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Tsai Ming-liang on Venice and San Sebastian Title ‘Dust,’ Slowness as Rebellion and Life With Lee Kang-sheng

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A barefoot monk in a red robe walks the length of San Sebastian’s La Concha, pauses beneath the concrete rooms of Chillida Leku and stands before the crashing wall of the Peine del Viento. He is Tsai Ming-liang’s Walker, and in “Dust,” the 11th installment of the director’s “Walker” series, his slow procession moves through […]

Lil Rel Howery, Angela Sarafyan, Manny Montana Set for Indie Horror ‘The Things We Hide’ With Minerva Launching Sales in Cannes (EXCLUSIVE)

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Lil Rel Howery (“Get Out”), Angela Sarafyan (“Westworld”) and Manny Montana (“Good Girls”) are set to appear in indie horror film “The Things We Hide,” co-directed and produced by Amir Noorani and Eric Bergemann. Italy’s Minerva Pictures has boarded the chiller and will launch world sales at the Cannes Market. Atit Shah’s Create Entertainment (“Monsoon,” […]

BELIEVE (Blank Ages Remix) | Emotional Epic Dubstep Music – Dan Thiessen

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This emotional epic dubstep remix will give you chills. “BELIEVE” by Blank Ages is inspired by Dan Thiessen’s “There Will Be Generations Because Of You.” ▸ Stream "BELIEVE" everywhere: https://hypeddit.com/blankages/believe Follow Blank Ages: ▸ All Links: https://linktr.ee/blankages Follow Dan Thiessen: ▸ Spotify: https://open.spotify.com/artist/3nJCG76YDLXxFd3guk6PCA?si=IGiz_uVeQh2co8X4eeRUqQ ▸ Instagram: https://instagram.com/danowitsch?igshid=nfs5he9whafz ▸ Facebook: https://www.facebook.com/dan.thiessen.90 ▸ YouTube: https://www.youtube.com/channel/UCn8XVk7i8sO0bn63AkrNdmg ▸ Soundcloud: https://soundcloud.com/user-822150050 #dubstep #electronicmusic #remix #EmotionalEpic #anime #believe #ThereWillBeGenerationsBecauseOfYou ? Track: BELIEVE Remixed Track: There Will Be Generations Because Of You Remix Composer: Blank Ages Original Track Composer: Dan Thiessen Label: NEXXT Label: Epic Music World Year: 2026 ★ Animation by Realtime Motion Studios ? Image Artist: ArkayusK ▸ artist is not online anymore - no linking possible ▂ ? All Label Music Of Epic Music World™ Is Available On: ▸ YouTube Music: https://bit.ly/YouTubeMusicEMW ▸ Spotify: https://bit.ly/EMWSpotify ▸ Deezer: https://bit.ly/EMWDezeer ▸ Apple Music: https://bit.ly/EMWApple ▸ Amazon: search @ EpicMusicWorld Epic Music World™ Websites: ▸ Spotify: https://bit.ly/EpicMusicWorld ▸ Twitch: https://www.twitch.tv/kai_emw ▸ Keep Me Alive (Donation): https://goo.gl/iIsogi ▸ Merchandise EU: https://shop.spreadshirt.net/epicmusicworld/ ▸ Epic Music World II: http://bit.ly/1Oo4n11 ▸ Facebook: https://www.facebook.com/EpicMusicWorld2/ ▸ Join Discord: https://discord.gg/ry5z8AZ ▸ Patreon: https://patreon.com/EpicMusicWorld ▸ Soundcloud: https://soundcloud.com/epicmusicworld ▸ Instagram: https://www.instagram.com/kai_emw/ ▸ Work Submission For The Epic Music World Label (Only Unreleased Music): epicmusicworld@gmx.net ▂ © Copyright Info ✔ Be aware the music and the picture belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use this .➝ Please ask the artists and NOT me for permission !!!

Release Rundown: What to Watch in March, From “undertone” to “André is an Idiot”

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Nina Kiri stars as Evy, the co-host of a paranormal podcast in “undertone,” an official selection of the 2026 Sundance Film Festival. By Lucy Spicer Spring may be around the corner, but there’s still a distinct chill in the air — and inside movie theaters. March is shaping up to be a month to remember […]

The post Release Rundown: What to Watch in March, From “undertone” to “André is an Idiot” first appeared on sundance.org.

