TAKING BACK THE GROOVE
SBIFF 2024
With Director: Celia Aniskovich
By Emmanuel Itier
Taking Back the Groove reintroduces the world to Bronx-born ’80s disco superstar Richie Weeks. A writer, singer, and producer who was compared to Quincy Jones at his height, Richie created quintessential New York Disco and performed in the likes of Studio 54 and Paradise Garage, all while maintaining day jobs as a postal worker and bricklayer. His mega-hit Rock Your World made it to #1 on the dance charts in the ’80s and has since become a landmark song in the field of disco and house music. Maverick director Celia Aniskovich managed the “tour de force” to bring forth the fight for this artist to gain back what was due to him but also to bring into the limelight the fight from so many other artists versus the big companies who exploited them beyond belief. The time of the Revolution is here, and, thanks to Ms Aniskovich, creators can now regain hope that justice will come to their rescue. Just before heading to Santa Barbara, I was lucky enough to have an inspiring conversation with director Celic Aniskovich.
Q: How did this film come together?
Celia: Actually, it’s a funny story. It was all about reconnecting with an older friend from high school. His brother is a big fan of electronic music and music in general. Somewhat he knew Richie Weeks and he was telling me how incredible he was and would I want to meet with him because he thoughts there was an incredible story about him. And I was blown away by Richie when I met him and even, so he is 79. Actually, I think he is more like 25! He has so much life and so many stories within himself. Also, this film was made during the writer’ strike and it is also an important message in this regard. It’s about, for all artists, to reclaim what is yours.
Q: Tell me about the various challenges you faced making this film?
Celia: One challenge was to be able to make a decision about the tracks, the songs we wanted to use from Richie because he has such a huge catalog of songs to choose from. And of course there were the thousands of emails between Jerome Derradji, a music producer and who was fighting for Richie, and BMG. Also, because it was a short documentary, it wasn’t so easy to sell the story in such a short amount of time, barely 32 minutes all together. Also, it was challenging to show the struggle but to show that at the end there is a happy ending. It was amazing to have him performed at the end and to honor his hard work and what he went through.
Q: At the end, what is this film truly about, what is the takeaway?
Celia: I think it’s all about re-affirming that artist have a right to control the rights of what they create. There is a need for conversation and a real call for action that people who create some art retain the control of it and the revenues coming from it. It’s people life and we can allow that it is controlled by the matrix and some algorithm at the end. These artists deserve to benefit from their hard work.
Q: Do you see yourself change from doing such a “political” movie like this one?
Celia: It’s rare you create a movie that you feel can provoke a real change, but I feel that with this movie it might the start of some really incredible change in the music industry, among other industries. I really hope this movie create some sort of synergy, so things change for all the artists out there whose art is controlled by entities who are not respe