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Ten (Plus) Bets for TFF #53-Vol. 7 / Who's Got What-Distributors: Amazon-MGM and Searchlight / Mike Leigh...May Be Done / Today's Correction: Possible Love

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 TEN (PLUS) BETS FOR TFF #53-VOL. 7



Only five weeks until we find out with certainty what will play at TFF #53.  Here's a reminder of what MTFB was predicting last week:

1) The Debut
2) Elsinore
3) Ink
4) Club Kid
5) La Bola Negra (The Black Ball)
6) A Long Winter
7) Minotaur
8) Fjord
9) Everest: The Other Side
10) Gentle Monster
11) Tenzig
12) Tender Loving Care
13) Bucking Fastard
14) Fatherland
15) The Story of Documentary Film

Other possibilities: Behemoth! Yellow Letters, Rose, Alpha Gang.

And here's your updated "Bets":

1) Elsinore
2) The Debut
3) Ink
4) Club Kid
5) La Bola Negra (The Black Ball)
6) A Long Winter
7) Fjord
8) Minotaur
9) Everest: The Other Side
10) Tender Loving Care
11) Gentle Monster
12) Tenzig
13) Bucking Fastard
14) Fatherland
15) The Story of Documentary Film

Other possibilities: Yellow Letters, Rose, Alpha Gang, The Unknown, Sense and Sensibility.



WHO'S GOT WHAT-DISTRIBUTORS-AMAZON-MGM AND SEARCHLIGHT

We're continuing to look at distribution companies that have a robust presence at Telluride over the last five years.  Today we look at both Amazon-MGM and then Searchlight.

AMAZON-MGM




Here are films distributed by Amazon-MGM at Telluride the last five fests:

2021: Encounter
2022: Wildcat, Goodnight Oppy
2023: Saltburn, Cassandro
2024: Nickel Boys
2025: Man on the Run

Additional Standout Winners of June-July 2026 – Awards of Excellence

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LOS ANGELES, CA — In addition to naming The Last Goodbye as Best Short of the Season, the June–July 2026 edition of IndieX Film Fest also recognizes three exceptional films with the Award of Excellence. From an intimate drama about addiction and recovery, to an inspiring documentary exploring the future of clean energy, and a thought-provoking dystopian […]

Who's Got What? Distributors-Sony Pictures Classics / Whispers: Elsinore??? / The Debut of The Debut?

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 WHO'S GOT WHAT? DISTRIBUTORS-SONY PICTURES CLASSICS



Here's the third installment for 2026 for taking a look at distribution companies which have had a strong relationship with the Telluride Film Festival.  Today we gaze at Sony Pictures Classics (SPC) which likely has the longest connection to the fest overall.  Though SPC comes in as the third most represented distributor over the last five years with 13 films appearing, the SPC/TFF connection goes back many more fests.  SPC is always a strong bet to have a film or films at TFF.

Here's the five year track record:

2021: The Duke, Julia
2022: Living, One Fine Morning, The Return of Tanya Tucker, Salvatore: Shoemaker of Dreams.
2023: Daddio, The Teachers' Lounge, They Shot the Piano Player.
2024: Don't Let's Go to the Dog's Tonight, The Outrun.
2025: Blue Moon, A Private Life

It's solid five year run averaging between two and three films per year,

Now, here's what's in the SPC treasure chest for a possible TFF #53 spot and my current guess about each film's probability of playing:

(If it's ready) The Statement/McCarthy  50%
Bitter Christmas/Almodovar 50%
Rehearsals for a Revolution/Ahangarani 30%
Iron Boy/Clichy 25%


WHISPERS; ELSINORE???


Andrew Scott at TFF #52 (Getty Images)



Maybe keep an eye out for Elsinore starring Andrew Scott.  The film is being shopped for U.S. distribution with a deal expected "soon".

The logline: A powerful, deeply moving and inspiring story of the actor Ian Charleson who faced incredible odds while preparing to give the performance of his life in Hamlet at the National Theatre in London.

Scott is starring as Charleson who is probably best known to Americans for playing Eric Liddell in Chariots of Fire.

Anyway, World of Reel and The Playlist reported in the last few days that it could be a surprise entry at the end of this year into the Oscar race.  

An intrig

ÉCU 2026: MEET THE WINNERS OF OUR FESTIVAL

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Behind the scenes with: Hanane Sarin, Samuel Vela Pérez and Ronen Eldar Written by Pia Stoffers Once again this year, the European Independent Film Festival has shown the strength and vitality of the independent indie cinema scene. The entire festival weekend was marked by unforgettable moments, inspiring storylines, and, above all, outstanding films that continue […]

Proud to be a 2026 Make It Better Foundation Philanthropy Award recipient

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Cinema/Chicago is proud to announce that we’ve received a 2026 Philanthropy Award from the Make It Better Foundation! We’re so grateful to MIBF for their generous support – and to have our programming and impact recognized alongside so many inspiring Chicago nonprofits and arts organizations.