Powerful October 7 Drama 12 HOURS IN OCTOBER Announces Digital Release Beginning January 6th, Following Theatrical Run

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Filmmaker and director Danny A. Abeckaser announces the digital release of his new feature film 12 HOURS IN OCTOBER on January 6, 2026, following its theatrical opening on December 14, 2025 that aligned with the recent anniversary of the October 7 Nova Music Festival attack in Israel. A visceral, character-driven drama, the film chronicles the first twelve hours of that day, offering audiences an urgent and deeply human perspective on the events that shocked the world.

Following its theatrical run, 12 HOURS IN OCTOBER will be available beginning January 6, 2026 on major digital and on-demand platforms including Amazon Prime, iTunes, ApplePlay, VOD, Pay-Per-View and additional outlets. Conceived as both a gripping narrative and an educational tool, the film is intended to reach a broad, global audience and spark conversation, remembrance and understanding.

12 HOURS IN OCTOBER is a narrative feature inspired by the events of October 7, 2023, focusing on four intertwined perspectives over the first twelve hours of the Nova Music Festival attacks. Combining meticulous recreation with powerful performances, the film aims to serve as a cinematic record, an educational resource, and a tribute to those whose lives were forever changed.

Although inspired by real events, the film uses minimal real footage – only about four seconds in the trailer and approximately three minutes in the feature – with the remainder comprised of original, scripted, shot and fully recreated material produced and directed by Abeckaser. This approach allows the filmmaking team to portray the day with chilling realism while protecting those directly affected and shaping a cohesive, cinematic experience.

Written by Kosta Kondilopoulos, 12 HOURS IN OCTOBER is inspired by the events of October 7, 2023, and depicts separate, intersecting points of view as different characters face the terror and chaos of the first twelve hours of that fateful day.

At a desert music festival, Talia and Barak, a young couple in love, celebrate their engagement with friends. Nearby, Gabi and his wife Maya make peace after a night of discovering they will be having a baby, just as Ariel, a mother of two, quietly enjoys her morning coffee while her children sleep. At the same time, two Palestinian brothers, Nabil and Malik, prepare for an operation that will soon tear these lives apart.

When rockets cut through the sky and sirens begin to wail, each character is thrust onto a new path, and most will not return.

TRAILER: https://www.youtube.com/watch?v=b-s9KfiEC7w

 

 

The logline captures the film’s core: Inspired by the actual events of October 7, 2023 during the Nova Festival attacks, the film depicts the separate points of view of different characters as they face the terror and chaos of the first twelve hours that transpired on that fateful day.

“Once I decided to make this film, I understood I had to shoot it on location where it happened. I knew I was making the most important film of my life and wanted to make sure it was real and accurate to what happened in the first 12 hours. The film was not easy to make since a lot of the actors and extras were actually there when it happened. We only used a few minutes of actual footage, everything was recreated. I knew it would evoke a lot of feelings and even PTSD for some, but I also know how important it is to tell this story properly. I received incredible support when I first put the film concept toget

The HOUSEMAID Comes Tomorrow Get Ready!

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by Quendrith Johnson, Los Angeles Correspondent

Mamma Mia's Amanda Seyfreid is back, in sinister mode this time, with Sydney Sweeney in THE HOUSEMAID, opening wide Friday, Dec. 19. Based on the best-selling novel by literal brain doctor Freida McFadden, Amanda’s Nina Winchester is about to twist Sydney’s Millie Calloway into an emotional pretzel in this giddy-making thriller from director Paul Feig.

In case you forgot about CHLOE (2009) where Amanda Seyfried terrorizes a Julianne Moore and Liam Neeson in that movie, Seyfried’s dark side casts a wide umbra in this naughty tale of Housewife vs Housemaid. Housewife Nina (Seyfreid) piles on our poor little (sexy as hell) Housemaid hire.

But we’re not going to give away the plot from this book adaptation by Rebecca Sonnenshine. No just the Monday shots, photos from the Los Angeles premiere.

 

Sydney Sweeney, Amanda Seyfreid, Paul Feig, Brandon Sklenar - TCL Chinese Theatre, Hollywood, Calif. Dec. 15, 2025

And no, we don’t care what anyone says about Sydney Sweeney, why? 

Brandon Sklenar, Sydney Sweeney, Amanda Seyfreid - TCL Chinese Theatre, Hollywood, Calif. Dec. 15, 2025

Because she can act, plus she doesn’t need your approval… just saying. 

Once again... that dress! Sydney Sweeney wows fans at TCL Chinese Theatre in Hollwyood, Calif.- Dec. 15, 2025

Enjoy, and don’t forget to catch the cat-and-mouse chills Friday, with this Lionsgate humdinger where Brandon Sklenar, Michele Morrone and yes, Elizabeth Perkins, round out the cast.

Visit The Housemaid movie now for tickets and more info.

