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The Waco Independent Film Festival announces 2025 Film Lineup and Schedule

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Waco Indie banner

 
The Waco Independent Film Festival will take place In-Theater - July 17-20/Online Encore July 20-26

 
Julia Barnett’s family favorite A Christmas in New Hope
is the Opening Night U.S. Premiere presentation 
and Chris Beier’s award-winning drama
The Ego Death of Queen Cecilia is set for the Closing Night

 

  
A Christmas in New Hope, The Ego Death of Queen Cecilia

 
Waco, TX (June 14, 2025) – The Waco Independent Film Festival announced the film lineup and events schedule for next month’s edition of the popular film festival, which recently was named as one of MovieMaker Magazine’s “50 Film Festivals Worth the Entry Fee”. WIFF’s in-theater screenings will take place July 17-20, followed by an online encore July 20-26. The mark-your-calendar film event will lead off with an Opening Night presentation of Julia Barnett’s A Christmas in New Hope. Chris Beier’s The Ego Death of Queen Cecilia will be the Closing Night selection.
 
Waco Independent Film Festival’s footprint has expanded yet again, with screenings and events taking place at the historic Hippodrome, Texas Music Café, Falcon & Owl, Start Up Waco, and the Performing Arts Community Center. 
 
Waco Independent FF co-founders and directors Samuel Thomas and Louis Hunter, said, “While Waco Indie just got another stamp of approval from MovieMaker Magazine, the film festival has been building that reputation as a must-experience stop on the tour for indie filmmakers, and a popular ‘save the date’ destination for film fans for close to a decade now. But this year, as with every year, it all comes back to three key words: Waco, Independent, and Film. We may add locations, we may add more films, and events – and we always will because we keep seeing new ways to innovate, streamline, and assist our filmmakers with their development as artists. Ultimately though, and this year’s lineup demonstrates that: we never stop building and encouraging the Waco Indie family.”
 
Waco Indie’s Red Carpet entrances and Opening Night party, which has grown into one of Waco’s major social events, will take place at the Palladium (729 Austin Avenue), putting the film fans in the celebratory mood to literally enjoy Christmas in July with a special Opening Night presentation of Julia Barnett’s A Christmas in New Hope. The film stars Katrina Bowden as an influencer and mother of a child living with Down syndrome, who tries to save her bungalow from foreclosure before Christmas by entering a home-improvement competition in New Hope, Texas.Naturally, complications arise when her ex returns home after touring Europe with his new album. Meanwhile, she has fallen in love with her next-door neighbor, a Texas musician who has bonded with her daughter Charlie.
 
The official Closing Night selection will take place on Friday at the Texas Music Café featuring Chris Beier’s tense drama, The Ego Death of Queen Cecilia. Filmed in Austin, and an award-winner at Dances With Films: NY, the film focuses on a desperate on-the-edge former YouTube star who attempts to blackmail an old high school acquaintance in an attempt to make enough money to get her back on top again in the fame game. But she soon finds that she is in way over her head, at the mercy

Dandelooo Cinema Acquires Worldwide Rights To "My Life In Versailles - The Movie"

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Award-winning French animation production and distribution company Dandelooo is delighted to announce that its film division Dandelooo Cinema has secured a deal with French production company Films Grand Huit and Academy Award®-nominated studio Xilam Animation for the feature film My Life in Versailles – The Movie.  The deal gives Dandelooo Cinema exclusive worldwide distribution rights (excluding France, Italy, Germany and the UK).

 

Produced by Films Grand Huit and Mélusine Productions, with Xilam Animation and Miyu Productions on board as co-production partners, the 78-minute, 2D animated feature is currently in production.  French distributor Jour 2 Fête has scheduled its theatrical release in France for October 2025.

 

Aimed at children aged 6 to 10, My Life in Versailles – The Movie is a heartwarming story of resilience and connection set against the iconic backdrop of the Palace of Versailles.  Directed by Clémence Madeleine-Perdrillat and Nathaniel H'limi, the film blends kindness, sensitivity, humor and history all combined to captivate both children and families.

 

Lionel Massol, Producer at Films Grand Huit commented, “For many months now Clémence, Nathaniel and I have been working on this feature-length adaptation of
La Vie de Château surrounded by shared emotions – just like those of a theatre audience. We want the adventures of Violette and Régis to be experienced to the fullest - as a family, on the big screen. I am absolutely thrilled that Dandelooo, with its high-quality and carefully curated line-up has joined us in this great and beautiful adventure! They will be the perfect ambassadors for our story!”

