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Alexander Payne to Receive Pardo d’Onore in Locarno

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The Locarno Film Festival’s honorary leopard, presented by Manor, will be given to the internationally recognized and celebrated American filmmaker during Locarno78, on the night of Friday, August 15, 2025. Payne will also present his films The Descendants (2011) and Nebraska (2013) and participate in a public discussion with the festival audience. 

The distinctive voice behind a slate of dryly funny modern classics, writer-director Alexander Payne has secured his place on the short list of filmmakers whose work can be said to define American cinema in the 21st century. His films of have collectively won three Academy Awards, three BAFTAs, and eight Golden Globes in various categories, including for their memorable performances, and exemplify the pleasures of mid-budget filmmaking for grown-ups – a besieged artform ever in need of defense. He's the writer and director behind beloved films like Election (1999), About Schmidt (2002), Sideways (2004), Nebraska (2013), and most recently the celebrated The Holdovers (2023). 

Born in Nebraska in 1961, Payne studied filmmaking at UCLA, where his student work drew attention from Hollywood. By 1996, he had written and directed the ingenious politically charged comedy Citizen Ruth (1996), starring Laura Dern, which received major acclaim after premiering at Sundance. From there, Payne went on to realize a remarkable series of seven more feature films, with each distinguished by their elegant construction, biting humor, and extraordinary tragicomic performances from an astounding range of revered actors. For these achievements, the Locarno Film Festival is honored to bestow its Pardo d’Onore to Alexander Payne. 

Giona A. Nazzaro, Artistic Director of the Locarno Film Festival: “Alexander Payne is an erudite auteur with an encyclopedic cinephile knowledge. Gifted with an unerring sense for the bittersweet facets of human comedy, he is a filmmaker with sensibilities at once exquisitely classical and modern. An impeccable director of actors who has worked with such names as Jack Nicholson, George Clooney, Reese Witherspoon, Laura Dern, Matt Damon, Bruce Dern, and Paul Giamatti, in Payne we find a knowledge of the savoir-faire of Hollywood cinema, its poetry, and its uniqueness. Author of a unique filmography in which he has always addressed the complexities of the human condition with a smile in a constant dialogue with audiences worldwide.” 

The Pardo d’Onore has, since 2017, been made possible thanks to the support of Manor, Event Partner of the Locarno Film Festival. Over the years, the Festival's honorary leopard has been awarded to some of the most outstanding personalities in cinema. Previous recipients include Manoel de Oliveira, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Abbas Kiarostami, Terry Gilliam, Alexander Sokurov, William Friedkin, Alain Tanner, Jia Zhang-ke, Leos Carax, Werner Herzog, Agnès Varda, Michael Cimino, Marco Bellocchio, Alejandro Jodorowsky, Jean-Marie Straub, Todd Haynes, Bruno Dumont, John Waters, John Landis, Kelly Reichardt, Harmony Korine, and Jane Campion. 

 

 

The 78th edition of the Locarno Film Festival will take place from 6-16 August 2025. 

Milena Canonero, Costume Designer and Four Times Academy Award Winner, to Receive Vision Award

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Capture%20d%27%C3%A9cran%202025-07-03%20191105.png Admired for her groundbreaking collaborations with Stanley Kubrick, Hugh Hudson, Wes Anderson, Sofia Coppola, Warren Beatty, Alan Parker, Louis Malle, and countless others, the renowned Italian costume designer will be honored with the Vision Award, presented by Ticinomoda, at Locarno78, on the night of Sunday, August 10, 2025. During the Festival she will also introduce her most recent collaboration with Francis Ford Coppola, the monumental Megalopolis (2024).

 

Since making her debut as a costume designer on Stanley Kubrick’s A Clockwork Orange (1971), Milena Canonero has produced some of the most visionary costumes in film history and has shaped our collective imagination through the clothes we see on screen, using colorful fabrics and innovative cuts to draw out the essential natures of some of the most recognizable cinematic creations.

