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The Festival Beat Special Venice Wrap edition 1139

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THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995 - FINALIZING YOUR NEW SITE - OUT SOON

HAPPY SUMMER AND BEST OF LUCK ON THE CIRCUIT

We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND FESTIVAL MARKETING HELP 
 
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We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.   

 
 Digital Gym
VENICE IN FOCUS Photography by Laurent Hou and VIDEO by Sissy Lin Awards of the 82nd Venice International Film Festival
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The VENEZIA 82 Jury, chaired by Alexander Payne and composed of Stéphane Brizé, Maura Delpero, Cristian Mungiu, Mohammad Rasoulof, Fernanda Torres and Zhao Tao having viewed all 21 films in competition, has decided as follows:   GOLDEN LION for Best Film to: FATHER MOTHER SISTER BROTHER by Jim Jarmusch (USA, Ireland, France)   SILVER LION – GRAND JURY PRIZE to: THE VOICE OF HIND RAJAB by...
 

Venice independent collateral awards and events

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Collateral awards

1964 POP ART AWARD | Cineteca della Calabria
VALERIA BRUNI TEDESCHI
 

Arca CinemaGiovani Award | Arca CinemaGiovani
Best Film of Venezia 82: THE VOICE OF HIND RAJAB di Kaouther Ben Hania
Best Italian Film in Venice: LA GRAZIA di Paolo Sorrentino

 

Authors under 40 Award dedicated to Valentina Pedicini | Parallelo 41 Produzioni
Best directing: Laura Samani for UN ANNO DI SCUOLA (Italy, France) - Orizzonti
Best Screenplay: Mayra Hermosillo for VAINILLA (Mexico) - Giornate degli autori

 

BookCiak Award | Associazione Calipso
Winner: L’ÉTRANGER (THE STRANGER) by François Ozon

 

Brian Award | UAAR - Unione degli Atei e degli Agnostici Razionalisti
Winner: LA GRAZIA by Paolo Sorrentino

 

Fundacion Casa Wabi – Mantarraya Award | Fundaciòn Casa Wabi and  Mantarraya Production
to the director who won the Lion of the Future – “Luigi De Laurentiis” Venice Award for a Debut Film.

 

XXXVII Prix CICT-UNESCO Enrico Fulchignoni – Medaglia Fellini 2025 | Consiglio Internazionale del Cinema e della Televisione CICT UNESCO – Comitato Italiano
Winner: THE VOICE OF HIND RAJAB by Kaouther ben Hania

 

Cinema & Arts Award | Associazione Kalambur in collaboration with Ateatro e Centro Sperimentale Accademia Eleonora Duse
Best film: THE TALE OF SILYAN by Tamara Kotevska and QUI VIT ENCORE by Nicolas Wadimof
Special mention dedicated to a multidisciplinary artist: MORTEZA AHMADVAND (IRAN) and FIROUZEH KHOSROVANI (IRAN)

 

CinemaSarà Award | Fondazione Cineteca Italiana di Milano
Winner: SILENT FRIEND by Ildikó Enyedi

 

CROCE ROSSA ITALIANA Award | Croce Rossa Italiana
Winner: THE VOICE OF HIND RAJAB by Kaouther Ben Hania

 

Edipo Re Award | Edipo Re Srl Sociale in collaboration with Università degli Studi di Padova and Università Ca’ Foscari
Winner: THE VOICE OF HIND RAJAB by Kaouther ben Hania and SILENT FRIEND by Ildikó Enyedi
Young Jury Prize Ca’ Foscari: STRAIGHT CIRCLE by Oscar Hudson

 

Premio Fondazione Fai Persona Lavoro Ambiente | Fondazione Fai Cisl Studio e Ricerche
Winner: HUMAN RESOURCE di Nawapol Thamrongrattanarit
Special Mention (treatment of issues related to work): À PIED D’ŒUVRE (AT WORK) by Valérie Donzelli
Special Mention (treatment of issues related to environment): GHOST ELEPHANTS by Werner Herzog
Special Mention (treatment of issues related to social environment): SOTTO LE NUVOLE (BELOW THE CLOUDS) by Gianfranco Rosi

 

F

Interview With Norwegian Actor Filmmaker Espen Alknes

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Interview With Norwegian Actor Filmmaker Espen Alknes

Norwegian actor/filmmaker Espen Alknes started his acting career doing stage performances in theaters, one of which includes the National Theater in Oslo. He has contributed to multiple TV series and films. He is known for “Stardust” (2020) and “What's on Your Mind?” (2014) and Camping in Paradise (2023).