[Editor's note: Director Paul Feig has dedicated this movie to the late Rob Reiner as a tribute.]

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Modern rooms, ancient wonders - Novotel Cairo 6th of October and the Grand Egyptian Museum

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The recently painted walls at Novotel 6th of October still show some fresh renovation work. This hotel has just finished renovations,  though you might notice some final touch-ups happening around the property.
 
Location matters mostly here, especially with the Grand Egyptian Museum 25 min away which just opened it's doors for the public on November 4!
 
This is the most significant cultural event in decades - the world's largest archaeological museum is finally welcoming visitors after at least 2 years of anticipation. The museum and the pyramids are located close enough for morning visits before crowds arrive. 
Room improvements showcase modern interior design that meets all traveler needs. 
 
 
Contemporary furnishing combines comfort with functionality, creating spaces for both: relaxation and work. Air conditioning maintains comfortable temperatures even during Cairo's warmest months. Bathrooms include rainfall showers with reliable water pressure.
 
The heated outdoor pool surrounded by palm trees stays warm during winter months when Cairo evenings get chilly. The "Cote Jardin" restaurant serves international cuisine with local Egyptian touches. The Egyptian chef brings authentic regional flavors to familiar dishes. Fresh produce arrives regularly from local farms near Cairo supporting the community while keeping ingredients seasonal.
 
The Green Key certificate demonstrates a real environmental commitment of GM Osama Massoud and his staff. The hotel operates with a zero plastic use throughout the property, from guest amenities to food service operations. This hotel stands out in Egypt and is the right address for environmentally conscious travelers.
 
 
Within a 10 min walk or 3 min drive you reach the Mall of Arabia, the Mall of Egypt needs just slightly longer to be reached. Both malls offer international shopping and dining experiences, the Mall of Egypt even Africa's first indoor ski facility.
 
Novotel Cairo 6th of October is proud to hold the prestigious Green Key certification, a globally recognized eco-label for sustainable hospitality. Novotel is a highclass hotel and belongs to the French Accor Groupe. 
 
This certification highlights Accor's commitment to environmental management, waste reduction, and sustainability education, verified through rigorous audits. Besides investing in smart lighting and motion sensors the hotel is dedicated to create for travellers from all over the world a coxy ambience away from hectic Cairo but within a 25 minutes drive away from the Pyramids and the GEM-Grand Egyptian Museum, which just opened on November 1 and for the public on November 4 with an incredible ceremony highlighting the ancient Egyptian heritage. 
 
 
Your home away from home, this is the feeling of the traveller staying for business or leisure at the Novotel Cairo 6th of October and this is also the commitment of General Manager Osama Massoud. In our interview (published on the youTube chanel of filmfestivals.com we are exploring the differant parts of the hotel: the modern lobby and the restaurant area w

Boyz N The Hood depicts the violent education of a forgotten generation of black youth by © film critic Lalit Rao (FIPRESCI)

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American film “Boyz N The Hood’’ (1991) depicts the violent education of a forgotten generation of black youth’’ by © film critic Lalit Rao (FIPRESCI) 
 
 
When Boyz N the Hood was released in 1991, it announced the arrival of a new and authentic voice in American cinema. John Singleton, then only 23 years old, became the youngest person and the first African-American ever nominated for the Academy Award for Best Director. His debut film was not merely a narrative about Black life in Los Angeles—it was a sociological document disguised as drama, a cinematic mirror that reflected the struggles, dreams, and disillusionments of an entire generation raised under the shadow of systemic neglect.
 
A film rooted in reality
 
Set in 1984 but released in 1991, Boyz N the Hood reconstructs life in South Central Los Angeles with documentary-like authenticity. Singleton was writing about what he knew—the geography, the rhythm of speech, the invisible boundaries that divided blocks and fates. This autobiographical impulse gives the film its rare combination of intimacy and urgency. The streets of Crenshaw are not backdrops; they are living, breathing ecosystems that dictate who lives, who dies, and who escapes.
 
The film’s structure revolves around Tre Styles (Cuba Gooding Jr.), a bright young man sent by his mother to live with his father, Furious Styles (Laurence Fishburne). Furious’s household offers discipline, education, and moral grounding—a stark contrast to the chaos that consumes the surrounding neighborhood. Through Tre’s eyes, Singleton observes a community balancing between familial tenderness and the omnipresent threat of violence.
 
Interrogating internalized violence
 
One of the film’s most disturbing and profound questions is why Black men end up turning their weapons on one another. Singleton never simplifies this inquiry. Instead, he maps the forces that shape such behavior: economic inequality, police brutality, the easy availability of firearms, and the absence of meaningful opportunities. His narrative doesn’t externalize all the blame—it looks inward too. The characters are aware of their entrapment but are often unable to break free.
 