 

“We are thrilled that Films Grand Huit chose Dandelooo as the International sales agent for the wonderful and meaningful My Life in Versailles – The Movie.  We have been fans since the very early stages of development of this most touching story”, added Luna Sirvin, International Sales & Acquisitions Manager, Dandelooo Cinema.

 

After her parents' passing, eight-year-old Violet goes to live with her uncle, Regis, a gruff maintenance worker at the Palace of Versailles. Despite a rocky start, Violet and Regis learn to live and face life's challenges together. Through complex friendships, first loves and a Christmas trip to Violet's grandparents, they slowly create a new life rich in discoveries and tender moments in the heart of Versailles.

 

 

 

#####

 

 

About Films Grand Huit

Films Grand Huit was founded in 2015 from by producers, Lionel Massol and Pauline Seigland, whose energies, temperaments, and backgrounds are as diverse as they are complementary. Together, they created a model that is uniquely their own: deliberately conceived as a light, agile, and bold structure, Films Grand Huit operates as a creative workspace that is both free and structured. Their shared vision is clear: to harness their complementary energies and experiences to foster the emergence of unique, original films.

 

A three-time César Award winner, with multiple selections at Cannes, Venice, and Toronto, the company supports its directors from short films to feature films—and now also series.

 

Films Grand Huit was the recipient of the

Daily for Cannes May 23rd

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THE MASTERMIND and JEUNES MÈRES   

 

COMPÉTITION (SÉLECTION OFFICIELLE)

RESURRECTION (RÉSURRECTION) by BI GAN at 8:30 (runtime 2h40)

In a world where humanity has lost the ability to dream, one creature remains entranced by the fading illusions of the dreamworld. This monster, adrift in reverie, clings to visions no one else can see—until a woman appears. Gifted with the rare power to perceive these illusions for what they truly are, she chooses to enter the monster’s dreams, determined to uncover the truth that lies hidden within.

ZAN O BACHEH (WOMAN AND CHILD) by SAEED ROUSTAEE at 12:00 (runtime 2h11)

Mahnaz, a 40-year-old widowed nurse, struggles with her rebellious son, Aliyar, who has been suspended from school. Family tensions reach a peak during the betrothal ceremony with her new boyfriend Hamid, and a tragic accident occurs. In the aftermath, Mahnaz will be forced to confront betrayal and loss, and to embark on a quest for justice.

JEUNES MÈRES by JEAN-PIERRE DARDENNE & LUC DARDENNE at 16:00 (runtime 1h44)

Jessica, Perla, Julie, Ariane and Naïma are housed in a shelter for young mothers. Five teenagers hoping for a better life for themselves and their babies.

THE MASTERMIND by KELLY REICHARDT at 18:45 (runtime 1h50)

In a sedate corner of Massachusetts circa 1970, JB Mooney (Josh O’Connor) an unemployed carpenter turned amateur art thief, plans his first big heist. When things go haywire, his life unravels.

 

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

CÉRÉMONIE DE CLÔTURE (CLOSING CEREMONY) at 20:30 

 

 

CANNES CLASSICS (SÉLECTION OFFICIELLE)

DIS PAS DE BÊTISES (WATCH WHAT YOU SAY) by VINCENT GLENN at 11:30 (runtime 1h21)

What is the connection between a pension reform and motorcycle racing, between the Louvre Museum and tenderness, between a phoenix and the work of a cinematographer, between abandonment and cruelty, between alcohol and memory? There is this film—woven like an essay, like a journey… or perhaps a journey on trial. At its origin, a heart surgery gone wrong. What follows unfolds like a tragicomedy, drawing a father and son toward an unknown destination. A luminous escape, punctuated by chiaroscuro, defiant colors, and black-and-white photographs. Something affirmative? Sometimes, old conflicts lead to conversations about the future—and the improbable eternity.

BARRY LYNDON by STANLEY KUBRICK at 14:30 (runtime 3h04)

Ryan O’Neal and Marisa Berenson star in director Stanley Kubrick’s lavish adaptation of William Makepeace Thackeray’s classic 18th-century novel about the rise and fall of a sensitive and dashing rogue, The Memoirs of Barry Lyndon, Esq.. Forced to leave Ireland after killing an English officer in a duel, handsome young Redmond Barry (O’Neal) seeks his fortune as a soldier in Prussia, as a spy then as a gambler living among the elite of Europe. He changes his name and marries an aristocrat (Berenson) for her wealth, but the acceptance he seeks finally eludes him.

