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Fan Bingbing on Her Most Transformative Role Yet in Tokyo Competition Title ‘Mother Bhumi’: ‘I’ve Fully Immersed Myself’ (EXCLUSIVE)

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Fan Bingbing is so unrecognizable in “Mother Bhumi” that even her friends didn’t know it was her. For the Chinese superstar, that’s exactly the point. “Seeing this kind of feedback for the first time actually made me quite happy,” Fan tells Variety ahead of the film’s competition premiere at the Tokyo International Film Festival. “I […]

PÖFF29 Reveals Lineups for Critics’ Picks and Rebels With a Cause Competitions

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The 29th Tallinn Black Nights Film Festival (PÖFF) has announced the selection for its Critics’ Picks and Rebels With a Cause competitions — two of its boldest and most forward-looking programs celebrating daring cinema and fearless storytelling.

The fourth edition of the Critics’ Picks competition is a cinematic feast for the brave and the curious, offering ten dazzling world premieres handpicked from across the globe and served fresh in Tallinn.

Now in his fourth year as curator, Nikolaj Nikitin, Head of the SOFA School of Film Advancement, describes this year’s lineup as “as wildly diverse as its passport stamps — from Iran to Peru, Canada to Tunisia, Mexico to Taiwan, France to Lithuania, and yes, Estonia too.”

“These are genre-bending gems that defy borders and expectations,” Nikitin adds. “From gritty noir and sharp political thrillers to sensual coming-of-age dramas and cinema-soaked thrill rides that remix the rules of storytelling — think of it as a gourmet menu for the cinephile palate: rich, risky, and radically original.
So, buckle up, movie lovers — these films aren’t just meant to be watched; they’re meant to be experienced."

 

Critics’ Picks Competition Films:

 

The Rebels With a Cause competition is curated for viewers who want to be challenged and explore new ways of storytelling. Launched in 2017, the competition strand has become increasingly popular with festival audiences.
Curator Javier Garcia Puerto says, “Rebels consolidates its commitment to the most daring films, combining powerful debuts — from Japan, Turkey, and Canada — with rebellious masters such as Lluís Miñarro, Jamie Adams, and Adrián Sitaru.” This year, the program features an all–world-premiere lineup.
He adds, “Rebels’ spirit goes beyond bold language and screen — featuring striking performances by James McAvoy, choreographer Lluís Garau, and the posthumous appearance of Marisa Paredes.”

 

Rebels With a Cause Competition

 

Doc@PÖFF 2025: International and Baltic Competition Programmes Announced

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The 2025 Tallinn Black Nights Film Festival (PÖFF) will showcase a compelling selection of documentaries in its doc@PÖFF International and Baltic Competitions. For the first time, Baltic documentaries and feature films will compete in separate programmes.

The 2025 Tallinn Black Nights Film Festival (PÖFF) will showcase a compelling selection of documentaries in its Doc@PÖFF International and Baltic Competitions. For the first time, Baltic documentaries and feature films will compete in separate programmes.

This year’s selection explores themes ranging from family relationships and traditional ways of life to politics and war, with stories set across the globe — from Moldova to the Himalayan mountains. Many of them also portray women who dare to dream big despite restrictive and challenging circumstances.

“The films in Doc@PÖFF programme open a restless world where bold, author-driven works captivate with their search for balance and understanding — and demonstrate that documentaries can be even more engaging than fiction,” says curator Marianna Kaat.

 

Doc@PÖFF International Competition Films

 

Doc@PÖFF International Competition Jury

Tania El Khoury (France)
A producer and founder of Khamsin Films (Beirut) and Les Films de l’Altaï (Paris), Tania El Khoury has produced acclaimed works such as The River (Locarno 2021) and Machtat (ACID Cannes 2023). A 2024 ACE Network fellow, she is known for fostering bold international collaborations.

Marianne Ostrat (Estonia)
An Estonian producer and founder of Alexandra Film and Fork Film Animation Studio, Marianne Ostrat’s credits include Smoke Sauna Sisterhood (Sundance 2023 Directing Award). Her films have screened at Venice, Locarno, SXSW and other major festivals. She is a member of the European Film Academy and PGA.

