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The 61st Chicago International Film Festival announces its program

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Opening Night: One Golden Summer , Kevin Shaw's doc chronicling the inspiring & redemptive journey of the 2014 Jackie Robinson West Little League team to open the Festival.

North America’s Longest-Running Competitive Film Festival Presents 43 Features In Various Competitions, Including 29 World, North American, or U.S. Premieres

 

The 61st Chicago International Film Festival, North America’s longest-running competitive film festival, today announced its International Competitions for this year’s edition, running October 15 - 26, 2025. This year’s competitive titles include two world premieres, 14 feature films making their North American premieres and another 13 holding their U.S. premieres, with titles from countries around the world including Kyrgyzstan, Mexico, Germany, Tajikistan, Poland, Japan, Italy, Thailand, Iceland, France, and more, all vying for the Festival’s Gold Hugo award in the categories of International Feature, International Documentary, New Directors, and OutLook, in addition to Live Action, Documentary, and Animated Shorts competitions. 

 

Previous Chicago International Film Festival award winners have gone on to Oscar recognition, including THE SEED OF THE SACRED FIG (2024), CLOSE (2022), DRIVE MY CAR (2021) and THE WORST PERSON IN THE WORLD (2021) which were all nominated for Best International Feature Film at the Academy Awards, and Best Documentary Oscar nominee FOUR DAUGHTERS (2023).

 

The full slate of films for the 61st edition of the Chicago International Film Festival, running October 15 - 26, 2025, will be announced September 18, 2025. Tickets for Opening Night’s presentation of Kevin Shaw’s ONE GOLDEN SUMMER are on sale now, with tickets to the rest of the Festival’s presentations going on sale September 26, 2025. Cinema/Chicago members’ pre-sale tickets go on sale September 19, 2025; memberships now available at www.chicagofilmfestival.com/membership

 

International Feature Competition:

 

BLACK RABBIT, WHITE RABBIT (Tajikistan, United Arab Emirates)

Dir. Shahram Mokri

North American Premiere

 

THE CURRENTS Las Corrientes (Switzerland, Argentina)

Dir. Milagros Mumenthaler

 

KONTINENTAL ‘25 (Romania)

Dir. Radu Jude

 

LA GRAZIA (Italy) 

Dir. Paolo Sorrentino

 

THE LOVE THAT REMAINS Ástin sem eftir er (Iceland, Denmark, Sweden, France)

Dir. Hlynur Pálmason

 

MY FATHER’S SHADOW (UK, Nigeria)

Dir. Akinola Davies Jr.

 

RENOIR (Japan, France, Singapore, The Philippines, Indonesia, Qatar)

Dir. Chie Hayakawa

U.S. Premiere

 

THE SECRET AGENT O Agente Secreto (Brazil, France, The Netherlands, Germany)

Dir. Kleber Mendonça Filho

 

SILENT FRIEND (Germany, Hungary, France)

Dir. Ildikó Enyedi

U.S. Premiere

 

SIRÂT (France, Spain)

Dir. Oliver Laxe

 

SOUND OF FALLING In die Sonne schauen (Germany)

Great Works Regional Land Trust

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On September 19, 2025, join the Great Works Regional Land Trust (GWRLT) at Wells High School in Wells, Maine for their Wild & Scenic Film Festival On Tour Event. Audiences at the Wild & Scenic Film Festival can expect an inspiring, energizing, and community-centered evening. Attendees will experience: Award-Winning Films – A curated selection of […]

Interview With Italian Writer Director Gabriele Fabbro

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Interview With Italian Writer Director Gabriele Fabbro for Latest Feature Film TRIFOLE (2024) Director Gabriele Fabbro

Named by MovieMaker Magazine as one of the top 2022's screenwriters to watch, Gabriele Fabbro was born in 1996, in Milan, Italy. He's a film director with a BFA degree in Filmmaking from the New York Film Academy. Since 2011, he wrote, directed and produced over 30 productions including features, short films, music videos and commercials. Among his most recent works, he directed the music video "If You Run (2020)" for Josh Homme (Queens of the Stone Age). His latest short film "8 (2019)" screened at the 76 Venice Film Festival and his first feature film "The Grand Bolero (2021)", premiered at the 2021 Austin Film Festival, was one 2022's most awarded features from Italy and was in competition for the David di Donatello Awards, Italy's equivalent to the Oscars. Gabriele’s latest work, “Trifole” (2024) premiered at the Palm Springs International Film Festival and is currently touring festivals around the globe.