WAQAI SININ AL-DJAMR (CHRONIQUE DES ANNÉES DE BRAISE / CHRONICLE OF THE YEARS OF FIRE) by MOHAMED LAKHDAR-HAMINA at 14:45 (runtime 

Daily for Cannes May 22nd

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RESURRECTION and ZAN O BACHEH

 

COMPÉTITION (SÉLECTION OFFICIELLE)

THE HISTORY OF SOUND by OLIVER HERMANUS at 8:30  (runtime 2h07)

Lionel is a talented singer from rural Kentucky raised on the songs his father would sing on the front porch. In 1917, he leaves his family farm to attend the Boston Music Conservatory. There he meets David, a charming music composing student who is soon drafted into the end of the war. In 1920, the two spend a winter walking through the forests and islands of Maine, collecting folk songs in order to preserve them for future generations. Lionel drifts through Europe in his twenties and thirties, building a new life of profound success and happiness, and experiencing new loves. Yet he is constantly drawn back to memories of his brief time with David, trying to understand the impact of their relationship. Eventually, a reminder of their work together reveals why their connection rang loud

AFFEKSJONSVERDI (SENTIMENTAL VALUE) by JOACHIM TRIER at 11:30 (runtime 2h15)

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father — and deal with an American star dropped right into the middle of their complex family dynamics.

ZAN O BACHEH (WOMAN AND CHILD) by SAEED ROUSTAEE at 15:30 (runtime 2h11)

Mahnaz, a 40-year-old widowed nurse, struggles with her rebellious son, Aliyar, who has been suspended from school. Family tensions reach a peak during the betrothal ceremony with her new boyfriend Hamid, and a tragic accident occurs. In the aftermath, Mahnaz will be forced to confront betrayal and loss, and to embark on a quest for justice.

RESURRECTION (RÉSURRECTION) by BI GAN at 22:15 (runtime 2h40)

In a world where humanity has lost the ability to dream, one creature remains entranced by the fading illusions of the dreamworld. This monster, adrift in reverie, clings to visions no one else can see—until a woman appears. Gifted with the rare power to perceive these illusions for what they truly are, she chooses to enter the monster’s dreams, determined to uncover the truth that lies hidden within.
 
 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE)

TESTA O CROCE? (HEADS OR TAILS?) by MATTEO ZOPPIS & ALESSIO RIGO DE RIGHI at 11:00 (runtime 1h59)

At the dawn of the 20th century, Buffalo Bill’s Wild West Show rolls into Italy, peddling the myth of the American frontier and sparking the imagination of Rosa, a young woman trapped in a stifling marriage to a powerful and violent landowner. When a rodeo between American cowboys and Italian butteri ends in tragedy, Rosa flees with Santino, the daring local rider who bested the Americans. But in a world where justice is sold to the highest bidder, Buffalo Bill and others join the hunt for the bounty on Santino’s head. Rosa’s dream of freedom quickly collides with the weight of reality—and like in every good Western ballad, fate flips a coin.

KARAVAN by ZUZANA KIRCHNEROVÁ at 14:00 (runtime 1h40)

Ester’s just turned 45 and has nothing in her

Cannes Festival Treats May 14 lineup

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COMPÉTITION (SÉLECTION OFFICIELLE):

SOUND OF FALLING by MASCHA SCHILINSKI at 15:00 (runtime 2h29)

Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.

TWO PROSECUTORS (DEUX PROCUREURS) by SERGEI LOZNITSA at 22:30 (runtime 1h58)

Soviet Union, 1937. Thousands of letters from detainees falsely accused by the regime are burned in a prison cell. Against all odds, one of them reaches its destination, upon the desk of the newly appointed local prosecutor, Alexander Kornev. Kornev does his utmost to meet the prisoner, a victim of corrupt agents of the secret police, the NKVD. A dedicated Bolshevik of integrity, the young prosecutor suspects foul play. His quest for justice will take him all the way to the office of the Attorney General in Moscow. In the age of the great Stalinist purges, this is the plunge of a man into the corridors of a totalitarian regime that does not bear said name.

