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Do Film Festivals Help Filmmakers Get Distribution?

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Do Film Festivals Help Filmmakers Get Distribution?

This is one of the most common — and most misunderstood — questions filmmakers ask.

The honest answer is: sometimes, but not in the way film festivals used to.

Distribution has changed dramatically over the last decade, and with it, the role film festivals play in that process.

How distribution used to work

For a long time, film festivals were the primary place distributors went to discover independent films.

Sundance Competition Title ‘Levitating’ Director Wregas Bhanuteja on Finding Joy in Trance Rituals, Clip Unveiled (EXCLUSIVE)

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For Indonesian filmmaker Wregas Bhanuteja, trance rituals aren’t about the supernatural or exotic — they’re about joy, community, and the many different ways humans find happiness. In “Levitating” (Para Perasuk), his latest feature competing in the World Cinema Dramatic Competition at Sundance, the director explores these themes through the story of a young musician’s obsessive […]

Rinko Kikuchi on Dance, Grief and Multicultural Love in Sundance Drama ‘Ha-Chan, Shake Your Booty!’

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Japanese star Rinko Kikuchi is returning to the Sundance Film Festival for the second time as a lead actor, bringing the multilingual drama “Ha-Chan, Shake Your Booty!” to Park City’s U.S. Dramatic Competition. The Tokyo-set feature, directed by Josef Kubota Wladyka, marks Kikuchi’s first Sundance selection since 2014’s “Kumiko, the Treasure Hunter.” Kikuchi, who received […]

FOR THOSE WHO COME AFTER | Most Epic Dramatic Hero Music

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? Tracklist: 0:00 — Yohei Kuriko — Lightfall 3:31 — Yohei Kuriko — Stronger Than Fate 6:20 — Yohei Kuriko — We Are The Dawn Label: Pandora Journey ⚔️ Genre: Epic • Heroic • Dramatic ? Ready? Hit play and let the emotions start to hit you #EpicMusic #HeroMusic #DramaticMusic Follow Yohei Kuriko & Pandora Journey: ▸ Spotify: https://open.spotify.com/album/0MZuUuhmFaLj1zfLjjncvF?si=T5UxxyU1QJ2JfmGjRnVpmA ▸ Apple Music: https://music.apple.com/us/artist/pandora-journey/1539811477 ▂ Epic Music World Websites: ▸ Keep Me Alive (Donation): https://goo.gl/iIsogi ▸ Epic Music World II: http://bit.ly/1Oo4n11 ▸ Facebook: https://www.facebook.com/EpicMusicWorld2/ ▸ Join Discord: https://discord.gg/ry5z8AZ ▸ Website: http://www.epic-music-world.com ▸ Patreon: https://patreon.com/EpicMusicWorld ▸ Soundcloud: https://soundcloud.com/epicmusicworld ▸ Instagram: https://www.instagram.com/epicmusicworld/ ? Animation by Realtime Motion Studios ▂ Image Artist: 无心哀石 ▸ Image: https://www.pixiv.net/en/artworks/97756295 ▸ Pixiv: https://www.pixiv.net/en/users/29028032 ▂ Copyright Info © ✔ Be aware the music and picture belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use this .➝ Please ask the artists and NOT me for permission !!!

MUSIC THAT MAKES EVERYTHING EPIC | World's Most Emotional & Powerful Music

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A 1-hour mix of the world’s most emotional & powerful epic music — orchestral, cinematic, motivational. Perfect for focus, writing, gaming, or pure inspiration. ? What you’ll experience: Heart-pounding orchestral power Emotional, uplifting melodies Epic crescendos & dramatic builds Music that turns everyone into heroes A journey through fantasy, adventure & battle-ready soundscapes ? Best for: Epic music lovers • Writers & creators • Gamers • Students • Dreamers • Anyone needing motivation or inspiration ⏱️ 1-Hour Mix Timecodes: 00:00 — Masara - Carpe Noctem 04:18 — Masara - The Journey 07:29 — Masara - Light up the Night 10:51 — Masara - Anima Mea 14:04 — Masara - Animale 18:05 — Masara - The Battle 21:21 — Masara - Macesa 25:49 — Masara - The Honour 30:15 — Masara - In the Stars 34:47 — Masara - Maribelle 39:59 — Masara - Rising Higher 44:42 — Masara - Libertas 48:51 — Masara - You Better Run 54:04 — Masara - The Boss 58:49 — Masara - The Fighter ? Tell me in the comments: Which track hit you the hardest? Support the Artists Masara & Fearless Motivation: ▸ Website/Contact: https://www.fearlessmotivation.com/ Stream & Download The Music: ▸ iTunes: https://goo.gl/2mF7gr ▸ GooglePlay: https://goo.gl/d754Fw ▸ Spotify: https://goo.gl/Uxmswh ▸ AmazonMP3: http://amzn.to/2F9lffx ▸ Worldwide MP3 Download: https://goo.gl/YdDX9d ★ Animation by Realtime Motion Studios ? Image Artist: GUWEIZ ▸ Image: https://x.com/ttguweiz/status/1925175506544300038/photo/1 ▸ Image Artist: http://guweiz.deviantart.com/ ▸ ArtStation: https://www.artstation.com/guweiz ▸ Instagram: https://www.instagram.com/guweiz/ ▸ Twitter: https://twitter.com/ttguweiz ▸ Tumblr: http://guweiz.tumblr.com/ ▸ Facebook: https://www.facebook.com/guweiz/ ▂ © Copyright Info ✔ Be aware all music and pictures belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use this .➝ Please ask the artists and NOT me for permission !!! #EpicMusic #EmotionalMusic #PowerfulMusic #CinematicMusic #EpicMusicMix

Release Rundown: What to Watch in December, From “Atropia” to “Endless Cookie”

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Written and directed by Hailey Gates, “Atropia” won the U.S. Grand Jury Prize: Dramatic at the 2025 Sundance Film Festival. By Lucy Spicer With less than two months to go until the 2026 Sundance Film Festival, we’re getting ready to expand our cinematic horizons and meet our new favorite independent films — as well as […]

The post Release Rundown: What to Watch in December, From “Atropia” to “Endless Cookie” first appeared on sundance.org.

