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MUSIC THAT MAKES EVERYTHING EPIC | World's Most Emotional & Powerful Music

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A 1-hour mix of the world’s most emotional & powerful epic music — orchestral, cinematic, motivational. Perfect for focus, writing, gaming, or pure inspiration. ? What you’ll experience: Heart-pounding orchestral power Emotional, uplifting melodies Epic crescendos & dramatic builds Music that turns everyone into heroes A journey through fantasy, adventure & battle-ready soundscapes ? Best for: Epic music lovers • Writers & creators • Gamers • Students • Dreamers • Anyone needing motivation or inspiration ⏱️ 1-Hour Mix Timecodes: 00:00 — Masara - Carpe Noctem 04:18 — Masara - The Journey 07:29 — Masara - Light up the Night 10:51 — Masara - Anima Mea 14:04 — Masara - Animale 18:05 — Masara - The Battle 21:21 — Masara - Macesa 25:49 — Masara - The Honour 30:15 — Masara - In the Stars 34:47 — Masara - Maribelle 39:59 — Masara - Rising Higher 44:42 — Masara - Libertas 48:51 — Masara - You Better Run 54:04 — Masara - The Boss 58:49 — Masara - The Fighter ? Tell me in the comments: Which track hit you the hardest? Support the Artists Masara & Fearless Motivation: ▸ Website/Contact: https://www.fearlessmotivation.com/ Stream & Download The Music: ▸ iTunes: https://goo.gl/2mF7gr ▸ GooglePlay: https://goo.gl/d754Fw ▸ Spotify: https://goo.gl/Uxmswh ▸ AmazonMP3: http://amzn.to/2F9lffx ▸ Worldwide MP3 Download: https://goo.gl/YdDX9d ★ Animation by Realtime Motion Studios ? Image Artist: GUWEIZ ▸ Image: https://x.com/ttguweiz/status/1925175506544300038/photo/1 ▸ Image Artist: http://guweiz.deviantart.com/ ▸ ArtStation: https://www.artstation.com/guweiz ▸ Instagram: https://www.instagram.com/guweiz/ ▸ Twitter: https://twitter.com/ttguweiz ▸ Tumblr: http://guweiz.tumblr.com/ ▸ Facebook: https://www.facebook.com/guweiz/ ▂ © Copyright Info ✔ Be aware all music and pictures belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use this .➝ Please ask the artists and NOT me for permission !!! #EpicMusic #EmotionalMusic #PowerfulMusic #CinematicMusic #EpicMusicMix

Release Rundown: What to Watch in December, From “Atropia” to “Endless Cookie”

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Written and directed by Hailey Gates, “Atropia” won the U.S. Grand Jury Prize: Dramatic at the 2025 Sundance Film Festival. By Lucy Spicer With less than two months to go until the 2026 Sundance Film Festival, we’re getting ready to expand our cinematic horizons and meet our new favorite independent films — as well as […]

The post Release Rundown: What to Watch in December, From “Atropia” to “Endless Cookie” first appeared on sundance.org.