Take the Jazz Age tuxedos and gowns of Francis Ford Coppola’s The Cotton Club (1984), the pre-revolutionary aristocratic ruffles in Sofia Coppola’s Marie Antoinette (2006), Tilda Swinton’s elaborate, Klimt-like costumes in Wes Anderson’s The Grand Budapest Hotel (2014), or the stylish dark looks of Catherine Deneuve and Davie Bowie in Tony Scott’s horror film The Hunger (1983). Or take Warren Beatty’s magnificently colorful Dick Tracy (1990), the memorable outfits of Sidney Pollack’s Out of Africa (1986), the western get-ups of Jacques Audiard’s The Sisters Brothers (2018), the iconic costumes of Kubrick’s The Shining (1980) ... Or indeed, most recently, her interpretation of a postmodern Roman style in Francis Ford Coppola’s Megalopolis (2024) and her sixth collaboration with Wes Anderson on the ‘50s-set spy film The Phoenician Scheme (2025). From any of these titles, anyone can name a favorite design by Canonero, a testament to just how tightly her legacy is woven into the fabric of film history.

For her work, Canonero has been awarded four Academy Awards for Best Costume Design – for Stanley Kubrick’s Barry Lyndon (1975), Hugh Hudson’s Chariots of Fire (1981), Sofia Coppola’s Marie Antoinette, and Wes Anderson’s The Grand Budapest Hotel – three BAFTAs, three Costume Designers Guild Awards, the Honorary Golden Bear at the Berlinale, and various others. Her interests and talent extend beyond costumes, having designed the sets as well as costumes for Barbet Schroeder’s Single White Female (1992) and Roman Polanski’s stage play of Amadeus (1999). Canonero has also directed some shorts and commercials.

Canonero has worked on opera staged at the Metropolitan Opera House, the Vienna State Opera, La Scala, the Paris Opera Garnier, and other major opera houses.  She was Associate Producer on Good Morning Babylon (1987) by Paolo and Vittorio Taviani and produced two movies with Elda Ferri, a well-known Italian producer: Someday This Pain Will Be Useful to You (2011) and Hill of Vision (2022), the incredible story of Nobel Laureate Mario Capecchi. But it is her experience of having collaborated on three of Stanley Kubrick’s movies that most definitively shaped her into who she has become.

Giona A. Nazzaro, Artistic Director of the Locarno Film Festival: “Milena Canonero is a giant of the cinema and art of our times. Like a Renaissance artist, she has combined the profound wisdom of craftsmanship with the potential of cinema, thus opening infinite spaces for human

2025 Palm Springs International Shortfest Winners

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“Retirement Plan” Receives Best of the Festival

“Budō” Receives Best Animated Short

“Shanti Rides Shotgun” Receives Best Documentary Short

“Susana” Receives Best Live-Action Short Over 15 Minutes

“Medusa” Receives Best Live-Action Short Under 15 Minutes

   

The 2025 Palm Springs International ShortFest announced its Festival juried and audience award winners as part of the Awards Brunch at the Renaissance Hotel Palm Springs. Awards and cash prizes worth $30,000 including five Academy Award® qualifying awards were presented to the winners selected from the 311 short films that were part of the official selection. Sponsored by the City of Palm Springs, ShortFest took place June 24-30, 2025.

 

Oscar-Qualifying Awards:  

The winner of these awards may be eligible to submit their short to the Academy of Motion Picture Arts and Sciences for Oscar® consideration.   

   

Best of the Festival Award—Winner received $5,000 cash prize.

Jury: Caroline Lindy (Director, Your Monster); Carolina Groppa (Producer, Honk For Jesus, Save Your Soul); Cooper Raiff (Director, Cha Cha Real Smooth)

   

  • Winner: Retirement Plan (Ireland), Directed by John Kelly

  • Special Mention for Best Director: Passarinho (Mexico), Directed by Natalia García Agraz

  • Special Mention for Best Acting: Beyond Silence (The Netherlands), Directed by Marnie Blok

   

Best Animated Short—Winner received a $1,000 cash prize.  

Jury: Ahkeyah Andrada (Director of Development, Lord Miller); Mireia Vilanova (Producer, Cartuna); Ramin Zahed (Editor In Chief, Animation Magazine)

 

  • Winner: Budō (Sweden), Directed by Amanda Aagard and Alexander Toma

  • Special Mention: The Little Ancestor (Canada), Directed by Alexa Tremblay-Francoeur

   

Best Documentary Short—Winner received a $1,000 cash prize.  

