19-year-old Argyris finds himself unexpectedly dating Mary, a beautiful girl seemingly out of his league. When she invites him to her parents’ secluded country home, the weekend quickly spirals into something far darker.  Aided by powerfully sinister performances, atmospheric cinematography and a suspensefully eerie score, Buzzheart carefully balances thriller, horror, and dark comedy to craft a slow-burning, tense exploration of love, manipulation, and control.  

Can I Get A Witness | International premiere
In a not-too-distant future where humanity has solved its greatest crises, there remains one unsettling rule: to preserve the planet, every person must end their life at 50, with teenage artists tasked with the difficult assignment of documenting humanity’s ultimate sacrifice. On her first day as an official witness, Kiah (Keira Jang), along with her co-worker Daniel (Joel Oulette), must navigate the emotional complexities of these duties, all while her mother Ellie (Sandra Oh) prepares for her own mandated departure. The director, Ann Marie Fleming, is an award-winning visual artist, writer, director, animator and cross-platform media maker who has worked in a variety of genres (animation, experimental, documentary and drama).

Deaf Lovers | World premiere
A young woman and a young man meet in Istanbul. They both lack the money to live in the foreign city and they are both deaf. They connect, spend time together and do what young people always d

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