I Will Hold You Until the End — Emotional Epic Music

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An emotional, dramatic and epic journey from those who built the sky to a future of a thousand stars—a last embrace held until the end. #EpicMusic #Emotional #Cinematic #Orchestral #EpicMusicWorld ? Best experienced on headphones. TRACKLIST 0:00 Mitchell Broom — We Who Built The Sky 4:08 Mitchell Broom — A Future Of A Thousand Stars ✦ Composer — Mitchell Broom • Spotify: https://tinyurl.com/y2e5chwn • Amazon Music: https://tinyurl.com/y5m29q9w • Apple Music: https://tinyurl.com/y4psw5sf • Twitter: https://twitter.com/MitchellRBroom • Discord: https://discord.gg/qW3hzKUHFB • YouTube: https://www.youtube.com/channel/UCyw9Je82vQpb_oIHbnf12-g? • Instagram: https://www.instagram.com/mitchell.broom/?hl=en ✦ Artwork by DIno — used with permission/license. • Artwork: https://www.pixiv.net/en/artworks/99837309 • Pixiv: https://www.pixiv.net/en/users/66807813 • Twitter: https://x.com/Dino_illus ◼︎ Connect with Epic Music World™ • YouTube Music: https://bit.ly/YouTubeMusicEMW • Spotify: https://bit.ly/EMWSpotify • Deezer: https://bit.ly/EMWDezeer • Apple Music: https://bit.ly/EMWApple • Amazon Music: https://rebrand.ly/EpicMusicWorld_AmazonMusic • Tidal: https://rebrand.ly/EMW_Tidal • Epic Music World II: http://bit.ly/1Oo4n11 • Facebook: https://www.facebook.com/EpicMusicWorld2/ • Instagram: https://www.instagram.com/kai_emw/ ✦ Animation by Realtime Motion Studios © Copyright Info ✔ Be the music and picture belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use the video material. All rights reserved. Do not reupload and ask the artists and NOT me for permission !!!

Director Rachel Feldman on LILLY, Patricia Clarkson, Netflix debut

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by Quendrith Johnson, Los Angeles Correspondent

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Imagine you’re a rookie film director, you land Academy Award nominee Patricia Clarkson with her unmistakable New Orleans guile plus a very fine cast including actor Thomas Sadoski for a movie about one of America’s unsung, true-life, gutsy working women? Director Rachel Feldman did just that. But there’s a caveat here… it only took 17 years.

Feldman had been coming up in the ranks as a TV helmer for years. From directing episodes of Lizzy McGuire to Blue Bloods to Criminal Minds. Count them up: 25 director credits in television, 11 writer credits. Better yet, let IMDb do the work, as you click here for her complete bio. Forgive the background shortcut. We’re here to chat with Feldman about the subject of her first-ever movie, LILLY. (Yes, there's an official trailer on Vimeo, linked at the end of our interview.)

So let’s get started because Rachel has a lot to share, and the film is available for you in just days from now on Netflix.

QUENDRITH JOHNSON: Can you describe LILLY for people who may not be familiar with her?

RACHEL FELDMAN: Lilly Ledbetter worked for the Goodyear Tire company in Gadsden, Alabama from 1979 – 1999, from the ages of 40-60, as a supervisor. Having been raised in poverty, her American dream was to see her children grow up in the middle class, and for that singular goal, for nearly 20 years, she was willing to work in an extremely hostile work environment, for the sake of the best paycheck in her county. But as retirement approached, she discovered that she was actually being paid nearly half of what the men with the same job were earning, and the rage that rose inside of her, from being cheated just because of her sex, transformed her into an activist who fought for the next ten years and changed an American law.

QUENDRITH JOHNSON: What made you put this movie together, and how long did it take to get to the screen?

RACHEL FELDMAN: Coming up when I did as a woman director in Hollywood, I experienced my own form of gender discrimination in the form of exclusion. When I landed in Hollywood, with an MFA in directing and several award-winning, grant-funded short films, only .05% of the film and television was being directed by women. So, when I saw Lilly Ledbetter speak at the 2008 DNC, I knew I was the filmmaker to tell her story. It’s 17 years since I was first inspired to make this film. The production had several incarnations, and a few stops and starts, but I had promised Lilly that I’d get it made, and I never lost that North Star.

Watch Rachel Feldman’s TedX talk about women who direct…

QUENDRITH JOHNSON: How did you get to Patricia Clarkson?

RACHEL FELDMAN: As a non-celebrity filmmaker, with no representation, and no budget for a top casting director, I realized that access to the kind of actor I needed for this role was going to be a challenge. I got very lucky when a very beloved actor found about my script and offered to