Jury: Lauren Cioffi (Documentary Producer); Isis Masoud (Casting Director/Filmmaker/Actress, the Nonfiction Hotlist); Lauren Thelen (Programming Director, Nashville Film Festival)

   

  • Winner: Shanti Rides Shotgun (USA), Directed by Charles Frank

  • Special Mention: One Day I Will Hug You (Palestine/Sweden/Qatar), Directed by Mohammed Fares Al Majdalawi

   

Best Live-Action Short Over 15 Minutes—Winner received a $1,000 cash prize.

Jury: Manuel Betancourt (Critic, FilmWeek); Imani Davis (Film Programmer, American Cinematheque); Lucas Ford (Ford Films)

   

  • Winner: Susana (Mexico/USA), Directed by Amandine Thomas

PALM SPRINGS INTERNATIONAL SHORTFEST RETURNED JUNE 24-30, 2025

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The Palm Springs International ShortFest, one of the largest showcases of short-form cinema in North America, returned for its 31st-edition this year from June 24-30, 2025. Sponsored by the City of Palm Springs, this year’s ShortFest was presented at the Festival Theaters in Palm Springs. In addition to screenings, the ShortFest Forum occured with classes and panels featuring industry representatives, filmmakers, and additional guests. The ShortFest Awards and cash prizes worth $25,000, including five Academy Award-qualifying awards, was announced on Sunday, June 29. The Best of the Fest shorts screened on the final day, Monday, June 30.
 
Designated by AMPAS, BAFTA, BIFA and Goya Awards as an award-qualifying festival, the Palm Springs International ShortFest and Short Film Market is one of the most acclaimed short film showcases in the world. Last year, standout selections featured at ShortFest ranged from Oscar-winning live action short I’m Not a Robot, Oscar-nominated animated short Beautiful Men, and Oscar-nominated animated short Wander to Wonder to star-driven projects like Agonist with Peyton List, ALOK directed by Alex Hedison, Fish Out of Water directed by Francesca Scorsese, Holiday House with AnnaSophia Robb, ILY, BYE with Meg Stalter and Kanoa Goo, Unsettled directed by Bella Thorne, and Vlog with Yvonne Stahovski.
 
Other notable films that have screened at ShortFest include the Oscar-nominated documentary short Nai Nai & Wài Pó, live-action short The Old Young Crow, Oscar-winning documentary short The Queen of Basketball, Oscar-winning live action short The Long Goodbye with actor Riz Ahmed, and more. Over the past three decades, ShortFest has also been an early platform for famed filmmakers, with alumni such as Ava DuVernay (ShortFest 2006), Jason Reitman (ShortFest 2016), Jim Cummings (ShortFest 2016), Lukas Dhont (ShortFest 2012), Lulu Wang (ShortFest 2015), Taika Waititi (ShortFest 2004), among others.
  
The Palm Springs International Film Society is a 501(c)(3) charitable non-profit organization whose mission is to cultivate and promote the art and science of film through education and cross-cultural awareness. The Film Society produces the Palm Springs International Film Festival (PSIFF) and Film Awards in January and Palm Springs International ShortFest in June. In addition to curating the best in international cinema, PSIFF’s Film Awards has come to be known as the first stop on the campaign trail for the Academy Awards® and its Oscar®-qualifying ShortFest is the largest short film festival and market in North America. Its Festivals, year-round member screenings and educational programs manifest the organization’s mission by nurturing and encouraging new filmmaking talent, honoring the great masters of world cinema, and expanding audience horizons. The City of Palm Springs is the title sponsor of both festivals.
 
For additional information and tickets, call the festival headquarters at (760) 778-8979 or visit the website at Read more

Winners of Fest Anča International Animation Festival 2025

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Fest Anča’s Winning Films – Our Bodies in a Collapsing World

photo: Šimon Lupták

The 18th Fest Anča International Animation Festival has announced its award-winning films and directors. The Anča Award for Best Animated Short went to I Died in Irpin, while the Best Slovak Animated Short was awarded to Overture. These winning titles are now one step closer to the Oscar® Award, as Fest Anča remains the only Academy Awards® qualifying festival in Slovakia. This year’s international jury recognized films that reflect the disintegrating times we live in that resonate with the festival’s 2025 theme – OUR BODIES.

