The seven films that will be part of the international competition are:
-Cinema Before 1300 (Jerome Hiler, 2023, USA).
-Bonjour la langue (Paul Vecchiali, 2023, France).
-Film annonce de film qui n’existera jamais de (Jean-Luc Godard, 2023, France).
-Frente a Guernica (Yervant Gianikian, Angela Ricci Lucchi, 2023, Italy-Spain). Spanish premiere.
As the upcoming Annecy International Animation Film Festival will spotlight Portuguese animation and dance, the Festival management decided to entrust the creation of the official poster to Artist and Director Regina Pessoa. The mysterious, poetic mood that exudes from this poster is a true tribute to Portugal’s cultural heritage.
"The Annecy Festival has been an integral part of my life for more than 30 years and many key moments in my artistic career have happened here. It is a great honour to be invited to design the Festival poster for a second time, especially as Portugal is this year’s guest country. To create this image, I drew on my deep love for Annecy, for Portugal and its history, but also the fact that I’m a woman. Hence, a woman is at the heart of the poster’s image as a tribute to them. They are endowed with supernatural powers, these unsung, overshadowed heroines and devoted their entire lives to their families. And yet, they still sing and dance.
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In the clear Annecy Lake waters or in our Portuguese ocean, this woman represents the balance between grace and power in the face of adversity. She is both a swimmer and dancer as she sings in her long dress. A reference to the fado, an expression of the balance between exhilaration and solemnity, intertwines with red carnations, a symbol of the democratic revolution celebrating its 50th anniversary this year."
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Regina Pessoa
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"The Festival has shared a special relationship with Regina Pessoa for many years. We collaborated with this talented artist and director on the poster in 2015 and have been delighted to see her win several awards for her work. With Portugal as our guest country this year, it was only natural to invite Regina to design the poster for this edition."
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Marcel Jean, délégué artistique Annecy Festival
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Work on the documentary ISRAELISM started in late 2015 and was completed at the end of 2022. The film was released in February 2023 and offers a challenging interpretation of the contemporary meaning of Jewish identity in the United States against the background of the Israeli/Palestinian conflict.
Axelman and Eilertsen, first-time Jewish filmmakers, provide a cogent and objective analysis of the forces shaping the modern Jewish-American identity and the growing discrepancy between the definition offered by the politics of Israel and her American followers and the more traditional understanding of what it means to be Jewish without linking it to the existence of Israel. In this discussion the directors and the principal protagonists Zimmerman and Eitan explore some obvious current issues such as the links between Judaism and Israel, Zionism, settlements in the areas occupied by Israel, and the rise of antisemitism. What also transpires through the comments by Zimmerman and Eitan are their insights about being raised in US Jewish families and school settings ; the bonding with their faith and the strong link with Israel as well as their experience in Israel and eventual conversion to a critical perspective.
As revealed in the documentary, these insights include the settler movement on the West Bank now exceeding more than half a million, compared to the more than 2.7 million Palestinians living there, perspectives which are also new for most Israelis who rarely have direct contact with the Palestinians living on the West Bank. In that context it should be noted that even before Irael-Hamas Gaza war prompted by the Hamas invasion and killings, a survey revealed that 25% of the US Jewish population considered Israel an “apartheid state” and 22% held the view of Israel was committing Genocide (The New Republic, April 2024, p. 37). As Abraham Foxman points out in Israelism, we failed to educate them “When we talk about ‘We are loosing the kids’...we lost them”.
ISRAELISM clarifies the growing generation specific gap in Jewish communities and congregations in the perspectives about Israel. Younger Jews in the US are more likely to be sympathetic of Palestinians and critical of Israel. Given the ready access to information they tend to be better informed about the Gaza war and West Bank developments than young people living in Israel whose access to current and past information about the history of their country is censored. Ironically, similar attempts to control information about Israel can be observed in Germany* where any criticism of Israel is identified as anti-Semitic, also common in the United States. Both countries are probably the only firm remaining friends of Israel and face a strange situation. They try to ameliorate the food and famine crisis in the Gaza strip while its residents, including Hamas and affiliated groups, continue to be killed by weapons both countries provide. The latest estimates for the Gaza strip death toll as of mid-April 2024 are 35,000 dead of which at least two thirds are civilians and overall one third are children and the elderly. Since the Hamas attacks, more than 400 Palestinians were killed in the West Bank area by Israeli forces and settlers. For historic reasons, current German funding amounts to $352 million, 10 times higher than in 2022. Germany is the second biggest exporter of arms to Israel with a 30% of all sales. The US share amounted to an estimated $3.8 billion 2023, not including the value of US arms stockpiled in Israel. Arms export from other countries is minimal.
ISRAELISM pres
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54st International Film Festival Rotterdam 30 January – 9 February 2025
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Researcher and filmmaker Sharine Rijsenburg will receive €20,000 towards the production of her Afrofuturistic project Bubbling Baby.
