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Emin Alper on Berlin Drama ‘Salvation,’ Which References the Dynamics of Contemporary ‘Mass Murders, Massacres, Genocides and Wars’

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Turkish writer/director Emin Alper – who was at the Berlinale in 2019 with “A Tale of Three Sisters,” followed by his incendiary 2022 Cannes entry “Burning Days” – is back in Berlin with timely drama “Salvation” that delves, he says, into the dynamics of contemporary “mass murders, massacres, genocides, and wars.” Set in a remote Turkish […]

Debates, Forum, book presentations at Fantasporto

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FANTASFORUM/SPECIAL PROGRAM 2026

EDUCATIONAL AND TRAINING PROGRAM OF FANTASPORTO 2026

MEETINGS / DEBATES / WORKSHOPS / CONFERENCES / BOOK PRESENTATIONS

 

THE MOVIE TALKS

Specifically dedicated to film education, and taking advantage of the availability of some of the national and international guests of Fantasporto 2026, a program of lectures/debates/ workshops has been organized aimed at younger audiences, young filmmakers and film students. This program, in addition to the festival's film screenings, aims mainly to promote information and discussion defining criteria before making a film, the path to project completion, its finalization, promotion, and distribution. Location: Bar do Batalha CC, FREE ENTRY.

MOVIE TALKS FANTASPORTO 2026

Sunday , March 1 - 15.00

Book Presentation

Sobre o Amor Inútil” About Useless Love

by Artur Manso

Is Love Useless? The author answers this question with this essay, which is simultaneously a philosophical challenge and a sensory manifesto. Rejecting the idealization of romantic or spiritualized love, he leads us on an unexpected journey where carnal desire is the starting point for rethinking the place of love in our lives. From Empedocles to Saint Augustine, from Teresa of Ávila to Oscar Wilde, passing through Plato, Kant, Rousseau, and Anaïs Nin, this text intertwines erudite references with lucid and audacious writing. The author thus attempts to reclaim eroticism as a foundational dimension of human experience, demonstrating social and moral hypocrisies that, for centuries, have repressed pleasure in the name of virtues built on fear.

Artur Manso was born in 1964, during the autumn, as the leaves fell, in the Transmontane village of Izeda. A university professor at the University of Minho, he has dedicated himself over time to learning and teaching about small things under the sign of aesthetics and ethics, about our place in the world and how beauty can bring us peace. His extensive work includes the books: Agostinho da Silva: Aspects of his life, work and thought (2000); Representations of desire (2005); Manuel Laranjeira. 1877-1912 (2013); Schools for what? Essay on indolent pedagogy (2017); Equivocal traits (2019); Brief is all life. Towards a pedagogy of death and dying (2021); Aesthetic education. The beautiful as a manifestation of the good (2023); Agostinho da Silva. 1906-1994 (2025). About useless love (2025).

Sunday , March 1 - 17.00h

Book Presentation

“Mulheres & Homens” Men & Women  By Danyel Guerra

 When his era pointed the finger at itself, Karl Kraus was that finger" - Elias Canetti

In Women & Men, following Horace's mad challenge to Virgil, under the auspices of the work of the bohemian aphorist Karl Kraus, Danyel Guerra parades a farcical corsair of thoughts, aphorisms, meditations, reflections, quotations, lucubrations, maxims, insinuations, tributes, and enigmas. Here is a profuse torrent of rote meth, aroused and suggested by a sharp observation of human and social life. Even if they are inhuman and antisocial lives. In the reverse of the reverse of the reverse of the reverse of the carnival fantasy, Pierrot becomes Harlequin. To carnivalize is necessary, spreading the bittersweet perfume of the absurd, the paradox, the irony, the sarcasm, the jocular, the burlesque, and even the nonsens

48th edition D-39 : films in Competition

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Running from 7 to 117 minutes, from Cambodia to Canada, from Chile to South Korea, the 37 films in Competition will once again showcase contemporary documentary in all its diversity, as world, international or French premieres. AN INCOMPLETE CALENDAR by Sanaz SohrabiCanada, Iran, Turkey, Venezuela | 77’ | World premiere AND IF THE BODY by Toby LeeUnited-States | 27’ | International premiere …

IFFR Pro Awards presented to projects across CineMart, Darkroom, Lightroom and Safe Harbour

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The winners of the IFFR Pro Awards were announced for 2026 in a ceremony held at ‘de Doelen’ on Wednesday 4 February. The IFFR Pro Awards celebrate outstanding projects from the CineMart, Darkroom, Lightroom and Safe Harbour selections, recognising bold artistic vision, innovation and international collaboration at different stages of development.