 

In an interview with Director Gabriele Fabbro about his recent film, here is what he had to say:

Can you speak about where you are from, your background and how you got into film?

FABBRO: I was born in Milan, Italy, and grew up in the countryside surrounding the city. I've been drawn to film since childhood. As a kid, I used to sketch my favorite scenes from Disney’s '90s classics. I started shooting and editing videos in middle school and began seriously studying filmmaking. After high school, I moved to Los Angeles to attend the New York Film Academy, where I had the opportunity to refine my craft and begin working for the film industry, first as an editor then more and more as a director.

 

How difficult is it to make an independent film in Italy?

FABBRO: Compared to the US, I'd say it's much easier in terms of production but far more difficult in terms of promotion. In Italy, making a film is still seen as a significant cultural and artistic event, so people are generally more enthusiastic about helping with production. The country offers incredible locations and skilled crew members. Aside from national film funds, almost every region has its own film commission with separate funding systems, meaning there are more opportunities to secure a larger budget if you choose to shoot in Italy. The country produces around 300 films per year, all with decent budgets.

FABBRO CONT’D: However, the real challenge lies in promotion. The industry in Italy is quite insular, operating in a way that often feels like an exclusive club. Audiences, distributors, festivals, and critics tend to highlight filmmakers who are already famous or connected within the industry. The US, thankfully, is the opposite. I experienced this firsthand with my latest film, “Trifole” (2024). Despite having three of the most famous Italian actors in the cast, our production—being relatively new and not deeply established in the industry—was largely ignored by major festivals in Italy. Fortunately, we secured a nationwide theatrical distribution deal with Officine UBU, which properly promoted the film. However, it still feels as if Italy’s film industry prioritizes already-established names rather than discovering new talent.

FABBRO CONT’D: On the other hand, the U.S. remains a great place for promotion. While it has its own challenges, the industry actively finds space for emerging filmmakers and builds a star system around them. For example, in the US, where our ca

Just one month left until RIFF 2025!

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8qqnPUXMcytM.pngDear RIFFer,

 

The countdown is on - only one month left until RIFF 2025 and we are more than excited to once again transform Reykjavik into a meeting point for filmmakers, cinephiles and people from all around the world.

 

This year’s festival is already shaping up to be extraordinary. Our 2025 visual identity, crafted by Krot & Krass, sets the tone for an edition full of creativity and discovery. 

We are honored to welcome acclaimed guests like the ones we already announced: Anton Corbijn, who will present two films alongside a masterclass, as well as Mohsen Makhmalbaf, our head of the New Visions Jury and Director Marziyeh Meshkiny, whose groundbreaking debut feature film will be screened as a part of the festival.

Attend the Masterclass

Alongside the Masterpieces of our Honorary Guests, the program features a wide range of different films and is now taking its final shape. With the RIFF 2025 Essential 10 films and the SMART7 category, we’ve already announced a glimpse of this year's diverse and inspiring program that is awaiting you this year.


 

Beyond the screenings, RIFF 2025 offers unique experiences that bring cinema closer to people of all ages. From Special Events like our Culinary Screenings where we combine the art of cinema with the pleasure of food, to UngRIFF workshops designed to inspire the next generation of filmmakers and cinephiles and a lot more to come.

