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56th IFFI 2025 would turn out to be a rich cinematic feast for cinéphiles © film critic Lalit Rao (FIPRESCI)

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56th International Film Festival of India 2025 would turn out to be a rich cinematic feast for cinéphiles from India and abroad © film critic Lalit Rao (FIPRESCI) dated 17.11.2025 
 
 
For cinéphiles around the world, there is a simple benchmark of a worthwhile film festival: whether it offers at least ten truly good films. If this yardstick is applied to the 56th International Film Festival of India (IFFI), to be held in Goa from 20 November 2025 onward, this edition promises to surpass expectations. With more than twenty high-quality films selected across its diverse sections—and many with significant acclaim already attached—IFFI 2025 is shaping up to be a stellar year for film lovers, critics, scholars, and industry professionals.
 
A major highlight of the upcoming festival is the ‘‘World Cinema’’ / ‘‘Cinema of the World’’ section, which, in 2025, is particularly impressive. Out of the many films chosen, as many as 21 feature films have represented their respective nations as official submissions for the Academy Award for Best International Feature Film. This strong presence of Oscar-submitted films signals an exceptional level of curatorial rigor.
 
Among these prominent titles are “Magellan” by Filipino auteur Lav Diaz, “The President’s Cake” from Iraq, directed by Hasan Hadi, and “Orphan” by Hungary’s acclaimed director László Nemes. These films reflect a wide array of cultures, cinematic sensibilities, and narrative styles, offering audiences a deeply global film experience. The selection underscores IFFI’s growing stature in curating films that not only resonate artistically but also represent major national cinematic trends.
 
                                         A new phase: Waves Film Bazaar 2025
 
Another important chapter in IFFI’s history will unfold this year. For the first time, the festival’s professional networking and market platform—long known as Film Bazaar—will be organized as Waves Film Bazaar 2025. Scheduled from 21 to 24 November, this newly expanded marketplace aims to enhance business opportunities, encourage collaboration across borders, and provide a structured environment for distribution, sales, co-production, pitching, and talent discovery.
For anyone involved in the buying, selling, or promotion of films, attendance at Waves Film Bazaar is likely to be hugely beneficial. The new structure promises updated facilities, more international participation, and improved platforms for project exposure.
 
                         A welcome correction : Strong representation of women jury members
 
In the run-up to the festival, an article in a well-known Indian newspaper has mistakenly suggested that women had been underrepresented across various IFFI juries. This claim stands corrected by the official festival information. As it turns out, ten women artists—from India as well as abroad—have been appointed to different juries across the festival’s competitive categories. This balanced representation reflects the festival’s steady commitment to inclusivity, diversity, and equal opportunities within the programming and evaluation process.
 
                &nb

DUMP OF UNTITLED PIECES by Melik Kuru premiering at Tallinn Black Nights Film Festival

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“THE DUMP OF UNTITLED PIECES”  MAKES ITS WORLD PREMIERE AT THE TALLINN BLACK NIGHTS FILM FESTIVAL!

Written and directed by Melik Kuru, THE DUMP OF UNTITLED PIECES held its world premiere at the Tallinn Black Nights Film Festival. Competing in the First Feature section, the film tells the story of a young woman striving to exist through her passion in Turkey’s economic and political ecosystem, offering a satirical, original narrative blending drama and comedy within the contemporary art world. The cast features award-winning young actress Manolya Maya and Ekremcan Aslandağ, joined by acclaimed actors Tuğrul Tülek and Tülin Özen.

 

Facing imminent eviction, an idealistic young female photographer and her hapless roommate attempt to sell her work to galleries for the first time, embarking on a bumpy journey through the collapsing art market of Istanbul.

The film stars Manolya Maya (winner of the Best Actress Award at the 42nd Istanbul Film Festival) alongside Ekremcan Aslandağ, with Tuğrul Tülek and Tülin Özen as well as Ceylan Özgün Özçelik, Okan Avcı, Cüneyt Yalaz, Emrah Özdemir, Ege Derin in supporting roles.

Young people’s struggle with the industry and with life

In his first feature film THE DUMP OF UNTITLED PIECES, Melik Kuru seeks to redefine the value of art within a marketplace where the personal is glorified without question, and where countless narratives complete their brief butterfly lifespans before being forgotten in a metaphorical “dump.” Turkey is losing its youth. Those who leave live with the unbearable lightness of feeling foreign in a place that is foreign to them. Those who stay face a deep existential crisis marked by anxieties about their own capacities.