 

Can you speak about your background in acting first? 

ESPEN: I went to acting school in Oslo and have been working as an actor for about twenty years. There is a strong theatre scene here in Norway, so I have spent most of my career on stage. Especially at the National Theatre here in Oslo. And I have done everything, from Shakespeare, Ibsen and Miller to small independent plays in obscure locations. But I have also worked in TV and film along the way. I didn't really know I wanted to be an actor until my late teens. I stumbled into a school play in high school, mostly because I heard the parties there were the best, hehe. But then I ended up getting the lead in the play and I just loved it. And after that I auditioned for some acting schools and got in, and I never looked back. 

 

You've worked on films and TV. Is there a medium you like the most? 

ESPEN: I have worked in both films and TV, and I don't think I prefer one over the other really. Except maybe in TV, you get to work for a longer period sometimes and develop stronger relationships both with actors and crew. That sense of togetherness and bond can sometimes give some benefits when it comes to performances. 

 

What do you find most challenging about being an actor? 

ESPEN: What I find challenging about acting sometimes is making choices, committing to them and not second guessing myself. You want to be truthful and genuine in a scene and sometimes you get stuck in your head thinking about how you prepared or planned stuff instead of just listening and reacting. And you can feel the scene slipping away between your fingers. 

 

Being based in Norway, do you mainly work with co-production systems? Or private? Or both?

ESPEN: Norway has a national film institute that funds many of the films that are made here each year. Both features and shorts. 

 

Why is indie filmmaking so difficult and what advice do you have for young filmmakers out there?

ESPEN: Obviously, funding is a big part of it, I think. Working on small, or no budgets, with tight deadlines on a project that you maybe feel no one else believes in is difficult. I think you really must love to tell stories. If you start in the film industry to try to make it or be rich and famous, it will chew you up and spit you out. I think your best chance to try and get an audience for your work is to really care for the stories you tell together with the people you tell them with. Tell stories that move you, try to make yourself proud and be uncompromising with your idea.  

 

You have many credits under your belt. Do you have a favorite project you have worked on that you are most proud of? Your recent film has traveled to film festivals around the world. Can you tell us about it?

ESPEN: I think my latest project has a special place in my heart, “Camping in paradise”. It was a low budget film that we had high hopes for but couldn't imagine the places it has taken us to in Europe and the US. And it has received a couple of nic

GIORNATE DEGLI AUTORI: 2025 edition kicked off

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  nuzG1vJpyqk8.jpeg?u=SyGgH01HHg313aVqZ70oxUH2xKJY


The 22nd edition of Giornate degli Autori has started August 27 '25. Under the theme COLLECTIVE MEMORY AND INDIVIDUAL TRUTHS, the independent section at Venice Film Festival will start its official program with Memory by Ukrainian artist and filmmaker Vladlena Sandu.

 

Still: Memory by Vladlena Sandu (Opening Film 2025)

Sandu was born in Crimea and brought up in Chechnya. A political refugee based in the Netherlands for many years, GdA is happy to present Sandu's feature directorial debut. In this autobiographical, poetic and hybrid film, Sandu revisits her traumatic childhood memories to confront a haunting question: How can the cycle of violence that shapes children – and is handed down through generations – be broken?

 

A similar question runs through the entire Venice Film Festival lineup, with its narratives, first-hand accounts, and visions hailing from a range of countries and cultures – wherever horror and death are depicted and condemned, in the words of Emergency’s R1PUD1A campaign, embraced by Giornate degli Autori.

 

Memory is a powerful invitation for us to cultivate the meaning of our memories and extol the value of our own roots, since without a serious reflection on the past – without a knowing, probing gaze on the events that have preceded us – there can be no future”, say Artistic Director Gaia Furrer and General Delegate Giorgio Gosetti.