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE):

*OPENING FILM* PROMIS LE CIEL (PROMISED SKY) by ERIGE SEHIRI at 19:30 (runtime 1h32)

Marie, an Ivorian pastor and former journalist, has lived in Tunisia for ten years. Her home becomes a refuge for Naney, a young mother seeking a better future, and Jolie, a strong-willed student carrying her family’s hopes. The arrival of a little orphan girl challenges their sense of solidarity in a tense social climate, revealing both their fragility and strength.

 

CANNES CLASSICS (SÉLECTION OFFICIELLE):

YI YI (YI YI – A ONE AND A TWO) by EDWARD YANG at 10:00 (runtime 2h53)=

NJ Jian, his wife Min-Min and their two kids are typical middle-class family, sharing their Taipei apartment with Min-Min’s elderly mother. NJ is a partner in a computer hardware firm which made big profits last year but will go bankrupt soon if it doesn’t change direction. He warms to the idea of teaming up with Ota, an innovative designer of games software in Japan, and enjoys spending time with the charming and urbane Japanese man. Things start to go wrong for the Jians on the day that Min-Min’s brother A-Di gets married. That’s the day when Min-Min’s mother suffers a stroke and is rushed to hospital in a coma from which she may never awaken. It’s also the day when NJ bumps into Sherry, his first childhood sweetheart, a woman (now married) he hasn’t seen for twenty years.

DAVID LYNCH, UNE ÉNIGME À HOLLYWOOD (WELCOME TO LYNCHLAND)by STÉPHANE GHEZ at 14:30 (runtime 1h02)

With an unwavering commitment to his creative vision and freedom, David Lynch, an artist fascinated by the most deviant depths of the human soul, has composed his oeuvre like a riddle to decipher, on the cusp between dreams and reality. From Eraserhead, his cult-classic first feature film; to Twin Peaks, which transformed the world of TV series; via Mulholland Drive, seen as the greatest movie of the 21st century, David Lynch has been taking us through the looking glass to explore the strange foundations of the American dream. In revisiting both the filmmaker’s life and his work, this documentary will probe his creative process and plumb the hidden meaning of an implacably consistent filmography.

RED CANYON (LE MUSTANG NOIR) de /

Cannes dailes for 14/06/2025

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COMPÉTITION (SÉLECTION OFFICIELLE):

SOUND OF FALLING by MASCHA SCHILINSKI at 15:00 (runtime 2h29)

Four girls, Alma, Erika, Angelika, and Lenka, each spend their youth on the same farm in northern Germany. As the home evolves over a century, echoes of the past linger in its walls. Though separated by time, their lives begin to mirror each other.

TWO PROSECUTORS (DEUX PROCUREURS) by SERGEI LOZNITSA at 22:30 (runtime 1h58)

Soviet Union, 1937. Thousands of letters from detainees falsely accused by the regime are burned in a prison cell. Against all odds, one of them reaches its destination, upon the desk of the newly appointed local prosecutor, Alexander Kornev. Kornev does his utmost to meet the prisoner, a victim of corrupt agents of the secret police, the NKVD. A dedicated Bolshevik of integrity, the young prosecutor suspects foul play. His quest for justice will take him all the way to the office of the Attorney General in Moscow. In the age of the great Stalinist purges, this is the plunge of a man into the corridors of a totalitarian regime that does not bear said name.

 

UN CERTAIN REGARD (SÉLECTION OFFICIELLE):

*OPENING FILM* PROMIS LE CIEL (PROMISED SKY) by ERIGE SEHIRI at 19:30 (runtime 1h32)

Marie, an Ivorian pastor and former journalist, has lived in Tunisia for ten years. Her home becomes a refuge for Naney, a young mother seeking a better future, and Jolie, a strong-willed student carrying her family’s hopes. The arrival of a little orphan girl challenges their sense of solidarity in a tense social climate, revealing both their fragility and strength.

 

CANNES CLASSICS (SÉLECTION OFFICIELLE):

YI YI (YI YI – A ONE AND A TWO) by EDWARD YANG at 10:00 (runtime 2h53)=

NJ Jian, his wife Min-Min and their two kids are typical middle-class family, sharing their Taipei apartment with Min-Min’s elderly mother. NJ is a partner in a computer hardware firm which made big profits last year but will go bankrupt soon if it doesn’t change direction. He warms to the idea of teaming up with Ota, an innovative designer of games software in Japan, and enjoys spending time with the charming and urbane Japanese man. Things start to go wrong for the Jians on the day that Min-Min’s brother A-Di gets married. That’s the day when Min-Min’s mother suffers a stroke and is rushed to hospital in a coma from which she may never awaken. It’s also the day when NJ bumps into Sherry, his first childhood sweetheart, a woman (now married) he hasn’t seen for twenty years.