THE DUMP OF UNTITLED PIECES reveals this reality through both satire and an interplay of drama and humor, suggesting that the value of art lies not in the work itself but in the youth of the late-capitalist era: their friendships, joys, anxieties, exhilarations, and indecisions.

The black-and-white film, shot in Istanbul, features a production team consisting of Hilal Şenel as producer and creative producer, Fahriye Ismayilova as producer, Simla Güran as co-producer, and Koray Arıgümüş as executive producer. Barış Aygen serves as the director of photography, Elif Önel as the production designer, Serhad Mutlu as the editor, Alexander Dumitru as the sound designer, Efe Demiral as the original music composer, Ezgi Baltaş as the casting director, Edze Ali as the still photographer and consultant, and Aslı Melisa Uzun as the choreographer.

THE DUMP OF UNTITLED PIECES held its world premiere on Friday, November 14th at Apollo Plaza Cinema with the participation of the film’s cast and crew.

Awards to be announced November 21

The awards ceremony will take place on Saturday, November 21. Competing in the First Feature section, THE DUMP OF UNTITLED PIECES is among 13 films from 12 countries across Europe, Asia, and North America.

https://www.instagram.com/thisisadumpofpromotion/

About Melik Kuru

Melik Kuru (1989) dropped architecture school and had his BA at Koc University Media and Visual Arts program ranking first in his class. He pursued his MFA in Film at Columbia University where

IFFI Goa 2025, 05: Films competing for the ICFT-UNESCO Gandhi Medal

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IFFI Goa 2025, 05: Films competing for the ICFT-UNESCO Gandhi Medal

Instituted at the 46th International Film Festival of India, the ICFT-UNESCO Gandhi Medal is an international honor presented in collaboration with the ICFT Paris under the aegis of UNESCO. The honor is given to an excellent film, which promotes peace and inter-cultural dialogue, and honours Mahatma Gandhi's vision of non-violence and peace.

This year’s 10 notable films will be judged by an esteemed Jury panel comprising of Dr. Ahmed Bedjaoui, Film and Television Director-Producer and the Artistic Director of the International Film Festival of Algiers (Jury Chairperson); Xueyan Hun, Vice-President of the International Council for Film, Television and Audiovisual Communication (CICT-ICFT) and Director of the Platform for Creativity and Innovation (PCI); Serge Michel, Vice-President of UNICA (Union Internationale du Cinéma); Tobias Biancone, Former Director-General of the International Theatre Institute (ITI); and Georges Dupont, Director-General of the International Council for Film, Television and Audiovisual Communication (CICT-ICFT), former Senior International Civil Servant at UNESCO.

Brides

Playwright and filmmaker Nadia Falls’s debut drama Brides premiered at the Sundance Film Festival 2025, where it was nominated for the Grand Jury Prize in the World Cinema (Dramatic) category.

The film follows the journey of two British-Muslim teenaged girls who run away from their troubled lives to find belonging away from their broken homes. However, they have to confront what they’ve left behind before they can come to terms with where they’re going.

The film is a gripping yet humane take, away from sensationalism, on the issue of radicalisation, youth identity, belonging, faith, and choice in an increasingly polarised world.

Safe House (Original Title – Før mørket)

Norwegian writer and filmmaker Eirik Svensson, from the new generation of Norwegian filmmakers, brings his latest civil war drama Safe House. The film had its World Premiere as the Opening Feature of the 48th Göteborg Film Festival 2025, where it won the Audience Dragon Award (Best Nordic Film).

Inspired by true events, the film is set over 15 harrowing hours inside a Doctors Without Borders hospital in Bangui during the 2013 civil war in the Central African Republic. Though driven by tense, real-time drama, Safe House stays rooted in the ethics of care, courage, and humanity under siege.

Hana

Award-winning Kosovan filmmaker Ujkan Hysaj’s debut feature Hana makes its World Premiere at the 56th International Film Festival of India 2025.

The film follows an actress who joins an art-therapy program at a women’s rehabilitation center in Kosovo, helping war survivors transform pain into expression — until their stories trigger her own buried trauma and fractured identity.

Hana is a deeply affecting exploration of memory, healing, and the power of art to confront wounds that history refuses to silence.

K Poper

Iranian actor and screenwriter Ebrahim Amini makes his directorial debut with K Poper, which screened at the Tallinn Black Nights Film Festival 2025.