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Cinematic Culinary Experience: Big Night
­

RETURN OF THE HERO | Epic Orchestral Music Mix

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? This mix features music by Twelve Titans Music: • Epic orchestral tracks filled with power, courage, and determination • Thundering drums, heroic brass, and soaring strings • A soundtrack of battles fought, legends reborn, and heroes rising again ? Perfect for: • Writing heroic fantasy stories • Epic battle scenes and cinematic trailers • Gaming sessions full of action and adventure • Staying motivated and conquering challenges • Inspiring creativity, focus, and inner strength Playlist: 01. 00:00 Twelve Titans Music - Ad Infinitum 02. 03:13 Twelve Titans Music - Return Of A Hero 03. 06:03 Twelve Titans Music - Guardian 04. 09:01 Twelve Titans Music - Together We Rise 05. 11:24 Twelve Titans Music - Once In A Lifetime 06. 14:13 Twelve Titans Music - Journey Forth 07. 16:55 Twelve Titans Music - Fires Of Creation 08. 19:39 Twelve Titans Music - Dynasty 09. 21:57 Twelve Titans Music - Ex Machina 10. 25:20 Twelve Titans Music - The Lost City 11. 28:14 Twelve Titans Music - Voyager 12. 31:04 Twelve Titans Music - Future Sight 13. 34:34 Twelve Titans Music - Boundless Dreams 14. 37:40 Twelve Titans Music - Ascendancy 15. 40:13 Twelve Titans Music - Dream Catcher 16. 43:43 Twelve Titans Music - Glimpse The Immaterial 17. 46:09 Twelve Titans Music - Memories Of Paradise 18. 48:46 Twelve Titans Music - No Place Like Home ?This Mix features Music from: Twelve Titans Music Album: Immortal & Journey Stream Immortal: ▸ Apple Music: https://tinyurl.com/3a4jtxct ▸ Spotify: https://tinyurl.com/4t69w3zj Stream Journey: ▸ Apple Music: https://shorturl.at/gJFMr ▸ Spotify: https://shorturl.at/ECSTh ▸ Facebook: https://www.facebook.com/twelvetitansmusic/ ▸ iTunes: https://smarturl.it/TwelveTitansApple ▸ Amazon: https://smarturl.it/TwelveTitansAmazon ▸ For Licensing this track please visit: https://search.twelvetitansmusic.com/ ▂ ? Image Artist: void_0 ▸ Image: https://www.pixiv.net/en/artworks/133376072 ▸ Image Artist: https://www.pixiv.net/en/users/14801956 ? Animation by Realtime Motion Studios ★ Buy Your Animation: https://realtimemotionstudios.sell.app/ ▂ © Copyright Info ✔ Be aware nearly all music and the pictures belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use the music which is not marked with "Epic Music World" in the title.

2025 Locarno Open Doors Winners revealed

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Open Doors, Locarno’s co-production platform and talent development program for filmmakers from equity seeking communities and regions where artistic expression is at risk, has announced its 2025 winners. In 2025, Open Doors entered its 23rd edition with a renewed focus on 42 countries from the African continent.

© Locarno Film Festival | Ti-Press

Six projects in development were selected for its co-production platform, Open Doors Projects, and were eligible for the three main cash prizes. Along with six creative producers who participated in the program’s career-building initiative, Open Doors Producers, and the directors of the short films of the Open Doors Screenings, who form the Open Doors Directors, they make up the full selection of this year's program.

 

The initiative's main award for the Open Doors Projects, the Open Doors Grant with a total value of CHF 50,000 sponsored by visions sud est (supported by the Swiss Agency for Development and Cooperation) and the City of Bellinzona, was divided among three projects: Black Snake, directed by Naishe Nyamubaya, produced by Sue-Ellen Chitunya (Zimbabwe) (CHF 25,000), Kachifo (Till the Morning Comes), directed by Dika Ofoma, produced by Blessing Uzzi (Nigeria) (CHF 20,000) and Journal Intime d'une Femme Chèvre (Diary of a Goat Woman), directed by Azata Soro, produced by Nameïta Lica Touré (Ivory Coast, Burkina Faso) (CHF 5,000). Kachifo (Till the Morning Comes) by Dika Ofoma spawned two more awards: the ARTEKino International Award, worth € 6,000, and the Sørfond Award, granting the project to participate in the Sørfond pitching event in November. Les Bilokos (The Bilokos), directed by Erickey Bahati, produced by Giresse Kassonga (DR Congo, France) scooped the CNC Development Grant endowed with € 8,000.  