The winners were selected from the 21 projects for the 43rd edition of CineMart, alongside 10 projects for the work-in-progress platform Darkroom, nine immersive media projects under IFFR’s new industry platform for immersive storytelling Lightroom, and the four projects from Safe Harbour – the new market programme intended to uplift projects in development from emerging filmmakers who have experienced displacement or forced migration and who face limited access to professional networks, funding pathways and development opportunities. The Safe Harbour initiative has been developed in collaboration with the International Emerging Film Talent Fund (IEFTF).

Head of IFFR Pro, Marten Rabarts, said: “As our latest edition of IFFR Pro draws to a close, the breadth and evolution of this year’s programme was a true reflection of our commitment to meeting filmmakers’ shifting needs. This was echoed throughout the programme with the launch of Safe Harbour, Lightroom, CineMart x HBF and the Creators Lab, as well as our CineMart and Darkroom lineups which were stronger and more essential than ever. Tonight it was a privilege to come together and celebrate all the market projects, including the winners, each of which has gained remarkable momentum over the past few days – and to round out another powerful edition of IFFR Pro that has sparked connections, unlocked new partnerships and propelled projects closer to a life on the screen and beyond.”

IFFR Pro Days 2026

The IFFR Pro Industry Days officially concluded on Wednesday 4 February, following a programme of initiatives including CineMart and Darkroom, alongside Safe Harbour, expanding Rotterdam Producers Lab with a new Creators Lab for writers and directors, piloting of the Dutch Talent Market on Sunday 1 February, and welcoming the first HBF Reunion at the festival. 

The Pro Hub provided a meeting place, networking environment and hive of knowledge for the whole filmmaking and professional community at the festival, programming Pro Dialogues exploring topics that resonate directly with the programme – from Asian genre cinema and African independent film to putting sex on screen and contemporary Arab filmmaking – alongside priceless Meet the Experts sessions, Pro Encounters networking roundtables with festival programmers, Pitch Out! opportunities and one-to-one mentor meetings with industry insiders.

Reality Check: Lightroom

Additionally, IFFR’s Art Directions programme celebrated its 30th anniversary this year. To mark the milestone, IFFR Pro launched Lightroom – a new industry programme for immersive work hosted at Katoenhuis, featuring a project market and the Reality Check: Lightroom symposium on 31 January. The symposium brought together artists, producers, curators, technologists, funders and policymakers to explore how immersive storytelling can move from experimentation towards sustainable artistic and industry frameworks. 

The discussion highlighted three key challenges: defining “immersive” to set clear expectations and open institutional pathways; building community and collaboration across disciplines despite limited reach and distribution; and ensuring sustainability through proper documentation, archiving and shared resources to preserve XR&rsqu

Susan Sarandon to receive the 2026 International Goya Award

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With a filmography as extensive as it is powerful, Susan Sarandon—one of the most influential figures in contemporary Hollywood—embodies a rare combination of artistic excellence, professional success, glamour, and social and political commitment. The star of landmark titles such as Thelma & Louise, The Client, The Witches of Eastwick, The Rocky Horror Picture Show, Atlantic City, The Hunger, and Dead Man Walking—for which she won the Academy Award—will receive the 2026 International Goya Award in Barcelona on 28 February, during a special gala celebrating the 40th anniversary of the Goya Awards.

Created to honour individuals whose careers have contributed to cinema as an art form that connects cultures and audiences worldwide, the International Goya Award is presented to Sarandon in recognition of her status as “one of the most outstanding actresses in Hollywood cinema, with a filmography that includes an extraordinary number of undisputed masterpieces, iconic films that have become part of popular culture, and cult classics cherished by cinephiles around the world. For decades, she has been one of the most prominent faces of Hollywood at its most admired.” The Academy’s Board of Directors also highlighted the actress and producer’s courageous social and political engagement.

Long regarded as a character actress, Sarandon has consistently sought out roles that reflect this approach since the beginning of her career in the 1970s, with a clear determination to avoid repetition and embrace variety. Her long list of screen partners—including Paul Newman, Jack Nicholson, Jack Lemmon, Richard Gere, Burt Lancaster, Kevin Costner, Ed Harris, Tommy Lee Jones, Tim Robbins, David Bowie, Sean Penn, Cher, Michelle Pfeiffer, Julia Roberts and Geena Davis—stands as further testament to her talent and commitment to both her craft and the society in which she lives.