The killing of young Black men by other Black men is presented not as a pathology but as a consequence of structural despair. In a chilling early scene, a group of children gather around a dead body lying on the street, staring with the same casual curiosity as if it were a broken toy. Singleton uses this moment to reveal how death becomes normalized in a world where violence replaces dialogue. The tragedy of Boyz N the Hood is not that it depicts death—it’s that it depicts desensitization.
 
No place for black men in the US army
 
Running throughout the film is an understated yet significant critique of the American military. Furious Styles, an ex-soldier himself, warns Tre about the illusion of equality that institutions like the U.S. Army promise. He argues that young Black men are systematically targeted for recruitment, not to uplift them, but to channel their aggression into imperial wars that have nothing to do with their liberation. “There ain’t no place for a Black man in that white man’s army,” Furious tells his son, his voice carrying both the authority of experience and the bitterness of disillusionment.
This argument resonates beyond the narrative. In 1991, as the Gulf War unfolded, many African-Ame

Hollywood: The “Je Penske, Donc Je Suis” Era?

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By Quendrith Johnson, Los Angeles Correspondent



It’s 4:03 am in Hollywood, most of Malibu on the PCH is unrecognizable after the fires, and it could be argued that the Town itself is in “The “Je Penske, Donc Je Suis” Era. What does that even mean? Roger Penske’s son Jay Penske (born 1980) now owns, or controls via PMC (Penske Media Corp.) the following: “Variety, Rolling Stone, The Hollywood Reporter, Billboard, Billboard Music Charts, WWD, SHE Media, Robb Report, Deadline, Sportico, BGR, ARTnews, Fairchild Media, Vibe, IndieWire, Dirt, Artforum, Gold Derby, Spy.com and Luminate, the premier music SAS data and analytics company. Penske Media also owns Dick Clark Productions (DCP) the world's largest producer and owner of televised live entertainment programming, which includes the Academy of Country Music Awards, Golden Globe Awards, American Music Awards, Billboard Music Awards, New Year's Rockin Eve, Streamy Awards, and television programs such as So You Think You Can Dance. In addition, PMC owns several vital cultural events such as SXSW, LA3C, Life is Beautiful, Latin Music Week and ATX Television Festival. In addition, Penske Media is the largest shareholder of Vox Media.”
This impressive list of holdings begs the question for many in Hollywood, “how can one entity own the trades and award shows and keep the integrity or objectivity necessary to create a level playing field with award entrants or films that wish to be nominated for awards?” Good question, and while we may not come up with a conclusive answer? How about let’s just look at how the Je Penske, Donc Je Suis Era came to be?
In 2009, Penske acquired DEADLINE from Founder Nikki Finke, and some say effectively silenced her with a gag order that stopped her from writing for anyone else, and kicked off a firestorm with Finke who may or may not have been paid an alleged $9 M USD which may or may not have included an apartment in the same building as Bright Lights, Big City author John Barrett "Jay" McInerney Jr. The McInerney connection only became public when their inter-hallway confrontations became public record. So how much was Nikki Finke paid, what were the terms? This is less important than the chilling effect of this purchase, which silenced a truly original media voice and shit disturber gadfly in Hollywood. Finke. Who was once listed among the Most Powerful lists in Hollywood, could no longer shout from the cheap seats at the suits in the system, nor could she bring to light any of the thorny issues in the entertainment business. Full disclosure, after DEADLINE she founded Hollywood Dementia, a fiction site that purportedly may have been meant to “expose” any insider dirty laundry in the guise of prose; and although she once tried to sue me personally (story for another day), Nikki did publish my short stories in HD. These are the contradictions that defined a contentious figure like Finke: she loved to hate you or hated to love you. That applied to friends and foes alike, a matter of public record.
But back to our deep dive into repo baby Jay Penke’s amassment of properties in Hollywood. Just the sheer magnitude of the list of holdings detailed earlier gives you a sense of the campaign to, some say, dominate the H’wood landscape. However, besides possibly hamstringing the role of journalists to cover the industry fairly, or objectively given the award show ownership factor, what else is going on here you may wonder? Let’s count down the years to 2025.
DEADLINE HOLLYWOOD DAILY, which became simply DEADLINE by late 2000’s, was acquired for undisclosed terms in 2009, followed by VARIETY (Variety, Daily Variety) in 2012, and next came HOLLYWOOD LIFE in 2014, with a detour in 2011 via the purchase