 

The four prizes above were selected by the Open Doors Projects Jury. The jury consisted of Madeline Robert (Manager, visions sud est), John Canciani (Artistic Director, Internationale Kurzfilmtage Winterthur), Lucie Garnier (CNC Centre national du cinéma et de l’image animée, DEENTAL-ACP Programme Manager), Julie Savary (ARTE France, Head of Projects) and Ana-Marija Grøndahl (Films from the South, Head of Production).  

 

Additionally, the Open Doors partners - Tabakalera-San Sebastian Film Festival, Organisation internationale de la Francophonie (OIF), Rotterdam International Film Festival and World Cinema Fund - provided awards to participants across the three program strands.  

 

In 2025, Open Doors partnered up for the first time with MECAS, the International Market for Almost-Finished Films. MECAS gave out an award to June Wairegi (Giza Visuals, Kenia), one of the Open Doors Producers. The prize consists of participation in the market, with the opportunity for personalized meetings and networking, including travel and accommodation costs. The next edition of MECAS will take place

7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by film critic Mr. Lalit Rao

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Report: 7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by © film critic Lalit Rao (FIPRESCI) dated 29.07.2025 

 
The 7th edition of the Bioscope Global Film Festival (BGFF) was successfully held in Cuttack from 24th July to 26th July 2025, establishing itself once again as India's biggest showcase for independent cinema. Organized in close collaboration with the National Law University of Orissa (NLUO), the festival brought together cinéphiles, filmmakers, students, critics, and volunteers from across the country and abroad for a cinematic celebration that balanced artistic excellence with powerful social commentary.
 
Held across three days, the festival buzzed with the vibrant energy of young volunteers, mostly students, who infused the event with enthusiasm and a spirit of collective passion for cinema. Their efforts played a vital role in ensuring the smooth functioning of the event, from logistics to hospitality and audience engagement. Since its inception in 2014, Bioscope Global Film Festival has worked tirelessly to promote and nurture independent voices in cinema by offering a platform for diverse film genres across global boundaries. The 2025 edition showcased an impressive line-up of 111 films, encompassing feature films, short films, and documentaries, each tackling themes that challenge, inspire, or reflect the complex realities of human existence.
 
 
 
Celebrating the Best in Indian Cinema
 
Among the highlights of this year’s edition was “Bengal 1947”, directed by Akashaditya Lama, which received the Best Film Award. A compelling narrative centered on the tragic Partition of India, it revisited one of the darkest chapters in Indian history. The film was praised for its storytelling, emotional depth, and historical relevance. Actress Surbhi Srivastava, who portrayed a pivotal role in the film, was awarded the Best Actress Award, with critics lauding her deeply affecting performance.
 
The Best Actor Award went to Yash Soni for his moving role in the Gujarati film “Maaran”, directed by Abhishek Jain. The film is a searing critique of the atrocities committed against women in India, addressing the disturbing statistic that approximately 1,200 women go missing daily in the country, often falling victim to trafficking, violence, or systemic neglect.
 
The Best Short Film Award was presented to the Odia film “Chaari  Kaandha”, directed by Biswanath Rath. Tackling the poignant religious and societal dilemma—"Who will give four shoulders to a dead body for cremation?"—the film delicately examined this often-ignored issue in Hindu society, highlighting the silent suffering of the marginalized and elderly.
 
Cuttack’s own Bishweshwar Das brought home the Best Documentary Award for “A Tale to Begin With”, a poetic homage to Jayanta Mahapatra, one of India's greatest literary voices. The documentary is a meditative blend of Mahapatra’s verses and his final life journeys, making it a reflective tribute to poetry, legacy, and the passage of time.
 
Emerging Directors and Technical Excellence
 
The Best Director Award was claimed by Hiren Bora, the Assamese filmmaker known for his socially-conscious narratives, for his latest work “Burkha: The Veil”. The film narrates the journey of Reshma, a young gi

7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by film critic Mr. Lalit Rao

Rick W 0 72

Report: 7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by © film critic Lalit Rao (FIPRESCI) dated 29.07.2025 

 
The 7th edition of the Bioscope Global Film Festival (BGFF) was successfully held in Cuttack from 24th July to 26th July 2025, establishing itself once again as India's biggest showcase for independent cinema. Organized in close collaboration with the National Law University of Orissa (NLUO), the festival brought together cinéphiles, filmmakers, students, critics, and volunteers from across the country and abroad for a cinematic celebration that balanced artistic excellence with powerful social commentary.
 