The film follows an Iranian teenage girl obsessed with a K-pop idol, determined to travel to Seoul, both to watch him perform, and compete in a contest she has already qualified for. Her mother’s firm refusal sets off a tender yet tense clash of dreams, fears, and generational values.

Told with warmth and restraint, K Poper examines youth aspiration, pa

IFFI Goa 2025, 04: Indian Panorama Selection and Best Web-Series (OTT) Award nominations

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IFFI Goa 2025, 04: Indian Panorama Selection and Best Web-Series (OTT) Award nominations

In the Indian Panorama section, 25 feature films (including 5 films from Mainstream Cinema), 5 films nominated for Best Debut Director of Indian Feature Film Award films and 20 non-feature films for the year 2025, will be shown.

The selection of the Indian Panorama is made by eminent personalities from the world of cinema from across India comprising a total of twelve Jury members for Feature films and six Jury members for Non-Feature films led by the respective Jury Chairpersons. Exercising their individual expertise, the eminent Jury panels contribute evenly to the consensus that leads to the selection of Indian Panorama films of respective categories.

The Feature Film Jury, comprising twelve members, was headed by acclaimed Actor, Filmmaker and Producer; Chairperson Shri. Raja Bundela. The Feature Jury comprises of the following Members, who, individually, represent various acclaimed films, are well-known film professionals, while collectively representing the diverse Indian fraternity:

Shri. Krishna Hebbale, Actor

Shri. Asim K Sinha, Editor and Film-maker

Shri. Kamlesh K. Mishra, Film-maker and Writer

Shri. Aroon Bakshi, Actor and Singer

Shri. Jadumoni Dutta, Filmmaker, Producer and Actor

Shri. Ashok Sharan, Producer and Film-maker

Shri. Subhash Sehgal, Editor, Producer, Film-maker and Writer

Shri. Malay Ray, Cinematographer and Film-maker

Prof. Amaresh Chakrabarti, Film Educator and Film-maker

Shri. B S Basavaraju, Cinematographer and Film-maker

Shri. Sukumar Jatania, Cinematographer

Shri. Napoleon RZ Thanga, Film-maker

A package of 25 Feature Films (including 5 films from Mainstream Cinema) and nomination of   5 films for the Best Debut Director of Indian Feature Film Award has been selected to be screened in the Indian Panorama section of the 56th IFFI from a broad spectrum of 516 contemporary Indian feature films received as entry to Indian Panorama -2025. The following package of 25 selected feature films and nomination of 5 films for the Best Debut Director of Indian Feature Film Award reflects the vibrancy and diversity of the Indian film industry.

List of 25 feature films selected in the Indian Panorama 2025 is as follows:

(name of film, followed by language, then the name of the director)

Sarkeet

Malayalam

Thamar K

Amaran

Tamil

Rajkumar Periyasamy

Vimukt

Braj

Jitank Singh Gurjar

The Bengal Files

Hindi

Vivek Ranjan Agnihotri

Tanvi The Great

Hindi

Anupam Kher

Vanya

Kannada

Badiger Devendra

White Snow

Urdu

Praveen Morchhale

Bhaimon Da

Assamese

Sasanka Samir

Gondhal

Marathi

Santosh Davakhar

Su From So

Kannada

Prakash (JP Tuminad)

Pokkhirajer Dim

Bengali

Soukarya Ghosal

Imbu

Tulu

Shivadhwaj Shetty

Drushya Asdrushya

Marathi

Purushottam Lele

(Milind Lele)

Oitharei

Manipuri

Naorem Dinesh Singh

Barobabu

Bengali

Reshmi Mitra

Piranthanaal Vazhthukal

Tamil

Raju Chandra

(Rajkumar MR)

Maliput Melodies

Oriya

Vishal Patnaik

Mukkam Post Bombilwadi

Marathi

Paresh Mokashi

Ground Zero

Hin

IFFI Goa 2025, 01: Birds eye view aka drone view

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IFFI Goa 2025, 01: Birds eye view aka drone view

It’s that time of year when cineastes who can healthy and can afford to travel will be heading to the tourist paradise of Panaji, Goa, not for browsing the beaches of Goa but the brochures and schedules of the 56th International Film Festival of Goa, 2025. IFFI 2025 will be held in Goa from November 20-28, carrying forward the festival’s legacy as South Asia’s only FIAPF (the international body that grants recognition to film festivals that meet its requirements)-accredited competitive film festival, since 1952, when it was first held in Mumbai.