DAVID LYNCH, UNE ÉNIGME À HOLLYWOOD (WELCOME TO LYNCHLAND)by STÉPHANE GHEZ at 14:30 (runtime 1h02)

With an unwavering commitment to his creative vision and freedom, David Lynch, an artist fascinated by the most deviant depths of the human soul, has composed his oeuvre like a riddle to decipher, on the cusp between dreams and reality. From Eraserhead, his cult-classic first feature film; to Twin Peaks, which transformed the world of TV series; via Mulholland Drive, seen as the greatest movie of the 21st century, David Lynch has been taking us through the looking glass to explore the strange foundations of the American dream. In revisiting both the filmmaker’s life and his work, this documentary will probe his creative process and plumb the hidden meaning of an implacably consistent filmography.

RED CANYON (LE MUSTANG NOIR) de / by&

The Cannes Market and Festival Beat - PREVIEWS

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Le blog de Cannes Market DailiesLe blog de Cannes
THE FESTIVAL BEAT MAKER : SHARING MOTION AND EMOTION SINCE 1995  
 
Filmfestivals.com was established in 1995 before google existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies. 
 
TAKE CENTER STAGE IN CANNES? : EMAIL ME FOR PROMOTION AND MARKETING HELP FOR CANNES: Bruno Chatelin
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.

THE MARKET BEAT

 

  Filmfestivals.com covered Cannes with over 300 articles
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Video coverage on our youtube account followed by 19.5K subscribers, 3.1K videos Playlist : Cannes 2024 (cannes coverage : 47 videos and Interviews Playlist : Fan de cannes (cannes coverage : 426 videos and interviews) 339 articles published https://www.youtube.com/@fest21comfilmfestivalscom/featured CANNES FESTIVAL Coverage 127 articles + 42 articles  en français MARCHE DU FILM Coverage 170 articles     CANNES ...
 

Cannes selections for IFFR-backed films and talent

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A spread of films and talent presented at CineMart and backed by the Hubert Bals Fund are once again a fixture of the Cannes lineup in 2025, telling profound family histories, stories of migrant resilience, Italian cowboys, the ruthless world of J-Pop – and a possessed vacuum cleaner.

Two titles were financially supported with €60,000 of production funds each through the HBF+Europe scheme.

Alumni of our Rotterdam Lab producers' workshop are also featured throughout the selections, working alongside some of the world’s most distinguished filmmakers, like Kleber Mendonça Filho, Julia Ducournau, Joachim Trier and Kelly Reichardt.

   

 
 
IFFR 2026 submissions now open
 
You can now submit completed features, shorts, mid-lengths and Art Directions (immersive media and installations) for IFFR 2026. Submit by 15 June for a reduced submission fee. 

CineMart submissions will open at the start of June.

Film still: La guitarra flamenca de Yerai Cortés by Antón Álvarez (IFFR 2025)
 
 
 

The Overlook Film Festival, the annual celebration of all things horror, announced the lineup

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 THE OVERLOOK FILM FESTIVAL ANNOUNCES FIRST WAVE LINEUP FOR NINTH ANNUAL CELEBRATION OF ALL THINGS HORROR 

 

Festival to Kick Off with Screening of New Christopher Landon Thriller Drop and Opening Night Party Honoring Shudder’s Tenth Anniversary

Flying Lotus Named Overlook’s Inaugural Guest Curator, Director Ernest Dickerson to Receive Master of Horror Award,  Author Joe Hill in Conversation to Highlight the Many Special Guests 

 

The Overlook Film Festival, the annual celebration of all things horror, announced today the first wave of the lineup for its 2025 edition. Taking place April 3 April 6 in New Orleans, Louisiana at the Prytania Theatres, the horror festival will welcome audiences back to America’s most haunted city with a terrifying selection of new and classic films as well as the extensive offscreen offerings including interactive events, live performances, immersive programming and special guests that the annual horror staple has become known for.

 

"No matter how many years this festival runs, every time we get to re-open the gates of our spectral summer camp feels like a miracle," said Landon Zakheim, co-founder and executive director of the Overlook FIlm Festival. "For all wayward souls and monster kids who gravitate to the macabre, we have something to satisfy your ghoulish cravings thanks to the brilliance of our artists, the passion of our tireless team, our incredible partners and this beautiful haunted city. Hell, we even have our first audio-animatronic this year."

