Rick W / Monday, August 24, 2026 / Categories: Film Score News Rebel With a Cause: Mary Harron’s Unlikely Modern Heroes Critics Campus 2026 participant Guuleed Ismail dissects the depictions of extremity, complicated humanity and the figure of the outsider in Mary Harron’s films I Shot Andy Warhol and American Psycho, highlighting the mismatch in public redemption faced by the two films’ protagonists. Previous Article Negotiated Fragments: Ruptures of the Present in Alexandre Koberidze’s Dry Leaf Next Article Hold Your Gaze: György Pálfi’s Hen and the Privilege of Perspective Print 0