The festival, which was a travelling one for many years, found its permanent home in Goa, in 2004, where it is jointly organised by the National Film Development Corporation (NFDC), Ministry of Information and Broadcasting, Government of India, and the Entertainment Society of Goa (ESG). Till a couple of years ago, the festival was mainly organised by the Directorate of Film Festivals (DFF), which has, since, been dissolved. Its role has been taken over by the NFDC.

The 56th edition deepens the festival’s international partnerships, with Japan as the Country of Focus, presenting a panoramic showcase of six contemporary Japanese films, across genres and forms. Spain joins as the Partner Country, while Australia enters the festival as the Spotlight Country, each bringing curated packages, institutional collaborations and cultural programmes that enrich global dialogue.

IFFI 2025 presents a lineup of 240+ films from 81 countries, including 13 world premieres, 5 international premieres, and 44 Asian premieres. A record 2,314 submissions from 127 countries reflects the festival’s expanding global resonance. The opening film — The Blue Trail by Brazilian auteur Gabriel Mascaro, winner of the Silver Bear Grand Jury Prize at Berlinale 2025 — sets the tone for an edition defined by bold storytelling and cinematic ambition.

The Gala Premieres segment will present 18 titles, including 13 World Premieres, 2 Asia Premieres, 1 India Premiere and 2 Special Showcase screenings. The red carpet will welcome a distinguished line-up of artists and filmmakers.

Three major international competitions will feature 32 films from five continents, bringing some of the year’s most celebrated titles to Indian audiences for the first time. IFFI will also present award-winning films from Cannes, Berlinale, Venice, Locarno, TIFF, Busan and IFFR, reinforcing its role as India’s gateway to outstanding contemporary cinema.

This year’s programming includes nine curated sections — Docu-Montage, From the Festivals, Rising Stars, Mission Life, Experimental Films, Restored Classics, Macabre Dreams, UNICEF, and Cinema of the World. In total, IFFI will present 15 competitive and curated segments, including the International Competition, Best Debut Feature Film of a Director, and the ICFT-UNESCO Gandhi Medal.

Celebrating legacies central to Indian cinema, IFFI 2025 will honour the centenaries of Guru Dutt, Raj Khosla, Ritwik Ghatak, P. Bhanumathi, Bhupen Hazarika and Salil Chowdhury. Restored masterpieces like Musafir and Subarnarekha will offer audiences rare encounters with cinematic heritage.

IFFI 2025 will honour legendary actor Rajinikanth, for completing 50 years in cinema, marking a milestone that celebrates his enduring influence on Indian film culture. He will be felicitated at the Closing Ceremony, recognising his iconic body of work, widespread popularity, and contribution to shaping Indian storytelling across decades.

The Indian Panorama 2025 will present 25 feature films, 20 non-fe

LAUNDRY Acquisition Announcement at AFM from Italian-based Summerside-Media

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Laundry (Uhlanjululo) Directed by Zamo Mkhwanazi Has Been Picked Up For Global Sales By Summerside Media

 

Summerside Will Launch Global Sales At AFM

 

Laundry (Uhlanjululo), from South Africa, written and directed by Zamo Mkhwanazi, has been acquired for International Distribution from the Rome based Summerside Media, announced Summerside Managing Director Francesca Manno.

 

Following its world premiere in the Discovery section at the Toronto International Film Festival (TIFF), where it received an enthusiastic response from both audiences and critics, Laundry has emerged as one of the most compelling new voices in contemporary cinema. Summerside Media will introduce Laundry at this year’s American Film Market currently underway in Los Angeles.

 

“From the very first screening, we were deeply moved by Zamo’s vision,” said Francesca Manno, managing director and co-founder at Summerside Media: “Her direction is powerful and poetic. We believe she is an exceptionally promising filmmaker, and Laundry is an extraordinary and visually stunning work”.

 

An intimate portrait of family, resistance, and art under Apartheid, the film stands out for its emotional storytelling, striking cinematography, and evocative soundtrack, which together create a cinematic experience of rare beauty and depth.

 

International sales have just begun. “We are honored to represent such a remarkable film” added Summerside. “Our goal is to bring this small yet significant masterpiece to audiences around the world.”

 

Laundry marks a powerful new chapter for African cinema — and for Zamo Mkhwanazi, a bold new voice with a universal story to tell.