Best Animated Short


The main award went to I Died in Irpin, directed by Ukrainian filmmaker Anastasiia Falileieva. This Czech-Slovak-Ukrainian co-production tells the story of the protagonist and her partner fleeing Kyiv for Irpin during the events of February 24, 2022. The international jury – Sara Koppel, Raman Djafari, and Aneta Ozorek – praised the film’s powerful connection between the global and the personal: “The Russian invasion of Ukraine – which has destroyed communities and killed thousands – is ongoing. In the midst of this horror, a young woman is trapped in a house with her unfaithful boyfriend and his parents. This film shows how the political and the personal intertwine, painting a vibrant and emotionally rich document of the lived experience of a survivor. In all its pain, it leaves the viewer with hope and a belief in resilience and resistance.”

 

The jury awarded the Special Mention to the French film Exploding Girl, directed by the duo Caroline Poggi and Jonathan Vinel. The film follows the story of Candice, a girl who explodes two or three times a day. “Living in this moment means living in an age of genocide, oppression, rising authoritarianism and climate catastrophe. What anchors many of us are the people we love – the people who make us feel like we belong. This powerful film gives voice to the painful feeling of losing that love amidst the horrors of our times. It is a warning message: If we don’t change things now, this will not end well,” said the jury.

Best Student Animated Short

The same jury awarded the Anča Award for Best Student Animated Short to Mother’s Child by director Naomi Noir. This Dutch film explores the fusion of motherhood being a full-time carer for her disabled son. The jury praised the film for telling a story with sensitiveness and bringing dignity to the conversation about society’s most vulnerable members.

 

The Special Mention was awarded to a film that portrays the world of a small child facing loss and finding comfort in loving imagination. This recognition goes to the German film Pear Garden by Shadab Shayegan, an author originally from Iran.

Best Slovak Animated Short

The student film Overture by Jakub Hronský from UMPRUM – the Academy of Arts, Architecture and Design in Prague – won the Slovak competition. The film depicts humanoid insects whose presence and actions continuously alter and transform the surrounding world of a Bratislava housing estate. The jury – Sawako Kabuki, Lea Vidaković and João Gonzalez – praised the film's striking visuals and "Kafkaesque" atmosphere

The Special Mention went to Boiling Shapes by Samuel

Interview With Cuban American Director Producer Carlos Gutierrez

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Interview With Cuban American Director Producer Carlos Gutierrez

Carlos V. Gutierrez is a film and television director whose work has won numerous awards, including the prestigious Emmy Award, and has been featured on HBO and Showtime. In the commercial world, Carlos is a highly sought after director who works on national campaigns for Turbo Tax, Princess Cruises, Exxon / Mobil, Chevy and numerous others. His commercial work for clients includes a Super Bowl commercial and PSA's that have won international recognition.

 

In a recent interview with Carlos, here is what he had to say:

You started your media career in advertising and won awards in that career. How did you get into advertising?

CARLOS: I was studying to be a doctor and just had one of those epiphanies where you realize you’re meant for something else. I promised my parents I would have a job before graduating from undergrad and found advertising as a great way to create and learn how productions are put together.

 

How was your experience studying at NYU and how did you go about making your first short films?

CARLOS: I really think film school is a personal experience (especially at the grad level). It’s what you make of it and if you’re willing to subscribe to the fact the first year is a boot camp. The staff and professors want you to vomit out all your inspirations and ideas so that you can start to develop your style so by the time you hit second year your confidence about who you are as a director grows. Not to mention I had Spike Lee mentoring me and I have to say he was instrumental in shaping me into a professional filmmaker. Once I won a few awards, my confidence really went up and I started to feel I could do this, that’s where the school and the staff are critical into helping you understand what it takes to be a professional filmmaker. 

 

How has your advertising career and your background influenced your filmmaking?

CARLOS: My background as a Cuban American filmmaker started with my parents who always made me feel proud to be Latino and encouraged me to never shut up about it! I really tried to put that in my films when it made sense. Advertising was a great way to learn from masters like Spike Jonze, Alejandro Gonzalez Iñarritu and Doug Liman all of whom I watched direct while I was still a producer. 

 

Do you have a favorite early project you have worked on that you are most proud of?

CARLOS: Yes, that has to be the documentary short I did on my father called Journey Into Exile where it explored his personal battles of leaving Cuba and immigrating to the US. That film won best of fest and gave me some much-needed early confidence.