Daniel Abma (Germany)
German filmmaker and documentary director Daniel Abma is known for Beyond Wriezen, Transit Havana, and Autobahn. His award-winning, character-driven documentaries have screened at Karlovy Vary, IDFA, and DOK Leipzig. He teaches documentary directing at Film University Babelsberg and mentors at international pitching forums.

 

Doc@PÖFF Baltic Competition Films

Ching’s Secret Attack, now in a new, 9 minute, video pack

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Ching’s Secret Attack, now in a new, 9 minute, video pack

Few people know the recipé of this concoction. Those who know are keeping it a secret. But they have managed to sell millions/billions of sachets of this ‘Desi Chinese’ product, without spilling the beans. Ching, a variation of Qing, refers to the Manchu dynasty in China, which ruled during 1644–1912, and was the last imperial dynasty that ruled the country. In Mandarin Chinese, thousands of words have varying pronunciations. Sometimes the variation has the same meaning, sometimes it means something altogether different. English does not have the exact equivalents of these pronunciations, so approximations are common. But one thing is sure: Ching is King. Actor Ranveer Singh has been the brand ambassador of the Ching’s Secret products, manufactured in India, for 10 years, so Singh is Ching, Ching is King.

To mark the eleventh successive year of Ranveer’s association with the brand, the makers of the Ching products roped in director Atlee, to make an eight-and-a-half-minute ad film, Agent Ching Attacks, in the action feature film narrative style. Yes, you got that right. A 9 minute, or, to be precise, an 8 minutes 45 seconds ad film. Never heard of such a thing? Neither had I. But it is true. The film was shown to media and fans on Sunday, 19th October, at the PVR multiplex, Juhu, Mumbai. Present at the event, which started two hours late, were Atlee, Ranveer Singh, Bobby Deol and Sreeleela.

In the film, Ranveer plays himself, i.e. the Ching King, alias Secret Agent Ching. Bobby, a good-looking actor, plays the villain, who wants to capture Ching, and get the Thing (secret). Though he is, and has been, hero material, producers/directors have seen his Animal instinct in Ashram, and he is getting type cast as a villain. Sreeleela is an American-Indian, whose acting career began as a child artiste, and since then, she has acted in Telugu and Kannada films. This is her Hindustani debut. Well, a debut of sorts. One cannot really call an ad film as a debut film.

Conspicuous by his absence was Ajay Gupta, Founder of Capital Foods. The company was established in 1996, when it launched the only pan-Indian Desi Chinese sauce brand, Ching’s Secret, offering Soy Sauce, Green Chilli Sauce, Red Chilli Sauce and Chilli Vinegar--with an actual green chilli in the bottle. In 2024, Tata Consumer Products acquired Capital Foods. Also present on the occasion was Deepika Bhan, President, Packaged Foods (India), Tata Consumer Products. Asked how does she use her Ching’s Secret Schezwan Chutney, she was candid, “Being a Punjabi, I like it on my paratha”. Based in Mumbai, the company has manufacturing facilities in Nashik, Kandla and Vapi.

If you went by looks alone, you would not sign Atlee as the director of your next feature film. Moreover, he does not speak any Hindustani, something compère Malishka (RJ) found out in a hurry, and had to translate her question in English before she got a reply. But think again. This dark, diminutive man of 39, directed and co-wrote, Jawan, the 2023 ShahRukh Khan double role starrer that was made with a budget of Rs. 300 crore, and raked in four times that amount. Has he done ad films earlier? No. So how did he agree to do this one? “Initially, I refused the offer. But when I met Ajay Gupta, he charmed me into accepting it,” revealed Atlee. Ranveer remarked that Ching’s Secret was one of the first endorsements had ever done. “And look how time flies. Eleven years have passed since then.” Dressed very soberly, for a change, he complimented Bobby on his cream

Down MEMORY LANE : Filmfestivals.com proud presenter of the Hollywood European Award to The Sea Inside October 18, 2004

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A look back at Bruno Chatelin, filmfestivals.com co-founder, film veteran and former distributor with Sony, and UGC/Fox  adressing the room, 21 years ago, during the Hollywood Awards Ceremony at the Beverly Hilton, as co producer with Paula Wagner and Carlos de Abreu and sponsor of the Hollywood European Award. Chatelin handed the award to MAR ADENTRO (The Sea Inside), A film by Alejandro Amenábar.