“On behalf of the Laundry team, I’d like to say that we are all thrilled to be in such good hands as those of Summerside Media,” stated Producer Philippe Coeytaux. “Francesca and Summerside’s understanding and enthusiasm for our film is extremely gratifying and we look forward to a successful journey with them.”

 

Laundry, written and directed by Zamo Mkhwanazi, is a Switzerland/South African production from Akka Films and Kude Media, in Co-Production with RTS – Radio Télévision Suisse and Mojo Entertainment. Producers include Philippe Coeytaux, Zamo Mkhwanazi, Jim Stark, Nicolas Wadimoff, and Co-Producer Marco Orsini.

 

Rome and Lecce - based Summerside Media has established itself - over the years - as a boutique international sales and production company with a strong focus on auteur-driven cinema. The company is known for its tailor-made approach to each title in its lineup, features and documentaries, working closely with filmmakers to craft strategies that highlight the unique strengths of each project. With a sharp eye for quality storytelling and emerging talent, Summerside Media continues to build a curated slate of films that resonate with both festival audiences and the global market.

 

Industry@Tallinn & Baltic Event Maps the Future of the Audiovisual Industries

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From 14 November, the 24th edition of Industry@Tallinn & Baltic Event – the largest gathering for audiovisual professionals in Northern Europe – kicks off in Tallinn and online. Over eight days, the event will host around 200 lectures, workshops, masterclasses, and market meetings, bringing together a vibrant community of film and drama series professionals.

According to Marge Liiske, Head of Industry@Tallinn & Baltic Event, this year’s programme explores some of the most pressing questions shaping today’s screen industries. “What are the new frontiers of serialized storytelling? How do we finance content in an era of rising costs and shrinking public support? What role does private investment play in creative freedom? How can sustainability become an integral part of every production stage?”

With nearly 200 sessions – including about 70 open-access panels and workshops – the programme offers insight, inspiration, and tools for building a sustainable, inclusive, and forward-looking film industry. It also fosters cross-generational collaboration, encouraging mentorship, the exchange of expertise, and the nurturing of emerging professionals and talents who will shape the future of cinema. A selection of the open events are also accessible online.

Expanding the Drama Series Focus

In its 24th edition, Industry@Tallinn & Baltic Event further expands its drama series platform, TV Beats, by introducing two new sections: Serial Bridges Baltics, organized in collaboration with Series Mania, and Coming Soon from the Baltics. Altogether, the TV Beats programme features 31 drama series projects at various stages of development, complemented by a range of engaging discussions on the most current topics shaping the landscape.

The third edition of

Mystique of Movie Make-up: Donald Mowat’s Top 12

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 by Quendrith Johnson, Los Angeles Correspondent

When you realize Academy Award-nominated Make-up Artist Donald Mowat hand-painted the giant glowing pink face of Ana de Armas in Blade Runner 2049, which most audiences think is a digital special effect, you begin to realize the enormity of a gift like his. While his credits include Dune (2022) which resulted in his Oscar nom, Mowat has a visceral connection to The Fighter and its gritty realism that belies any use of cosmetics. Eminem’s 8 Mile, Sicario, Nightcrawler, Prisoners, Nocturnal Animals, and the new iteration of Tron, Tron Areas, also feature his deft hand. “We were hired, then shut down for the strike (across various Hollywood Unions).”

The diverse cast of Tron Ares required a delicate knowledge of the way light bounces off the spectrum of human skin tones. “Asian women, Black women, European women” all demand different undertones to offset light color changes. For Greta Lee, who plays Eve Kim in the movie, “it’s a fine line” as far as hue as “it can read” differently under lighting. “We wanted the skin to look perfect, plastic, but not too robotic.” For Jodie Turner-Smith, second under Jared Leto as Ares in the film, he had to avoid “Jodie going ash” and consulted with director Joachim Rønniing on an optimal look. “Working on that film was truly wonderful with Joachim.”

Now it’s on to The Behemoth, starring Pedro Pascal and Olivia Wilde, directed by Tony Gilroy. But Mowat also does one-on-one with A-listers. Can you imagine having Daniel Craig in your make-up chair on set as a personal make-up artist, as he was for the James Bond legend in Skyfall and Spectre? Before we dive into this Oscar nom’s favorite film choices, let’s walk down memory lane in Hollywood back to George Westmore in 1917 with the first make-up department and Max Factor, a seminal artist who also sold his cosmetic line. English transplant Westmore invented the lace-wig technology to hide the hairline, but went into cosmetics after Max Factor, known as “the father of modern make-up” with his versatile “flexible” greasepaint. Influenced heavily by Vaudeville’s face-painted variety shows, Silent Era faces needed that extra “slap.” Here’s a quick snapshot of movie’s maquillage moments, with their defining cinematic examples.