Held across three days, the festival buzzed with the vibrant energy of young volunteers, mostly students, who infused the event with enthusiasm and a spirit of collective passion for cinema. Their efforts played a vital role in ensuring the smooth functioning of the event, from logistics to hospitality and audience engagement. Since its inception in 2014, Bioscope Global Film Festival has worked tirelessly to promote and nurture independent voices in cinema by offering a platform for diverse film genres across global boundaries. The 2025 edition showcased an impressive line-up of 111 films, encompassing feature films, short films, and documentaries, each tackling themes that challenge, inspire, or reflect the complex realities of human existence.
 
 
 
Celebrating the Best in Indian Cinema
 
Among the highlights of this year’s edition was “Bengal 1947”, directed by Akashaditya Lama, which received the Best Film Award. A compelling narrative centered on the tragic Partition of India, it revisited one of the darkest chapters in Indian history. The film was praised for its storytelling, emotional depth, and historical relevance. Actress Surbhi Srivastava, who portrayed a pivotal role in the film, was awarded the Best Actress Award, with critics lauding her deeply affecting performance.
 
The Best Actor Award went to Yash Soni for his moving role in the Gujarati film “Maaran”, directed by Abhishek Jain. The film is a searing critique of the atrocities committed against women in India, addressing the disturbing statistic that approximately 1,200 women go missing daily in the country, often falling victim to trafficking, violence, or systemic neglect.
 
The Best Short Film Award was presented to the Odia film “Chaari  Kaandha”, directed by Biswanath Rath. Tackling the poignant religious and societal dilemma—"Who will give four shoulders to a dead body for cremation?"—the film delicately examined this often-ignored issue in Hindu society, highlighting the silent suffering of the marginalized and elderly.
 
Cuttack’s own Bishweshwar Das brought home the Best Documentary Award for “A Tale to Begin With”, a poetic homage to Jayanta Mahapatra, one of India's greatest literary voices. The documentary is a meditative blend of Mahapatra’s verses and his final life journeys, making it a reflective tribute to poetry, legacy, and the passage of time.
 
Emerging Directors and Technical Excellence
 
The Best Director Award was claimed by Hiren Bora, the Assamese filmmaker known for his socially-conscious narratives, for his latest work “Burkha: The Veil”. The film narrates the journey of Reshma, a young gi

7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by film critic Mr. Lalit Rao

Rick W 0 74

Report: 7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by © film critic Lalit Rao (FIPRESCI) dated 29.07.2025 

 
The 7th edition of the Bioscope Global Film Festival (BGFF) was successfully held in Cuttack from 24th July to 26th July 2025, establishing itself once again as India's biggest showcase for independent cinema. Organized in close collaboration with the National Law University of Orissa (NLUO), the festival brought together cinéphiles, filmmakers, students, critics, and volunteers from across the country and abroad for a cinematic celebration that balanced artistic excellence with powerful social commentary.
 
Held across three days, the festival buzzed with the vibrant energy of young volunteers, mostly students, who infused the event with enthusiasm and a spirit of collective passion for cinema. Their efforts played a vital role in ensuring the smooth functioning of the event, from logistics to hospitality and audience engagement. Since its inception in 2014, Bioscope Global Film Festival has worked tirelessly to promote and nurture independent voices in cinema by offering a platform for diverse film genres across global boundaries. The 2025 edition showcased an impressive line-up of 111 films, encompassing feature films, short films, and documentaries, each tackling themes that challenge, inspire, or reflect the complex realities of human existence.
 
 
 
Celebrating the Best in Indian Cinema
 
Among the highlights of this year’s edition was “Bengal 1947”, directed by Akashaditya Lama, which received the Best Film Award. A compelling narrative centered on the tragic Partition of India, it revisited one of the darkest chapters in Indian history. The film was praised for its storytelling, emotional depth, and historical relevance. Actress Surbhi Srivastava, who portrayed a pivotal role in the film, was awarded the Best Actress Award, with critics lauding her deeply affecting performance.
 