 

You are a writer, director and producer now. Can you tell us about projects you are working on now in each role?

CARLOS: I’m always a writer first since that was what I was doing since the age of twelve when I was writing short stories that scared my mom, and before I was twenty, I was a published poet. Writing for me is therapy and is really something I love to do, it’s the only time you have full creative control. As a writer / director I have three films in various stages of casting & financing ready to film in the next twelve months not to mention a docuseries we are taking out to market that will be an umbrella project encompassing the history of Cuba. As a producer, I have two TV series with partners I am really excited about and that we are taking to market this year. 

'Slumdog Millionaire' composer A. R. Rahman Guest of Honour at WSA2025

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Film Fest Gent welcomes 'Slumdog Millionaire' composer A. R. Rahman as Guest of Honour at 25th World Soundtrack Awards

To celebrate the 25th anniversary of the World Soundtrack Awards, Film Fest Gent is thrilled to welcome 'Slumdog Millionaire' composer A. R. Rahman as esteemed Guest of Honour. Widely regarded as India’s greatest living composer, A.R. Rahman’s legacy has reshaped the landscape of film music worldwide. From his groundbreaking score for the Tamil film Roja in 1992 to a remarkable portfolio of over 150 film scores, Rahman’s influence is immeasurable. Internationally, he gained global recognition for his work on Danny Boyle's Slumdog Millionaire (2008) and 127 Hours (2010), earning numerous accolades, including World Soundtrack Awards, Academy Awards and Grammys.

Film Fest Gent is delighted to announce A.R. Rahman as Guest of Honour at the World Soundtrack Awards Ceremony & Concert on Wednesday 15 October 2025, at Music Centre De Bijloke in Ghent. Brussels Philharmonic, conducted by maestro Dirk Brossé, will play a selection of works by A. R. Rahman during the presentation of the film music awards.

 
 
 
A. R. Rahman
 
 

“I am filled with gratitude to be recognized at the prestigious World Soundtrack Awards. I am excited to hear my compositions performed by the incredible musicians of the Brussels Philharmonic under the direction of Dirk Brossé." - A.R. Rahman

 
 
 

A.R. Rahman – A Musical Journey

A.R. Rahman was

Emma Thompson to Be Honored by Locarno Film Festival Where Her ‘The Dead of Winter’ Will Bow

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Emma Thompson will be honored by the Locarno Film Festival where her latest film, Brian Kirk’s action thriller “The Dead of Winter” – which she executive produced – will have its world premiere. Thompson, who is the only person in Academy Awards history to have won Oscars both for acting (“Howard’s End”) and screenwriting (“Sense and […]

Highest 2 Lowest

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The new Spike Lee Joint first premiered in theaters on Tuesday, May 20th, as part of the out-of-competition Cannes premiere section of the festival. Reimagining Akira Kurosawa's critically acclaimed masterpiece High and Low, Spike Lee's Highest 2 Lowest sees the story take place in modern-day New York City, where David King, a titan in the music industry, receives a call that his son has been taken and is being held for ransom. Catapulted into this moral dilemma where lives are at stake, he must make a fast decision! The film stars Denzel Washington (David King), Jeffrey Wright (Paul Christopher, David's friend and chauffeur), Ilfenesh Hadera (David's Wife), A$AP Rocky (Yung Felon, an up-and-coming artist), and Aubrey Joseph (Trey King, David's son). At the directing helm sits Spike Lee, an infamous director with countless classics to his name, such as: Do the Right Thing(1989), Jungle Fever(1991), Malcolm X(1992), and BlacKkKlansman(2018), this marks Spike's first feature-length film in five years since Da 5 Bloods in 2020.

There is nothing inherently bad about the film; it's an interesting plot, most of the performances are good, and the cinematography is fine, but it lacks much of what Spike Lee is famous for. This is a film that could've been directed by almost any working actor today, and for a man like Spike, who built his fame off of each of his movies looking and feeling like they've come right from Spike himself, this film is a letdown. However, as previously stated, it's not bad by any means; it just lacks all the flavor and pizazz that the director is known for, and that is a bit disappointing. Maybe it's the fact that it's produced by Apple, or maybe Spike has lost his relatability with the common man after so many years of being famous, but this just felt like another movie. There is no way that this was made by one of the greatest filmmakers in the past thirty years, starring one of the greatest actors in the last thirty years, and the story was a reimaging of one of the greatest films of all time, something just feels off, everything in this film feels gentrified. There will be people who love this movie, but no one will ever say that this is Spike Lee's best film, or this is Denzel Washington's best performance, and this will never be compared to the original High and Low.