Screenmancer Generated

Although it’s a combination of factors that create a great movie character, what can’t you do? “You can’t have costume make-up and beauty make-up and hair (all as a main focus). It’ll look like a Christmas tree,” Mowat cautions. As a mentor for upcoming artists in the business, he does have his work to stand on. It’s not just the epic futuristic soft-rose glow of the 70mm Ana de Armas faux digital sprite named Joi in Ridley Scott’s Blade Runner 2029. Mowat, who hails from Canada, had to continually refine the magenta-ish hue to match the plum lips “that kept turning into prune” with changing set lighting. That’s the mystique of movie make-up, and though he “hates make-up tutorials because they give away too many secrets,” the Tron Ares make-up maestro shares some insider reveals with us before he presents his ‘Top 10’ personal favorite films.

Did you know “The Godfather is the greatest aging make-up of all time,

Modern rooms, ancient wonders - Novotel Cairo 6th of October and the Grand Egyptian Museum

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The recently painted walls at Novotel 6th of October still show some fresh renovation work. This hotel has just finished renovations,  though you might notice some final touch-ups happening around the property.
 
Location matters mostly here, especially with the Grand Egyptian Museum 25 min away which just opened it's doors for the public on November 4!
 
This is the most significant cultural event in decades - the world's largest archaeological museum is finally welcoming visitors after at least 2 years of anticipation. The museum and the pyramids are located close enough for morning visits before crowds arrive. 
Room improvements showcase modern interior design that meets all traveler needs. 
 
 
Contemporary furnishing combines comfort with functionality, creating spaces for both: relaxation and work. Air conditioning maintains comfortable temperatures even during Cairo's warmest months. Bathrooms include rainfall showers with reliable water pressure.
 
The heated outdoor pool surrounded by palm trees stays warm during winter months when Cairo evenings get chilly. The "Cote Jardin" restaurant serves international cuisine with local Egyptian touches. The Egyptian chef brings authentic regional flavors to familiar dishes. Fresh produce arrives regularly from local farms near Cairo supporting the community while keeping ingredients seasonal.
 
The Green Key certificate demonstrates a real environmental commitment of GM Osama Massoud and his staff. The hotel operates with a zero plastic use throughout the property, from guest amenities to food service operations. This hotel stands out in Egypt and is the right address for environmentally conscious travelers.
 
 
Within a 10 min walk or 3 min drive you reach the Mall of Arabia, the Mall of Egypt needs just slightly longer to be reached. Both malls offer international shopping and dining experiences, the Mall of Egypt even Africa's first indoor ski facility.
 
Novotel Cairo 6th of October is proud to hold the prestigious Green Key certification, a globally recognized eco-label for sustainable hospitality. Novotel is a highclass hotel and belongs to the French Accor Groupe. 
 
This certification highlights Accor's commitment to environmental management, waste reduction, and sustainability education, verified through rigorous audits. Besides investing in smart lighting and motion sensors the hotel is dedicated to create for travellers from all over the world a coxy ambience away from hectic Cairo but within a 25 minutes drive away from the Pyramids and the GEM-Grand Egyptian Museum, which just opened on November 1 and for the public on November 4 with an incredible ceremony highlighting the ancient Egyptian heritage. 
 
 
Your home away from home, this is the feeling of the traveller staying for business or leisure at the Novotel Cairo 6th of October and this is also the commitment of General Manager Osama Massoud. In our interview (published on the youTube chanel of filmfestivals.com we are exploring the differant parts of the hotel: the modern lobby and the restaurant area w

‘Female Teacher: Forbidden Sex’ Among Selections as Rotterdam Spotlights Japan’s V-Cinema Movement

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The International Film Festival Rotterdam (IFFR) has unveiled its second Focus program for the 55th edition, turning the spotlight on Japan’s V-Cinema — the direct-to-video movement that exploded in the late 1980s and profoundly shaped the country’s contemporary film culture. The section, curated by Tom Mes, will run as part of the festival’s 2026 edition […]
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