The Best Actor Award went to Yash Soni for his moving role in the Gujarati film “Maaran”, directed by Abhishek Jain. The film is a searing critique of the atrocities committed against women in India, addressing the disturbing statistic that approximately 1,200 women go missing daily in the country, often falling victim to trafficking, violence, or systemic neglect.
 
The Best Short Film Award was presented to the Odia film “Chaari  Kaandha”, directed by Biswanath Rath. Tackling the poignant religious and societal dilemma—"Who will give four shoulders to a dead body for cremation?"—the film delicately examined this often-ignored issue in Hindu society, highlighting the silent suffering of the marginalized and elderly.
 
Cuttack’s own Bishweshwar Das brought home the Best Documentary Award for “A Tale to Begin With”, a poetic homage to Jayanta Mahapatra, one of India's greatest literary voices. The documentary is a meditative blend of Mahapatra’s verses and his final life journeys, making it a reflective tribute to poetry, legacy, and the passage of time.
 
Emerging Directors and Technical Excellence
 
The Best Director Award was claimed by Hiren Bora, the Assamese filmmaker known for his socially-conscious narratives, for his latest work “Burkha: The Veil”. The film narrates the journey of Reshma, a young gi

7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by film critic Mr. Lalit Rao

Rick W 0 47

Report: 7th Edition of Bioscope Global Film Festival 2025 – A Grand Celebration of Independent Cinema by © film critic Lalit Rao (FIPRESCI) dated 29.07.2025 

 
The 7th edition of the Bioscope Global Film Festival (BGFF) was successfully held in Cuttack from 24th July to 26th July 2025, establishing itself once again as India's biggest showcase for independent cinema. Organized in close collaboration with the National Law University of Orissa (NLUO), the festival brought together cinéphiles, filmmakers, students, critics, and volunteers from across the country and abroad for a cinematic celebration that balanced artistic excellence with powerful social commentary.
 
Held across three days, the festival buzzed with the vibrant energy of young volunteers, mostly students, who infused the event with enthusiasm and a spirit of collective passion for cinema. Their efforts played a vital role in ensuring the smooth functioning of the event, from logistics to hospitality and audience engagement. Since its inception in 2014, Bioscope Global Film Festival has worked tirelessly to promote and nurture independent voices in cinema by offering a platform for diverse film genres across global boundaries. The 2025 edition showcased an impressive line-up of 111 films, encompassing feature films, short films, and documentaries, each tackling themes that challenge, inspire, or reflect the complex realities of human existence.
 
 
 
Celebrating the Best in Indian Cinema
 
Among the highlights of this year’s edition was “Bengal 1947”, directed by Akashaditya Lama, which received the Best Film Award. A compelling narrative centered on the tragic Partition of India, it revisited one of the darkest chapters in Indian history. The film was praised for its storytelling, emotional depth, and historical relevance. Actress Surbhi Srivastava, who portrayed a pivotal role in the film, was awarded the Best Actress Award, with critics lauding her deeply affecting performance.
 
The Best Actor Award went to Yash Soni for his moving role in the Gujarati film “Maaran”, directed by Abhishek Jain. The film is a searing critique of the atrocities committed against women in India, addressing the disturbing statistic that approximately 1,200 women go missing daily in the country, often falling victim to trafficking, violence, or systemic neglect.
 
The Best Short Film Award was presented to the Odia film “Chaari  Kaandha”, directed by Biswanath Rath. Tackling the poignant religious and societal dilemma—"Who will give four shoulders to a dead body for cremation?"—the film delicately examined this often-ignored issue in Hindu society, highlighting the silent suffering of the marginalized and elderly.
 
Cuttack’s own Bishweshwar Das brought home the Best Documentary Award for “A Tale to Begin With”, a poetic homage to Jayanta Mahapatra, one of India's greatest literary voices. The documentary is a meditative blend of Mahapatra’s verses and his final life journeys, making it a reflective tribute to poetry, legacy, and the passage of time.
 
Emerging Directors and Technical Excellence
 
The Best Director Award was claimed by Hiren Bora, the Assamese filmmaker known for his socially-conscious narratives, for his latest work “Burkha: The Veil”. The film narrates the journey of Reshma, a young gi
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