The Make It Better Foundation’s annual Philanthropy Awards spotlight organizations that meet the highest standards of excellence, leadership, scalability, and impact. Each recipient is rigorously vetted by a panel of experts and selected for their contributions in making Chicago – and the world – a better place.[…]

The post Proud to be a 2026 Make It Better Foundation Philanthropy Award recipient appeared first on Cinema Chicago.

IFFR Pro Awards presented to projects across CineMart, Darkroom, Lightroom and Safe Harbour

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The winners of the IFFR Pro Awards were announced for 2026 in a ceremony held at ‘de Doelen’ on Wednesday 4 February. The IFFR Pro Awards celebrate outstanding projects from the CineMart, Darkroom, Lightroom and Safe Harbour selections, recognising bold artistic vision, innovation and international collaboration at different stages of development.

The winners were selected from the 21 projects for the 43rd edition of CineMart, alongside 10 projects for the work-in-progress platform Darkroom, nine immersive media projects under IFFR’s new industry platform for immersive storytelling Lightroom, and the four projects from Safe Harbour – the new market programme intended to uplift projects in development from emerging filmmakers who have experienced displacement or forced migration and who face limited access to professional networks, funding pathways and development opportunities. The Safe Harbour initiative has been developed in collaboration with the International Emerging Film Talent Fund (IEFTF).

Head of IFFR Pro, Marten Rabarts, said: “As our latest edition of IFFR Pro draws to a close, the breadth and evolution of this year’s programme was a true reflection of our commitment to meeting filmmakers’ shifting needs. This was echoed throughout the programme with the launch of Safe Harbour, Lightroom, CineMart x HBF and the Creators Lab, as well as our CineMart and Darkroom lineups which were stronger and more essential than ever. Tonight it was a privilege to come together and celebrate all the market projects, including the winners, each of which has gained remarkable momentum over the past few days – and to round out another powerful edition of IFFR Pro that has sparked connections, unlocked new partnerships and propelled projects closer to a life on the screen and beyond.”

IFFR Pro Days 2026

The IFFR Pro Industry Days officially concluded on Wednesday 4 February, following a programme of initiatives including CineMart and Darkroom, alongside Safe Harbour, expanding Rotterdam Producers Lab with a new Creators Lab for writers and directors, piloting of the Dutch Talent Market on Sunday 1 February, and welcoming the first HBF Reunion at the festival. 

The Pro Hub provided a meeting place, networking environment and hive of knowledge for the whole filmmaking and professional community at the festival, programming Pro Dialogues exploring topics that resonate directly with the programme – from Asian genre cinema and African independent film to putting sex on screen and contemporary Arab filmmaking – alongside priceless Meet the Experts sessions, Pro Encounters networking roundtables with festival programmers, Pitch Out! opportunities and one-to-one mentor meetings with industry insiders.

Reality Check: Lightroom

Additionally, IFFR’s Art Directions programme celebrated its 30th anniversary this year. To mark the milestone, IFFR Pro launched Lightroom – a new industry programme for immersive work hosted at Katoenhuis, featuring a project market and the Reality Check: Lightroom symposium on 31 January. The symposium brought together artists, producers, curators, technologists, funders and policymakers to explore how immersive storytelling can move from experimentation towards sustainable artistic and industry frameworks. 

The discussion highlighted three key challenges: defining “immersive” to set clear expectations and open institutional pathways; building community and collaboration across disciplines despite limited reach and distribution; and ensuring sustainability through proper documentation, archiving and shared resources to preserve XR&rsqu

Interview with Producer Ales Pavlin for Slovenian Blockbuster Hit Whites Wash At Ninety (2025)

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Interview with Producer Ales Pavlin for Slovenian Blockbuster hit Whites Wash At Ninety (2025)
 
 
You have been a prolific producer for decades when many find it such a difficult feat to produce a film today. What is your secret recipe?
 
ALES: My path of becoming producer was a little bit longer than expected, since I was coming from post-socialist country and the profession of producer as we know now was starting to develop in the mid 90-ies. Before becoming a producer I was professionally active for a few years in theatrical distribution (working as representative of United International Pictures in Slovenia), later in theatrical exhibition and finally for the last twenty years in production. My secret recipe would be to know very thoroughly all 3 basic parts of the film industry combined with a lot of passion and never resisting even when it is seems too hard to achieve a goal.
 
 
How do you choose the films you work on through your Slovenian based production company?
 
ALES: In last years I finally could become more demanding and do not work on projects which I don’t feel challenging enough. So I am looking for films which has something relevant to say and are not only local, but have international
potential.
 
 
Out of all your productions to date, do you have a favorite project you have worked on that you are most proud of?
 