With Leonardo di Caprio, Keanu Reeves and Mel Gibson.

The 8th Annual Hollywood Film Festival's "Hollywood Awards" ceremony, honoring independent filmmakers and established Hollywood professionals, was held October 18 before a standing-room-only audience of over 1,200 Hollywood Film Festival attendees at the Beverly Hilton Hotel in Beverly Hills. Special honors went to Newmarket Films' President Bob Berney, film preservation leader Robert Rosen, actor John Travolta, actor Leonardo DiCaprio, actress Annette Bening, director Michael Mann, producer Mel Gibson, screenwriter John Logan, actress Keira Knightley, actor Jamie Foxx, director Zach Braff, cinematographer Caleb Deschanel, editor Sally Menke, composer Thomas Newman, visual effects artist John Dykstra, costume designer Albert Wolsky, production designer Stuart Craig, make-up artist Ve Neill, casting director Debra Zane, and for animation "SHREK 2" directed by Andrew Adamson, Kelly Asbury and Conrad Vernon.
The Hollywood Film Festival presented the "Hollywood European Award" to "THE SEA INSIDE" by Alejandro Amenabar. Filmfestivals is the presenting sponsor of the HEA.

WHAT IS SPECIAL ABOUT THE HOLLYWOOD EUROPEAN AWARDS?
A PRIVATE INITIATIVE

Carlos de Abreu, Paula Wagner and myself (Bruno Chatelin Filmfestivals COO) decided that we wanted to let Europeans put a foot in the door here in Hollywood and make more of an impact this year.
Carlos De Abreu has a recognised sense for marketing ideas that are needed in the Los Angeles film community in which he has been working for the past 17 years.
He felt Europe needed a prize describing the diversity of the talent that can be found there and asked me and Filmfestivals.com to contribute in adding more impact to his initiatives towards European film.

Our purpose is to bring the best of Europe into Hollywood for a working tour within an industry that drives half of the film industry worldwide.
It benefits from the strong positive environment that the Hollywood Film Festival and Hollywood Awards Gala are creating year after year.
Our aim at the Hollywood European Awards is to showcase the diversity of talent that the theatre screens rarely show in this city, to rise above biased point of views. It is intended to bring the best of Europe into Hollywood for a working tour within an industry that drives half of the film industry worldwide.

I am also bringing specific European experience into this venture:
A background with 2 majors, operating the French distribution arm for Columbia TriStar and Fox, I merged Fox with UGC French major to build an industry leader. These companies have offered me the possibility to share with colleagues from other territories the culture of what is best suited for a country when imported from abroad, what plays well where and why? What is hot and what is not, here and there…
We at Filmfestivals (a company I co-founded) are adding the unique company’s experience gathered with and from our international audience (50% of our audience stems from t

Nantes Festival des 3 Continents Programme highlights

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47th EDITION OF THE FESTIVAL DES 3 CONTINENTS

Programme highlights : Taïwan, Sri Lanka and Egypt in the spotlight

From 21 to 29 November 2025, the Festival des 3 Continents returns to cinemas in Nantes and several other towns in the department for a new edition celebrating cinema from Africa, Latin America and Asia.

Ahead of the press conference scheduled for 30 October, during which the full programme will be revealed, the festival is pleased to announce today the highlights of this 47th edition, prepared under particularly difficult conditions due to the sudden and drastic withdrawal of all support from the Pays de la Loire Region.

Official Selection

Comprising an International Competition and Special Screenings, the Official Selection brings together recent or restored feature films (fiction and documentaries), most of which are world, European or French premieres. Four prizes will be awarded to films in the international competition: the Montgolfières d’Or et d’Argent, the Audience Award and the Young Jury Award.

