Save the Date: The 2027 Las Cruces International Film Festival Returns April 14–18, 2027 LAS CRUCES, N.M. — The Las Cruces International Film Festival (LCIFF), presented byNusenda Credit Union, Visit […]
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For those taking notice, NYFF Artistic Director Dennis Lim has been increasingly moving towards giving indie studios an extra “option” for their world premiere destinations.
With a bit of rebranding (now sounds like a tennis ATP tour event) the Venice Open section which houses the non comp non-fiction films, also has a firm eleven fiction films with a lot of big name auteurs in not necessarily lesser films but items that are a better fit without a run at the Golden Lion.
This is not hyperbole. The Venice Film Festival have unveiled perhaps the most stacked Out-of-Competition Non-Fiction line-up in decades. It’s a who’s who list of some of the best working docu filmmakers in the business – they’re all shoring up in 2026 and some with punishing (in the context of a film festival) runtimes.
Cannes have the Un Certain Regard section, and Venice has the Orizzonti. While we do find some fresh new voices from the nineteen films selected we also find fresh new works from the likes of India’s Anuparna Roy, Greece’s Jacqueline Lentzou, Bangladeshi’s Rubaiyat Hossain, Thailand’s Phuttiphong Aroonpheng and the United States of America in Robert Greene.
As we had mentioned in our predictions piece over the weekend, the competition skews heavily dude-centric this year, with May El-Toukhy‘s Woman Unknown being the only female-directed entry among twenty films, while acquisition prospects are boosted by high-profile titles such as Casey Affleck‘s Company and Werner Herzog‘s Bucking Fastard.
From yesterday’s TIFF Platform section we now move to two dozen film offerings that populate the Discovery programme and at the top of the list we have the opening film titled Stuffed by Theo Rhys starring Jodie Comer and Harry Melling in what the fest calls the year’s most original, hilarious, and unexpectedly heartfelt romance, where love, death, and taxidermy collide.
Hungarian filmmaker Lili Horvát, actress-turned filmmaker Nathalia Acevedo and veteran French filmmaker Robert Guédiguian are among the ten in the female-centric competition line-up.
Barcelona-based world sales company MoreThan Films has acquired period road movie “Les Indes” (“The Indies”), co-written and directed by first-time feature filmmakers Pauline Julier and Nicolas Chapoulier, ahead of its premiere in the Venice Film Festival’s Giornate Degli Autori (Venice Days). Produced by Spain’s Lastor Media (“Alcarràs”) and Switzerland’s Alina Film (“The Currents”) and...
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