All that aside, this was still a pretty fun film, with a surprising performance by A$AP Rocky and some cool scenes that felt like Spike Lee had some impact on them. Not going into specifics, but there is one scene in particular that involves a rap battle between two titular characters and the way the lyrics are written in a way that Spike Lee's influence is felt. Also, the last scene in the film is very timely and on point for what would happen today if the film took place in real life, and that's impressive considering how many films and filmmakers don't understand the world around them once they get too popular. Not coming from an acting background, A$AP Rocky is surprisingly good as Yung Felon, however, he should stick with music because he's much better at it, but if he ever wanted to get more into acting, this film shows that he could. Denzel is good in this, but it's a little underwhelming for a man with two Academy Awards under his belt. There was never a point in this film where his performance was impressive, not to say that he wasn't cool in the film, he was, but the film leaves the audience expecting more out of the main character of the film, and that's a large theme with the movie, expecting more. The film was fine, nothing special, but when incredible minds who are known for doing such amazing work come together to reimagine a masterpiece, it s

Filmmaker Eugene Jarecki has been awarded the first-ever Cannes Golden Globe Prize for Documentary

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Filmmaker Eugene Jarecki has been awarded the first-ever Cannes Golden Globe Prize for Documentary, Presented by Artemis Rising Foundation.

 

Jarecki is a two-time winner of the Sundance Grand Jury Prize, as well as multiple Emmy and Peabody Awards. His latest film, “The Six Billion Dollar Man”, premieres at Cannes on 21st May.

 

The Golden Globe prize honours a filmmaker for their contribution in shaping the documentary genre and challenging the way audiences see the world. The prize jury is : President of Golden Globes, Helen Hoehne; award-winning Founder & CEO of Artemis Rising Foundation, Regina K. Scully; Academy Award winning producer and Co-Founder of Impact Partners, Geralyn White Dreyfous; and, Actor & Producer Tessa Thompson.

 

In deciding to award Jarecki, the jury highlighted how “his films combine the skills of a journalist with the voice of a poet.” They commended him for “balancing penetrating analysis with fearlessness, compassion and empathy” - emphasising particularly “he helps us broaden our view of what is right and wrong,” and that “he is not afraid to look ‘under the hood’ of society and expose what is being rewired without our consent.” They felt overall that “Jarecki's films deeply challenge our perspectives, and inspire us to defend our most fundamental freedoms.”

 

The jury said: “Eugene Jarecki embodies the very spirit of what this prize was created to honor. His documentaries are fearless, unflinching, and profoundly human - they don’t just inform, they transform. At a time when truth is under pressure, Eugene’s work reminds us of the power of storytelling to provoke, enlighten, and ultimately defend democracy itself. We are proud to recognise his extraordinary contribution with the first-ever Cannes Golden Globe Prize for Documentary.”

 

The prize winner was announced by Thompson at a special Marché du Film event. In her remarks, Thompson said, “I think in exposing the vigor required in pursuit of truth, we cannot assume any government is interested in our proximity to it. The art and power of documentary is to show the ultimate cost and sacrifice of those who work to expose the truth - and how hugely important it is to continue to dig, question, and protect both the truth and the people and institutions who devote themselves to it.”

 

The prize launch highlights the Golden Globes’ and Artemis Rising Foundation’s joint commitment to recognising and elevating the importance of documentary filmmaking, together with supporting partner Think-Film Impact Production.

 

About Golden Globes

As a premier entertainment awards show since 1944, the annual Golden Globes has honored achievements in both television and film. Over the last three decades, the Golden Globes has enabled donations of more than $55 million to entertainment-related charities including scholarship programs, film restoration projects and humanitarian efforts. This funding has also supported diverse programs in partnership with advocacy groups aimed at promoting greater access in Hollywood for underserved communities. Dick Clark Productions is the owner and producer of the Golden Globes. For more information on the Golden Globe Awards, please visit

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