All about love

 

Love stories in films seem to follow the same tired formula: love at first sight, declarations of love, painful separation and reunion, leading to the expected happy ending. So why do we continue to love them so much? Probably because we don't fall in love every day, and simply seeing this feeling arise and be experienced by others, even on screen, brings us back to the desire to inhabit the very idea of romantic reality. To explore this desire, this thematic programme aims to broaden the idea of love to include multiple forms of attachment (friendship, affection, tenderness), which are all ways of creating a sense of ‘us’ with others, from one continent to another. 

 

Ang Lee Retrospective (Taiwan)

 

A major figure in Taiwanese and international cinema, multi-award winner and two-time recipient of the Oscar for Best Director, Ang Lee will be honoured with a presentation of his filmography.

From Pushing Hands (1991) to Gemini Man (2019), via The Wedding Banquet (1993), Crouching Tiger, Hidden Dragon (2000) and Brokeback Mountain (2005), this complete retrospective will allow viewers to grasp the threads of a body of work that is unpredictable in its trajectory and innovative in its approach to film genres. These feature films tackle themes of intimacy, identity and social constraints, uprooting and parentage. 

Retrospective supported by the Taiwan Cultural Centre in Paris and the Taiwanese Ministry of Culture.

 

Focus on Sri Lankan cinema

The Festival explores Sri Lankan cinema with an exceptional programme of rare works, some of which have been restored, from one of South Asia's least known film industries. This retrospective is the result of a collaboration initiated in April with the National Film Corporation (NFC) and the Sri Lanka National Archives (SLNA) as an extension of the France - India - Sri Lanka Cine Heritage (FISCH) project on the occasion of the restoration of Sumitra Peries' masterpiece Les Filles by the Film Heritage Foundation.

Retrospective supported by the French Embassy in Sri Lanka.

Tribute to Youssef Chahine (Egypt)

As the centenary of his birth (1926–2008) approaches, the Festival could not fail to pay tribute to Youssef Chahine. Through eight films, we wanted to highlight the artistic commitment and modernity of the filmmaker who has had the most profound impact on the history of Arab and world cinema, through his longevity and aesthetic diversity

TIFF Interview with Director/writer Mathieu Denis for Gagne ton Ciel

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GAGNE TON CIEL / COST OF HEAVEN

TIFF  2025

An interview with Director/writer Mathieu Denis.

 

In this captivating movie directed by maverick director Mathieu Denis, a family man, ‘Nacer Belkacem’ played by the brilliant Samir Guesmi, takes progressively darker actions in his desperate pursuit of a better life as he is facing financial hardship and craving prosperity. There is a heavy feeling as you watch this film, and you start to identify yourself with this man who is struggling to make it, at any cost. We live in very challenging and draining times right now, and a movie like this brings a fresh perspective about what to do in times of super challenges. It’s a beautiful film that needs to find a distributor and a voice so one of the many, unheard, is finally coming to the forefront for some Re-Evolution.

 

Q: Such a beautiful and very moving picture. How did it come together? What were you to address with this film?

 

Mathieu Denis: This was an idea I had a while ago. It’s inspired by an event that happened in Montreal back in 2012. My story is loosely based on this event. I think my movie is more interesting if we don’t know much about it while watching it. So, let’s hold on a lot of surprises and invite people to go and watch my movie. They are up for a great surprise and some amazing twists. It’s about this man, in 2012, who was a family man and very involved with his community. He was an everyday every man. He ended up being arrested for something extreme he had done. I was drawn to the idea of making this film to understand what pushes an ordinary man to do such an extreme act. This was the first spark. Little by little, I read lots of things about this man and this event. But then, I put this idea to rest for a while. So, it was in a folder on my computer for a while. Two years after his arrest, in 2014, this man had his trial for his acts. It took a long time to get him to a court trial. At that time, there was even more information that was revealed about his actions and how he had done it and why he had done it. Many aspects of his story made it more interesting for me. For example, there was this financial component to it. He was an engineer with a good job and a happy family. But something was missing in his life. He was obsessed with the stock exchange and the financial world. He was trying to make more money than he was making. This was interesting to me. In many ways, it’s related to the World we live in. The economic system we live in, since the late 90’s hasn’t been really challenged. I have this impression that it’s not that there are no other values, but the main value in our world is materialism. It feels like this value goes over any other value, which means that if you don’t realize material success, then it’s very hard to feel like you have fully accomplished yourself in your life. So, obviously, this is a problem because I think there are other values one has to be judged about and feel great about. However, materialistic success often supersedes all other values. It’s maintaining us in a state of constant dissatisfaction with our own lives. Because it’s always possible to have more, and it’s also always easy to look at your neighbor or your friend and look at who has the bigger car, the bigger house. And so, you feel bad about yourself and the accomplishment you have made. The man in the film had reached a ceiling that he couldn’t surpass. He felt he was not realizing the full version of himself. All of that was about the amount of money he was making. It’s a very universal theme, I think. Also, the c