Sarandon has received nine Golden Globe nominations and five Academy Award nominations—for Atlantic City, Thelma & Louise, Lorenzo’s Oil and The Client—finally winning the Oscar for Dead Man Walking, in which she portrays a nun accompanying a death-row inmate. Bull Durham, Stepmom, Little Women and the television series Feud, in which she transformed into Bette Davis, also form part of the résumé of this New York–born artist, celebrated for her versatility, her outspoken advocacy, her appetite for risk and her involvement in experimental cinema. Among her most iconic performances remains, Louise, in the feminist classic Thelma & Louise.

A steadfast defender of human rights, Sarandon—who grew up in a large Catholic family as the eldest of nine siblings—has long expressed her affection for Spain, a country she will revisit to receive the fifth International Goya Award presented by the Spanish Film Academy. Previous recipients of the honour include Cate Blanchett, Juliette Binoche, Sigourney Weaver and Richard Gere.

TEAFF 22: The awards went to…

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TEAFF 22: The awards went to…

The Special Film Writing Award instituted in memory of Late Sudhir Nandgaonkar was presented this year to journalist-turned renowned film scholar and curator, Meenakshi Shedde. Expressing her gratitude, Meenakshi Shedde said, “I am truly thankful for receiving this award in the memory of late Sudhir Nandgaonkar. He played a significant role in my writing journey, and it gives me immense joy to receive an award bearing his name.”

The competition section of this year’s festival featured films by young, emerging directors with fresh narrative styles. The results of the competition were announced during the ceremony. In the Indian Cinema category, Ballad to the Winds was adjudged Best Film. The Best Director award went to Monjul Baruah for Romantic Affairs. Manoj Sharma (Body) won Best Actor, while Kasvi Sonkorison (Romantic Affairs) won Best Actress.

Special Jury Awards were presented to director Rudrajit Roy (Pinjar – The Cage), actor Boloram Das (Romantic Affairs), debut director Dr. Omkar Bhatkar (The Weight of Longing), and actress Gaumaya Gurung (Shape of Momo).

On the occasion of the 125th birth anniversary of Dadasaheb Phalke, a new award for Best Directorial Debut was instituted this year, which was won by Tribeni Rai for Shape of Momo.

In the Contemporary Marathi Cinema category, Sabar Bonda won the Best Film award, while Rohan Kanawade received Best Director for the same film. Santosh Davakhar, director of Gondhal, also shared the Best Director honor. Bhushan Manoj and Suraj Suman won Best Actor for Sabar Bonda. The Best Actress award was jointly awarded to Renuka Shahane (Uttar) and Bhakti Ghogre (Giran). Special Jury Awards went to director Ravba Gajmal (Sangla), Manoj Naik-Satam for story (Gaman), and child artist Devdatt Ghone (Sohala).

I will offer no comments on the awards that went to the makers or cast of Ballad to the Winds, Body, Sabar Bond, Giran, Gaman and Sohala, simply because I missed these films. What a tremendous loss! Monjul Baruah has a very done a good job helming Romantic Affairs, but a couple of other films had even better direction, in my humble opinion. Kasvi Sonkorison would have failed to make it to my list of awardees, though I might concur on the choice of Boloram Das. Pinjar deserved some award, so the Special Jury Award is in order. The other Special Jury Award to Omkar Bhatkar fillip to experimentation and path-breaking, though the film is strictly for niche audiences. Not having seen all the entries under the Best Debut Director, I guess the Jury found Tribeni Ray’s wielding of the megaphone the best, thogh I would hesitate to call it great direction.

Gondhal could not go awardless, and Santosh Davakhar rightfully won the Best Director Award, shared with Rohan Kanawade. Two actors from Sabar Bond wowed the Jury with their performances. Likewise, two actresses left their mark on the minds of the Jury, but was Bhakti Ghogre as good as Renuka Shahane? Yes, felt the Jury. What a pity that I missed the films that bagged as many as three Special Jury Awards: Sangla, Gaman and Sohala.

Here is my merit list, in descending order of star ratings, of the f

TEAFF 22: Closing formalities

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TEAFF 22: Closing formalities

The closing ceremony of the 22nd Third Eye Asian Film Festival, which unfolded over the week 09-15 January 2026, was held with great at the precincts of the P.L. Deshpande Kala Academy’s Ravindra Natya Mandir. This year’s festival, as always, offered audiences a rich and diverse cinematic experience, showcasing Asian film culture, through a wide range of films. Film lovers had the opportunity to watch around 56 films during the festival, held at two venues, the mini-theatre of the Academy and Cinépolis cinema in LakeShore Mall, Thane.