I Will Hold You Until the End — Emotional Epic Music

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An emotional, dramatic and epic journey from those who built the sky to a future of a thousand stars—a last embrace held until the end. #EpicMusic #Emotional #Cinematic #Orchestral #EpicMusicWorld ? Best experienced on headphones. TRACKLIST 0:00 Mitchell Broom — We Who Built The Sky 4:08 Mitchell Broom — A Future Of A Thousand Stars ✦ Composer — Mitchell Broom • Spotify: https://tinyurl.com/y2e5chwn • Amazon Music: https://tinyurl.com/y5m29q9w • Apple Music: https://tinyurl.com/y4psw5sf • Twitter: https://twitter.com/MitchellRBroom • Discord: https://discord.gg/qW3hzKUHFB • YouTube: https://www.youtube.com/channel/UCyw9Je82vQpb_oIHbnf12-g? • Instagram: https://www.instagram.com/mitchell.broom/?hl=en ✦ Artwork by DIno — used with permission/license. • Artwork: https://www.pixiv.net/en/artworks/99837309 • Pixiv: https://www.pixiv.net/en/users/66807813 • Twitter: https://x.com/Dino_illus ◼︎ Connect with Epic Music World™ • YouTube Music: https://bit.ly/YouTubeMusicEMW • Spotify: https://bit.ly/EMWSpotify • Deezer: https://bit.ly/EMWDezeer • Apple Music: https://bit.ly/EMWApple • Amazon Music: https://rebrand.ly/EpicMusicWorld_AmazonMusic • Tidal: https://rebrand.ly/EMW_Tidal • Epic Music World II: http://bit.ly/1Oo4n11 • Facebook: https://www.facebook.com/EpicMusicWorld2/ • Instagram: https://www.instagram.com/kai_emw/ ✦ Animation by Realtime Motion Studios © Copyright Info ✔ Be the music and picture belongs to the original artists. ✔ This video was given a special license directly from the artists. ✖ I am in no position to give anyone permission to use the video material. All rights reserved. Do not reupload and ask the artists and NOT me for permission !!!

Director Rachel Feldman on LILLY, Patricia Clarkson, Netflix debut

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by Quendrith Johnson, Los Angeles Correspondent

FeldmanPat2025

Imagine you’re a rookie film director, you land Academy Award nominee Patricia Clarkson with her unmistakable New Orleans guile plus a very fine cast including actor Thomas Sadoski for a movie about one of America’s unsung, true-life, gutsy working women? Director Rachel Feldman did just that. But there’s a caveat here… it only took 17 years.

Feldman had been coming up in the ranks as a TV helmer for years. From directing episodes of Lizzy McGuire to Blue Bloods to Criminal Minds. Count them up: 25 director credits in television, 11 writer credits. Better yet, let IMDb do the work, as you click here for her complete bio. Forgive the background shortcut. We’re here to chat with Feldman about the subject of her first-ever movie, LILLY. (Yes, there's an official trailer on Vimeo, linked at the end of our interview.)

So let’s get started because Rachel has a lot to share, and the film is available for you in just days from now on Netflix.

QUENDRITH JOHNSON: Can you describe LILLY for people who may not be familiar with her?

RACHEL FELDMAN: Lilly Ledbetter worked for the Goodyear Tire company in Gadsden, Alabama from 1979 – 1999, from the ages of 40-60, as a supervisor. Having been raised in poverty, her American dream was to see her children grow up in the middle class, and for that singular goal, for nearly 20 years, she was willing to work in an extremely hostile work environment, for the sake of the best paycheck in her county. But as retirement approached, she discovered that she was actually being paid nearly half of what the men with the same job were earning, and the rage that rose inside of her, from being cheated just because of her sex, transformed her into an activist who fought for the next ten years and changed an American law.

QUENDRITH JOHNSON: What made you put this movie together, and how long did it take to get to the screen?

RACHEL FELDMAN: Coming up when I did as a woman director in Hollywood, I experienced my own form of gender discrimination in the form of exclusion. When I landed in Hollywood, with an MFA in directing and several award-winning, grant-funded short films, only .05% of the film and television was being directed by women. So, when I saw Lilly Ledbetter speak at the 2008 DNC, I knew I was the filmmaker to tell her story. It’s 17 years since I was first inspired to make this film. The production had several incarnations, and a few stops and starts, but I had promised Lilly that I’d get it made, and I never lost that North Star.

Watch Rachel Feldman’s TedX talk about women who direct…

QUENDRITH JOHNSON: How did you get to Patricia Clarkson?