 

Memory by Vladlena Sandu

France, Netherlands, 2025, 98’, color

The Festival Beat Special edition 1138

Rick W 0 64
 
THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995 - FINALIZING YOUR NEW SITE - OUT SOON

HAPPY SUMMER AND BEST OF LUCK ON THE CIRCUIT

We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND FESTIVAL MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.   

 
 Digital Gym
VENICE IN FOCUS
Francis Ford Coppola gave the Laudatio honoring Werner Herzog
herzog2.jpg
Francis Ford Coppola gave the laudatio honoring Werner Herzog Golden Lion for Lifetime Achievement during the opening ceremony on Wednesday September 27th     Francis Ford Coppola (The Godfather, Apocalypse Now, Megalopolis) gave the Laudatio honoring Werner Herzog, on the occasion of the awarding of the Golden Lion for Lifetime Achievement to the German director, on Wednesday August 27th in the Sala Grande of the Palazzo del Cinema (Lido di Venezia), during the ...
 
 

The Future Is Now: Neo Sora on Happyend

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Critics Campus 2025 participant Fred Pryce speaks to Happyend director Neo Sora about the ills of capitalism, colonialism and surveillance, as well as the resistive power of more communitarian forms of living.

IONCINEMA x Venice Sala Web x Festival Scope – 13 Shorts (Free) From the 2025 Venice Film Fest Line-up!

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IONCINEMA x Venice Sala Web x Festival Scope – 13 Shorts (Free) From the 2025 Venice Film Fest Line-up!

We are happy to partner once again with the Festival Scope folks for the Venice Sala Web – which returns to the 82nd edition of the Venice International Film Festival with a baker’s dozen selection of 13 shorts (12 from the Orizzonti section).

The Festival Beat Special edition 1137

Rick W 0 96
THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995 - FINALIZING YOUR NEW SITE - OUT SOON

HAPPY SUMMER AND BEST OF LUCK ON THE CIRCUIT

We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND FESTIVAL MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.    

Digital Gym
LOCARNO IN FOCUS
Locarno78 wrapped
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The 78th edition of the Locarno Film Festival concluded yesterday, capping 11 extraordinary days that solidified its position as a vibrant space for cultural exchange and cinematic celebration. The Festival welcomed artists, industry professionals, critics, filmmakers and other film lovers from around the world, underlining its enduring mission: to pay tribute to the variety of contemporary cinema and to chart a path for its future. © Locarno Film FestivalTi-Press Thi...
 
 

Can You Guess Sean Young’s Favorite Film?

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by Quendrith Johnson, Los Angeles Correspondent

As everything with Sean Young, who’s busy these days with ComicCon’s, Film work, TV Guest spots, Celebrity appearances, plus a TCM gig with Disney Cruises, the final result is spectacular… if you wait long enough. Actually, that’s an inside joke because actor Sean Young delivers more than promised for her Top 10 assignment. The praying photo of her above is by none other than the late Robert Mapplethorpe.

As they say in Hollywood? “Better good, than good and early.”

Even when the iconic actor fires off a text to explain why her favorite film list is late, even that is spectacular in its own way knowing she just got back from London on a shoot. “Quendrith, Sorry for delay. I have no excuse. Just a slower human nowadays.” Like a boss, she’s managed to include a reaction quote for each choice. Here’s the reveal…

Sean Young’s Favorite Films of All Time

1. 愛のコリーダ [Ai no Korīda, In the Realm of the Senses] (JAPAN)

Director: Nagisa Ōshima
Release Date (Japan) - October 16, 1976

A very controversial sex-heavy recap of a 1936 love affair, murder, and wow-finish that penetrates the boundaries of sexual representation on film (ie; the MPA would have a coronary watching it for a rating).

Sean Young: “The strangest movie I have ever seen about a topic that isn't easy. Sexual obsession.”

2. BEING THERE

Director: Hal Ashby
 - Release Date (U.S.) - December 19, 1979

A razor sharp dramedy, this satire showcases a dull-normal literal gardener whose television-inspired soundbite way of speaking is interpreted as profound by his peers, who launch him into political stardom.

Sean Young: “A paradox and an inside joke. What is intelligence anyway?”