Prashant Sajnikar, Co-Managing Director of the Maharashtra Film, Theatre and Cultural Development Corporation, graced the occasion, as the Chief Guest. Speaking at the event, he emphasised that such festivals provide audiences access to some of the finest films from across the world. He highlighted the need for sustained efforts at various levels for the growth of cinema. Stressing the importance of reaching cinema beyond cities into rural areas, he mentioned that the government is actively working through various initiatives. As part of these efforts, the Dadasaheb Phalke Chitrapat Rasik Mandal has launched a special initiative dedicated to classic films. Additionally, three different courses have been introduced to provide a platform for emerging artistes. Praising the organisers, The Asian Film Foundation and Prabhat Chitra Mandal, Sajnikar noted that consistently organising the festival, for 22 years, is truly commendable, and reiterated the Maharashtra government’s commitment to the development of cinema.

While welcoming the guests, Festival President Kiran Shantaram expressed gratitude to all those who supported the festival and shared his happiness over the overwhelming response. Festival Director Santosh Pathare also thanked everyone for their co-operation and contributions, acknowledging that the festival’s success was the result of collective efforts. Executive Committee Member Shrikant Bojewar, Sandeep Manjrekar (Managing Director), along with film-makers Sandeep Sawant, Prabal Khaud, Vikas Patil, Supratim Bhol and other jury members, were present at the ceremony.

Many awards were presented at the closing ceremony.

*The Special Film Writing Award instituted in memory of Late Sudhir Nandgaonkar, the Director of the festival for 20 years, until his passing away.

*The competition section of this year’s festival featured films by young, emerging directors with fresh narrative styles. The results of the Indian Cinema competition were announced during the ceremony. Best Film, Best Director, Best Actor and Best Actress awards were given under this category.

Four Special Jury Awards were presented to a director, an actor, a debut director, and an actress.

On the occasion of the 125th birth anniversary of Dadasaheb Phalke, a new award for Best Directorial Debut was instituted this year, instituted at my behest, was also given away.

More wards were given, in the Contemporary Marathi Cinema category, for the Best Film award, Best Director (shared) for the same film, Best Actor (shared) and the Best Actress. Some more Special Jury Awards went to a Director, a story writer and a child artiste.

Festival Director Santosh Pathare presented an overview of the festival, while Sandeep Manjrekar delivered the vote of thanks. The 22nd Third Eye Asian Film Festival was organised with the support of the Department of Culture, Government of Maharashtra; Maharashtra Film, Theatre and Cultural Development Corp

Programme preview | 48th edition

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Every year, Cinéma du réel welcomes filmmakers from all over the world who are making contemporary documentary films. The programme reflects formal developments and experiments in the documentary field in the context of the history of cinema. These rare and previously unseen films, which challenge us to consider the state of the world today, can …

MTFB Oscar Update: Cinematography, Editing, Score and Song / SAG Nominees / ADG Nominees

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MTFB OSCAR TAKE: UPDATES FOR CINEMATOGRAPHY, EDITING, SCORE AND SONG.

Here are MTFB's third predictions for nominations for cinematography, editing, score and song.  All TFF #52 films are Bold.

BEST CINEMATOGRAPHY




1) Sinners (1)
2) One Battle after Another (2)
3) Hamnet (3)
4) Train Dreams (5)
5) Frankenstein (4)

Others: F1, Marty Supreme and Bugonia.


BEST EDITING

1) One Battle After Another (1)
2) Sinners (2)
3) F1 (4)
4) Marty Supreme (5)
5) Hamnet (3)

Others: Frankenstein, It Was Just an Accident and Sentimental Value.


BEST ORIGINAL SCORE




1) Sinners (1)
2) One Battle After Another (2)
3) Hamnet (3)
4) Frankenstein (4)
5) Train Dreams (NR)

Others: F1, Marty Supreme and Sirat.


ORIGINAL SONG

1) Golden/K Pop Demon Hunters (1)
2) I Lied to You/Sinners (2)
3) Dear Me/Diane Warren: Relentless (3)
4) Last Time (I Seen the Sun)/Sinners (NR)
5) Train Dreams/Train Dreams (5)

Others: The Girl in the Bubble/Wicked: For Good, Dream as One/Avatar: fire and Ash.. 


SCREEN ACTORS GUILD NOMINEES ANNOUNCED




SAG announced their nominees for "The Actor" awards.  Here's the breakdown of films from TFF #