Jolly LL.B., Overview: Bikaner to Boston, in racing cars, and two advocates riding camels

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Jolly LL.B., Overview: Bikaner to Boston, in racing cars, and two advocates riding camels

Land acquisition, for building roads, bridges, residential and commercial buildings, factories and airports, are burning issues that have been making headlines in developing India for several decades now. These acquisitions are either by the government in power, or by companies that are owned by billionaires. In many cases, the government acquires the land, at a nominal price, only to hand it over to corporates, allegedly at peanut prices. In other cases, the corporates themselves manipulate the acquisitions, in cahoots with local government officials. Settlers and farmers, a majority of who are poor ‘adivasis’ (indigenous people or aboriginals), uneducated or semi-literate, who have been living and farming on that land for several hundred years, are suddenly uprooted, and their land grabbed. This deprives them of their only real wealth, causes erosion of forest and green cover, due to building activity, and mass migration of the hapless victims to strange places. Unable to face the take-over behemoth, some of them commit suicide. Sounds like an NGO’s rant, doesn’t it? Well, there is an NGO in the film, taking-up this cause, in Rajasthan’s Bikaner, and vowing to prevent it are two cranky, quirky, advocates, both called ‘Jolly’ who are at loggerheads with each other. Now, let us get into the cross examination.

A ruthless tycoon, Haribhai Khaitan, planning to expand his business empire, decides to acquire land in Bikaner, Rajasthan, under the guise of converting Bikaner into Boston, USA. With the help of corrupt government officials and an equally corrupt legislator, he manages to hoodwink and grab land owned by the indigenous people, living in the countryside, however, a group of 40 farmers and a woman with true grit, Janki Rajaram Solanki, resists take over. Distraught at the prospect of losing their land, and deeply shocked at being accused of having incestuous relations, members of her family commit suicide. In spite of such a huge tragedy, Janki is determined to hold on to her land, which was passed on by her husband’s ancestors to him. There is an NGO (Non-Government Organisation, known as Non-Profit Organisation, NPO, in the West), which is strengthening the cause of the farmers unwilling to part with their only real wealth and possession. But it has no impact on the machination of the corporation. This brings Janki to Delhi and she seeks out Advocate Mishra, also known as Jolly LL.B., a man known to have espoused the cause of poor litigants.

Janki tells Mishra that she is coming to him on a reference from a lady called Lakshmi. Mishra makes a joke of it, saying that he is always in need of ‘Lakshmi’ (the Hindu Goddess of wealth). He asks each of them for a fee of Rs.500 each which they say they cannot afford. Although he offers to reduce the fee to as low as Rs.200, they merely stare at him. He then asks them whether they have any money at all, and they say they have nothing. So he asks them how did they travel from Bikaner to Delhi and is told that they walked all the way. Unwilling to invest his own money in the case, he turns them away suggesting that they have probably come to the wrong Jolly LL.B. and that they should approach the other Jolly LL.B., No.1. Jolly LL.B. No.1, Advocate Tyagi, is equally unwilling to offer his services. Jolly 1 and Jolly 2 are always bickering about something or the other and accusing each other of stealing their clients, among other things. But, in an unimaginable scenario, the two Jollys join hands, to put-up a determined fight for the wronged and aggrieved farmers, and take on the might of the corporation.