3. NO WAY OUT

Director: Roger Donaldson (1987 version*)
 - Release Date: August 14, 1987


Pentagon aide becomes naughty, but also caught inside a lethal conspiracy, while snooping into a murder linked to a higher-up, none other than the Secretary of Defense. [Sean starred in it with Kevin Costner.] (*There was a 1950 version of No Way Out.)

Sean Young: “Never saw a lady in the back seat of a car looking so happy to be there with a guy she's about to have sex with.”

[Editor’s note: this is one of the ‘most-rewound scenes’ of all time, according to movie stats.]

4. A TREE GROWS IN BROOKLYN

Director: Elia Kazan - 
Release Date: February 28, 1945


Searing coming-of-age drama that chronicles a young girl’s journey as she shakes off poverty, family drama, to follow her own path to maturity in Brooklyn during the early-20th-century.

Sean Young: “The aching hearts of the characters were as great in the movie as they were in the book.”

5. SINGING IN THE RAIN

Directors: Gene Kelly and Stanley Donen
 - Release Date: March 27, 1952


A beloved Hollywood musical made to celebrate the rocky divide and reconfiguration of Show Business Stars as they leap from The Silent Era to Sound Films with tap dancing, a form of personal expression that becomes High Art, as Gene Kelly choreographs some of the most incredible and innovative dance numbers on screen.

FREESTYLE DIGITAL MEDIA ACQUIRES DOCUMENTARY “SISTERS OF UKRAINE” FOR AUGUST 1ST RELEASE

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War-Themed Documentary from Acclaimed Director Mike Dorsey Sets Digital Debut on North American VOD Platforms and DVD on August 1, 2025

 

 

Freestyle Digital Media, the digital film distribution division of Byron Allen’s Allen Media Group, proudly announces the acquisition of VOD rights to the war-themed documentary feature SISTERS OF UKRAINE, which will be available to rent/own on North American digital HD internet, cable, and satellite platforms, as well as on DVD, starting August 1, 2025. 

 

 

Directed by acclaimed documentarian Mike Dorsey, SISTERS OF UKRAINE traces the journey of volunteers and nuns who bring a group of Ukrainian refugees on a three-day journey across Europe to housing in Spain. Two volunteers from an aid organization in Barcelona travel to a convent in western Ukraine where nuns are helping refugees following the Russian invasion. They spend three days living in the convent and helping the nuns care for local refugees who have fled eastern Ukraine, including a mother with eight children and an elderly woman who survived a missile attack on the train station in Kramatorsk that killed 60 civilians. But following the bombing of the Kerch Bridge in Crimea, the mission to bring Ukrainians to refugee housing in Spain is thrown into doubt as all of Ukraine is put under lockdown while Russia fires over 80 missiles at the country in retaliation. After a delay, the volunteers take a group of three-dozen refugees and families of soldiers fighting in the war on a three-day journey by land across Europe to housing near Barcelona.

 

Directed by Mike Dorsey (LOST AIRMEN OF BUCHENWALD, MURDER RAP: INSIDE THE BIGGIE AND TUPAC MURDERS), the documentary SISTERS OF UKRAINE was produced by Steven Campos and Mike Dorsey. Featured interviewees include Eduardo Llop, Rafael “Rafa” Moreno, and Mother Maria Cristiana Demianczuk.

 

"SISTERS OF UKRAINE is a war documentary about the lives behind the front lines; the lives Ukraine’s soldiers are fighting to protect,” said filmmaker Mike Dorsey. “The 2,500-mile, three-day journey by land out of Ukraine and across Europe with a group of three-dozen refugees and families of soldiers fighting in the war, into the welcoming arms of an aid organization in Spain, is the film’s emotional payoff. But what my crew and I will never forget is witnessing these incredibly brave young nuns, led by Mother Cristiana, who have already dedicated their lives to the service of others, face the greatest challenge of their lives. SISTERS OF UKRAINE captures their courageous spirit."

Freestyle Digital Media negotiated the deal to acquire SISTERS OF UKRAINE directly with the filmmakers and The Gersh Agency.

 

SISTERS OF UKRAINE trailer (YouTube): www.youtube.com/watch?v=VELaSo_jhs8

SISTERS OF UKRAINE key art: https://app.box.com/s/f6cf7vmwjhomwrfhab6liv3rfoyo9vnq

SISTERS OF UKRAINE stills: Read more

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