 

This wide-ranging first wave festival lineup includes 47 films (25 features and 22 shorts) from 10 countries, as well as five live presentations and three immersive experiences, with many more exciting surprises to be announced as the festival approaches.

 

Kicking off the festivities as the Opening Night film will be Universal Pictures’ upcoming thriller Drop from Blumhouse and Platinum Dunes. Director Christopher Landon will be on hand, returning to New Orleans where he shot Happy Death Day and We Have a Ghost, to present his new, nerve-wracking whodunit. Starring Meghann Fahy, Brandon Sklenar and Violett Beane, Drop follows a widowed mother who, on her first date in years, arrives at an upscale restaurant where she meets her handsome suitor. But their chemistry begins to curdle when she is terrorized by a series of anonymous drops to her phone.

 

Following the screening, festival-goers and special guests will make their way to an unmissable party celebrating both the start of the festival and the tenth anniversary of Shudder, the iconic horror curation and streaming service. Hosted by Shudder, this one-of-a-kind event will kick off with a horror-infused second line and will include some very special guest performances. Honoring the company’s history and enduring influence on the genre as a whole, the party will feature many surprises from the streaming service’s extensive horror catalogue.

 

Highlighting the lineup of new and upcoming films is The Shrouds, the latest body horror exploration from the legendary director David Cronenberg. Starring Vincent Cassel, Diane Kruger and Guy Pearce, the film digs into Cronenberg’s classic obsessions, following a bereaved businessman who invents a technology allowing the living to monitor their dearly departed’s corpses. Other notable features include Hallow Road, director Babak Anvari’s pul

The line up for the 36th annual Palm Springs InternationalFilm Festival (PSIFF) announced

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 PSIFF%20Little%20Homepage%20Box.png
 
Fest to Open with “Better Man” and Close with “The Penguin Lessons”
  
Complete Line-up Includes 35 International Feature Film Oscar Submissions, a Spanish Film Focus, Pedro Almodóvar Spotlight, Talking Pictures, New Voices New Visions, Modern Masters, True Stories and World Cinema Now 
 
The 36th annual Palm Springs International Film Festival (PSIFF) announced that the Festival’s Opening Night film will be Better Man directed by Michael Gracey on Thursday, January 2, and will close with The Penguin Lessons directed by Peter Cattaneo on Sunday, January 12. The Festival will screen 158 films from 71 countries, including 68 premieres (3 World, 3 International, 15 North American, 15 U.S., and 32 California) from January 2-13, 2025.  The line-up includes 35 of the International Feature Film Oscar® ​​Submissions along with Talking Pictures, a  focus on Spanish films with a spotlight on Pedro Almodóvar, New Voices New Visions, Modern Masters, Queer Cinema, Cine Latino, True Stories, World Cinema Now, and more.  
   
OPENING AND CLOSING SCREENINGS  
 
The festival will open with Paramount Pictures’ Better Man, based on the true story of the meteoric rise, dramatic fall, and remarkable resurgence of British pop superstar Robbie Williams, one of the greatest entertainers of all time. The film is uniquely told from Robbie’s perspective, capturing his signature wit and indomitable spirit. It follows Robbie’s journey from childhood, to being the youngest member of chart-topping boyband Take That, through to his unparalleled achievements as a record-breaking solo artist – all the while confronting the challenges that stratospheric fame and success can bring.  It was co-written, co-produced and directed by Michael Gracey. The film will have a limited release on December 25 and open wide on January 10.
 
The festival will close with The Penguin Lessons with director Peter Cattaneo in attendance. In The Penguin Lessons, a deliciously wry Steve Coogan teams up with the director of The Full Monty in this irresistible dramedy about a disaffected English schoolteacher in militaristic Argentina, whose life – and those of his spoiled pupils – is transformed when he rescues and adopts an adorable penguin.
 
Highlights for this year with guests expected to attend include the local spotlight feature Bob Mackie: Naked Illusion with fashion designer Bob Mackie; Drive Back Home with actor Alan Cumming; Group Therapy with comedian London Hughes; Lilly with actress Patricia Clarkson; Millers in Marriage with actor Edward Burns; Reading Lolita in Tehran with actress Zar Amir Ebrahimi and a Family Day screening of Flow with director Gints Zilbalodis. The festival will have three world premiere titles: Bun Tikki with director Faraz Arif Ansari; The S
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