RACHEL FELDMAN: As a non-celebrity filmmaker, with no representation, and no budget for a top casting director, I realized that access to the kind of actor I needed for this role was going to be a challenge. I got very lucky when a very beloved actor found about my script and offered to

This Is What It Sounds Like When Angels Look Away | Epic Emotional Music Mix

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When angels look away, we carry the weight and when hope breaks ... the music remembers. Enjoy the most epic, dramatic & emotional orchestral music for writing, reading, gaming, world-building and simply dreaming. A cinematic journey from loss to resolve, building in waves for your biggest entertainment. Let this mix carry you through quiet piano and strings, whispering choirs, rising ostinatos, deep taikos and huge brass— a soundtrack for moments when words aren’t enough and the world feels on the edge. ► What moment hit you the hardest? Comment below—and tell me if you want Part II with "ANGELS II". ? Playlist: 01. 00:00:00 Dan Thiessen - There Will Be Generations Because Of You (Epic Music World) - New Remixed Version 2025 02: 00:05:45 David Chappell - Burn It All Down (Atom Music Audio) 03. 00:08:24 Shalev Alon & Gregory Tan - World Forget Me (Elbroar - Warner Chappell PM) 04. 00:11:14 Friedrich Gattermann & Moritz Bintig - Low Tide (Atom Music Audio) 05. 00:14:03 CRZYSND - dear diary... 06. 00:16:03 Shalev Alon & Gregory Tan - Your Will Be Done (Elbroar - Warner Chappell PM) 07. 00:18:24 CRZYSND - last breath 08. 00:21:44 Nick Reynaert - Don't Let Go (Atom Music Audio) 09. 00:24:06 Shalev Alon & Gregory Tan - Transcendent Sou (Elbroar - Warner Chappell PM) 10. 00:26:21 David Chappell - False Flag (Atom Music Audio) 11. 00:29:00 Audio Armoury - Silent Advance (Pandora Journey) 12. 00:31:44 Amadeus Indetzki - Leaving Earth (Elbroar - Warner Chappell PM) 13. 00:35:21 Ben Berkenbosch - A Fragile Horizon (Pandora Journey) 14. 00:38:52 Amadeus Indetzki - Death of a Hero (Elbroar - Warner Chappell PM) 15. 00:41:27 Ben Berkenbosch - Between The Mist (Pandora Journey) 16. 00:44:45 LukeMans - The Vast White (Pandora Journey) 17. 00:47:35 Peter Jeremias - Distant Prophecy (Elbroar - Warner Chappell PM) 18. 00:50:16 Peter Jeremias - Believe Is All (Elbroar - Warner Chappell PM) 19. 00:52:30 Audio Armoury - Stranded (Pandora Journey) 20. 00:55:00 Dominik Alexander Hecker - Stay with Me (Elbroar - Warner Chappell PM) 21. 00:59:23 Twelve Titans Music - We Stand In Silence 22. 01:02:45 Scott Buckley - Echoes 23. 01:08:42 Shaheen Fahmy & Phoenix Music - Wrath (Epic Music World) 24. 01:12:15 Ben Berkenbosch - Identity 25. 01:16:16 Twelve Titans Music - Weightless 26. 01:19:35 Mighty Pixel - Epiphany 27. 01:21:58 Sami J. Laine - Remembrance 28. 01:24:32 Twelve Titans Music - The Evening Fog 29. 01:27:40 Twelve Titans Music - Coda 30. 01:31:05 Christian Post - Where Heroes Fall 31. 01:34:46 Mufaya - Carry My Warmth 32. 01:40:20 Ben Berkenbosch - For A Broken Dream 33. 01:48:44 Ben Berkenbosch - Fears And Feelings 34. 01:52:53 David Chappell - Arrow of Time 35. 01:57:42 Andreas Kübler - For The Fallen (IMAscore) 36. 02:00:36 Emil Nilsson - Leaving 37. 02:04:42 Rachel Nusbaumer - Fragile as Life 38. 02:06:47 Apollon de Moura - Final Salute (IMAscore) 39. 02:09:40 MattNG - Moving On 40. 02:12:10 Maves - Above The Clouds 41. 02:14:45 David Chappell - Live To See Tomorrow 42. 02:18:59 Ben Berkenbosch - Lost 43. 02:21:43 Adrian Gucze - Forsaken Hearts (IMAscore) 44. 02:24:14 MattNG - In Memorys Lane 45. 02:28:07 Brian Delgado - Forgotten 46. 02:30:30 Dan Thiessen - Who Will Help Me Carry Him (Epic Music World) 47. 02:34:51 Amadeus Indetzki - We Will Find A Way 48. 02:35:45 Amadeus Indetzki - Stones 49. 02:37:18 Max Grigoryev - The Fallen 50. 02:40:19 Ben Berkenbosch - Waiting For A Falling Star 51. 02:42:46 Brian Delgado - Remember ▶️ Keep Listening ► Next Mix: [https://youtu.be/-rsZ06q8YSs] ► Best Singles Playlist: [https://www.youtube.com/playlist?list=PLCQ2DK3yQCr5REDmm1SFB6EGesCN2St47] ?This Mix features Music from (credits): https://pastebin.com/2EqpYrdD #EpicMusic #Emotional #Cinematic ▂ ? Image & Animation by Realtime Motion Studios ★ Image: https://www.deviantart.com/realtimemotionstudio/art/1260715481 ★ Buy Your Animation: https://realtimem