ALES: A project which I can be most proud till now is feature film “Apples” (Greece-Poland- Slovenia coproduction) by first time director Christos Nikou, where I have met extremely talented director, recognized an amazing and unique project, met a great production team and a passionate sales agent. The film was very successful all over the world and brought the director the opportunity to work on a 2nd film already English speaking called “Fingernails” with Jessie Buckley, Riz Ahmad and Jeremy Allen White. I am also extremely proud of my latest film Whites Wash at Ninety which just started very successful way in cinemas.
 
 
Your latest film, Whites Wash at Ninety, has been a big hit at film festivals so far. Can you tell us about the story and adapting it from book to screen?
 
ALES: Whites Wash at Ninety, directed by Marko Nabersnik is a moving and inspiring story about the life of Bronja, as we follow her through various stages of life. As a child, she enjoys exploring the world with her younger brother, Rok. Her carefree life is shattered by the death of her mother from cancer. In her late teens, she must confront the same devastating disease when she is diagnosed with Hodgkin's lymphoma. The story is based on true events and the best-selling book of the same name. The film portrays Bronja's journey of growth during the 80s and 90s, as well as her personal transformation, offering hope and inspiration to viewers. It was a huge challenge to adapt it from the book which at the moment is translated in 8 world languages, but it seems we did it very well, due to respond of the audience all over Europe. It was the most anticipated Slovenian film in last 20 years and after two weekends in Slovenian cinemas it is already confirmed it will be a big cinema hit.
 
 
Can you tell us about the journey of producing this film? Where was it filmed and how did you cast it

2025 MY HERO International Film Festival's Virtual Awards Ceremony - December 13, 2025

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Save the Date- December 13th - MHIFF Virtual Awards Ceremony

Dear Friends We are thankful you are part of our global learning community. Please save the date for the 2025 MY HERO International Film Festival's Virtual Awards Ceremony - December 13, 2025. This year’s event will be hosted by activist and mentor Eva Haller as part of the Eva Haller Salon Series.

Haller is a longtime supporter of The MY HERO Project and annually presents the Women Transforming Media Award at the festival. Additional presenters include Kathy Eldon, from Creative Visions Foundation, Camille Zamora and Monica Yunus from Sing for Hope, activist Ron Kovic, and educator Esther Wojcicki.

The ceremony will also include a tribute to Jane Goodall, who was a close friend of Haller.

Attendance is free but donations are gratefully accepted. Register here.

Warmly,

The MY HERO Team

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Sean Baker (Anora...) to preside Red Sea Fest Jury

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The Red Sea International Film Festival (Red Sea IFF) is welcoming Academy Award®-winning filmmaker Sean Baker (Anora, The Florida Project) as the President of its Features Jury for its fifth edition, running 4-13 December.

Sean Baker is an Academy Award-winning filmmaker and trailblazer in independent filmmaking. His latest film Anora (2024) won five Oscars for Best Picture, Best Director, Best Original Screenplay, Best Editing, and Best Actress for Mikey Madison. Baker is also known for his breakout film Tangerine (2015), shot entirely on an iPhone 5S and a milestone in indie film. Baker's sixth major feature, The Florida Project (2017), earned actor Willem Dafoe a Best Supporting Actor nomination at the Oscars, Golden Globes, and BAFTA Award. His earlier projects, including Take Out, Prince of Broadway, and Starlet established the foundation for his distinctive style, noteworthy casting, and received both critical and festival acclaim. Baker is a dedicated advocate for independent filmmaking, consistently reshaping storytelling with genuine and daring narratives, and passionate about preserving Art House Cinemas in the U.S. and beyond. 

The Red Sea: Features competition honours all cinematic forms, from narrative to animation and documentary, featuring films from Asia and Africa, including the Arab world. 16 features will vie for the coveted Yusr Awards, with the winners being selected by Baker and the highly esteemed Jury. For 2024, the Golden Yusr for Best Feature Film was awarded to Red Path, directed by Lotfi Achour.

Faisal Baltyuor, CEO of the Red Sea Film Foundation, said: “Sean Baker is a trailblazing director whose dedication to championing authentic and meaningful storytelling through film is truly inspiring. He has continually pushed the boundaries of cinema with authentic storytelling and an unmistakable artistic vision, and we deeply admire his commitment to independent filmmaking. We are very proud to be bringing him on board to lead our features jury this year, fresh off his record-breaking success at the 2025 Academy Awards for our very special 5th edition.”

Sean Baker added: “It’s an honour to serve as Jury President for the Red Sea International Film Festival this year, taking the baton from Spike Lee. I’ve long admired how the festival champions bold, diverse voices from across the globe, and this year’s Feature Competition showcases some of the most daring and exciting new voices from the Arab world, Africa and Asia. Festivals like Red Sea IFF give independent films a vital platform and connect them with a global audience, I’m thrilled to be part of that celebration of cinema and look forward to engaging with the incredible titles in the competition line-up.”