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With IFFR 2025 confirmed to take place from Thursday 30 January to Sunday 9 February 2025, International Film Festival Rotterdam (IFFR) announces the winner of its latest RTM Pitch. Bubbling, a cultural movement fusing dance, rhythm and electronic music born out of Rotterdam’s Afro-Caribbean community in the 1990s, is the focus of a documentary project awarded a grant of €20,000 by International Film Festival Rotterdam (IFFR) together with the municipality of Rotterdam.
Researcher and filmmaker Sharine Rijsenburg will explore Bubbling culture as having both a deep imprint on the city’s identity whilst being simultaneously undervalued. As the winner of the RTM Pitch, the project will receive expert guidance and aims to premiere at IFFR 2025.
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Sharine Rijsenburg: “I started as a Young Selector at IFFR in 2019, and it feels like a dream to make my own film for the RTM programme now, five years later. For me, Bubbling Baby is a film about how we in Rotterdam, as a multicultural metropolis, celebrate, remember and appreciate our night culture. The Bubbling subculture shows a history that has helped shape Rotterdam’s identity, yet has remained invisible. With this fil
DOCUMENTARY
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Empath Fridges Rakel Jónsdóttir
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What have we lost as a society? And how do we bring it back? How can we rebuild values as a community? With an academic background and artistic approach the director has made an inspiring and thought provoking film that touches upon the subject of humanity in urban society. Can we heal something that we have lost via sharing food on a daily basis with people we have never met? Empath Fridges is a research based short documentary that with an open and artistic approach of the director Rakel Jónsdóttir, sheds light on the culture of empath fridges in Iceland. The film is a pleasure to watch and leaves the audience meditating on small solutions to enormous problems, such as the one of food waste.
DOCUMENTARY
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Empath Fridges Rakel Jónsdóttir
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What have we lost as a society? And how do we bring it back? How can we rebuild values as a community? With an academic background and artistic approach the director has made an inspiring and thought provoking film that touches upon the subject of humanity in urban society. Can we heal something that we have lost via sharing food on a daily basis with people we have never met? Empath Fridges is a research based short documentary that with an open and artistic approach of the director Rakel Jónsdóttir, sheds light on the culture of empath fridges in Iceland. The film is a pleasure to watch and leaves the audience meditating on small solutions to enormous problems, such as the one of food waste.
A Week of French Language Cinema
Posted By Robin Menken
For the fifteenth year straight, in collaboration with the Consulates General of Canada, Belgium, Switzerland, France, the Grand Duchy of Luxembourg, the Quebec Government Office in Los Angeles, and Le Lycée Français de Los Angeles, Théâtre Raymond Kabbaz (TRK) presents A Week of French Language Cinema, with nightly screenings of critically acclaimed French language films, from March 19th through March 25th. All films are subtitled in English.
A Week of French Language Cinema is organized annually to coincide with the International Organization of La Francophonie (OIF)’s celebration of the French language and Francophone culture on March 20th. The event is the perfect showcase to present the artistry of French-language voices the world over.
"Humanist Vampire Seeking Consenting Suicidal Person"- Canadian filmmaker Ariane Louis-Seize’s debut feature is a witty dark comedy, a sort of Romeo and Vampira.
Amusing world building and a witty cast portray the coming of age woes of young Sasha (Sara Montpetit), who’s just too compassionate to kill and feed. She’s kept alive by refrigerated blood packs, as her parents quarrel.
A black comedy scene of little vampire Sasha's birthday party sets the film in motion. Decades pass. Unwilling vampire, teenager-like Sasha is an unending stress to her bickering family
Sara Montpetit (wonderfully matched by actress Lilas-Rose Cantin who plays Sasha as a little vampire) has a face that speaks volumes. She’s a Goth glamor girl. Her dead-pan stares hold hidden depths.
Young looking Sophie’s a late bloomer. Her fangs have never dropped. Unable to feed she spends her nights busking, playing Cello outside the local bowling alley.
One night she spots Paul (Félix-Antoine Bénard) on the roof of the bowling alley where he works, planning to jump. He puts it off.
Sensitive teenager Paul spends his days at school bullied by a bunch of thugs. He can’t tell his mom. Félix-Antoine Bénard plays Paul as a crestfallen innocent willing to follow Sasha's lead.
The next time Sasha spots him, they lock eyes. Paul flees, right into a wall, knocking himself out. Scenting his blood, Sasha’s fangs finally emerge. Afraid of her teenage (blood) lust it’s Sasha’s turn to flee. (She’s already 62 years-old and fang-shy).
This works as a metaphor, Sasha is afraid of her adult sexuality. So is Paul. They connect as two awkward virgins. Sasha explains her issue to Paul framing their various problems as each other’s solutions. It’s a morbidly endearing perfect match.
When Sophie backs off from biting his neck, besotted Paul hurriedly offers to take off his shirt.
Steve Laplante is hilarious as a protective father who resists forcing Sophie to feed, while Mom (Sophie Cadieux) fumes. She’s sick of hunting for the whole family and worries it will go on for the next 300 years.
Eventually they lock the fridge and send Sasha off to room with her bawdy older cousin Denise (Noémie O’Farrell). Efficient vampire Denise, who uses her sexual charms and promises of kinky sex to lure her dinner dates (make that dinner) promises to make Sophie into the vampire they all know she can be.
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