There are three different elements at play he

The Festival Beat Special Venice Wrap edition 1139

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THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995 - FINALIZING YOUR NEW SITE - OUT SOON

HAPPY SUMMER AND BEST OF LUCK ON THE CIRCUIT

We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND FESTIVAL MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.   

 
 Digital Gym
VENICE IN FOCUS Photography by Laurent Hou and VIDEO by Sissy Lin Awards of the 82nd Venice International Film Festival
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The VENEZIA 82 Jury, chaired by Alexander Payne and composed of Stéphane Brizé, Maura Delpero, Cristian Mungiu, Mohammad Rasoulof, Fernanda Torres and Zhao Tao having viewed all 21 films in competition, has decided as follows:   GOLDEN LION for Best Film to: FATHER MOTHER SISTER BROTHER by Jim Jarmusch (USA, Ireland, France)   SILVER LION – GRAND JURY PRIZE to: THE VOICE OF HIND RAJAB by...
 

Venice independent collateral awards and events

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Collateral awards

1964 POP ART AWARD | Cineteca della Calabria
VALERIA BRUNI TEDESCHI
 

Arca CinemaGiovani Award | Arca CinemaGiovani
Best Film of Venezia 82: THE VOICE OF HIND RAJAB di Kaouther Ben Hania
Best Italian Film in Venice: LA GRAZIA di Paolo Sorrentino

 

Authors under 40 Award dedicated to Valentina Pedicini | Parallelo 41 Produzioni
Best directing: Laura Samani for UN ANNO DI SCUOLA (Italy, France) - Orizzonti
Best Screenplay: Mayra Hermosillo for VAINILLA (Mexico) - Giornate degli autori

 

BookCiak Award | Associazione Calipso
Winner: L’ÉTRANGER (THE STRANGER) by François Ozon

 

Brian Award | UAAR - Unione degli Atei e degli Agnostici Razionalisti
Winner: LA GRAZIA by Paolo Sorrentino

 

Fundacion Casa Wabi – Mantarraya Award | Fundaciòn Casa Wabi and  Mantarraya Production
to the director who won the Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film.

 

XXXVII Prix CICT-UNESCO Enrico Fulchignoni – Medaglia Fellini 2025 | Consiglio Internazionale del Cinema e della Televisione CICT UNESCO – Comitato Italiano
Winner: THE VOICE OF HIND RAJAB by Kaouther ben Hania

 

Cinema & Arts Award | Associazione Kalambur in collaboration with Ateatro e Centro Sperimentale Accademia Eleonora Duse
Best film: THE TALE OF SILYAN by Tamara Kotevska and QUI VIT ENCORE by Nicolas Wadimof
Special mention dedicated to a multidisciplinary artist: MORTEZA AHMADVAND (IRAN) and FIROUZEH KHOSROVANI (IRAN)

 

CinemaSarà Award | Fondazione Cineteca Italiana di Milano
Winner: SILENT FRIEND by Ildikó Enyedi

 

CROCE ROSSA ITALIANA Award | Croce Rossa Italiana
Winner: THE VOICE OF HIND RAJAB by Kaouther Ben Hania

 

Edipo Re Award | Edipo Re Srl Sociale in collaboration with Università degli Studi di Padova and Università Ca’ Foscari
Winner: THE VOICE OF HIND RAJAB by Kaouther ben Hania and SILENT FRIEND by Ildikó Enyedi
Young Jury Prize Ca’ Foscari: STRAIGHT CIRCLE by Oscar Hudson

 

Premio Fondazione Fai Persona Lavoro Ambiente | Fondazione Fai Cisl Studio e Ricerche
Winner: HUMAN RESOURCE di Nawapol Thamrongrattanarit
Special Mention (treatment of issues related to work): À PIED D’ŒUVRE (AT WORK) by Valérie Donzelli
Special Mention (treatment of issues related to environment): GHOST ELEPHANTS by Werner Herzog
Special Mention (treatment of issues related to social environment): SOTTO LE NUVOLE (BELOW THE CLOUDS) by Gianfranco Rosi

 

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