Masterclass with Nikos Panayotopoulos: “Contrary to Expectation”

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On Thursday, November 6th, the audience of the 66th Thessaloniki International Film Festival had the opportunity to attend a fascinating masterclass, titled “Contrary to Expectation,” delivered by Nikos Panayotopoulos. Engaging in dialogue with the grand tribute of this year’s Festival, “Plot Twist, Beyond the Sixth Sense,” the acclaimed Greek author and scriptwriter analyzed the timeless allure and irresistible power of the plot twist; the reversal of expectations in dramatic (and not only) storytelling. 

‘‘BlacKkKlansman’’ is a daring, cathartic, and critically acclaimed look at race and power © by film critic Lalit Rao (FIPRESCI)

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Spike Lee film ‘‘BlacKkKlansman’’ (2018) is a daring, cathartic, and critically acclaimed look at race and power in modern America © by film critic Lalit Rao (FIPRESCI)
 
Spike Lee’s BlacKkKlansman is a film that lives in the intersection of comedy, crime, and profound social commentary. Based on the memoir of Ron Stallworth, a retired African American detective from Colorado Springs, this 2018 film brings a story of an audacious infiltration of the Ku Klux Klan to the big screen. Stallworth’s story is remarkable: the first Black officer of the Colorado Springs Police Department, he managed to infiltrate the KKK in the 1970s with little more than his quick wit, an ear for accents, and a determined will to bring justice. While the plot seems almost unbelievable, the film effectively blends humor, sharp critique of systemic racism, and a cathartic portrayal of a moment in American history that continues to have ripples in the present day.
 
BlacKkKlansman as a cinematic achievement
 
 
One of the central achievements of BlacKkKlansman is the way it combines different film genres to tell a story that is both darkly comedic and deeply serious. Lee has long been a director known for his political engagement, and BlacKkKlansman is no exception. The film’s treatment of race relations, American nationalism, and police brutality reflects the director’s continuing interest in the struggle for racial justice. However, where many of his other works like Do the Right Thing or Malcolm X lean heavily on the dramatic, BlacKkKlansman takes a slightly lighter, more comedic approach, blending elements of crime fiction with dark humor to convey the absurdity of the situation at hand.
At the heart of this film is its satirical depiction of the Ku Klux Klan. The KKK is presented as an organization so backward, so ridiculous in its ideology, that it almost borders on farce. Yet, as the film points out with alarming clarity, this isn’t just a "bad joke" — these are the individuals and organizations that have been instrumental in fostering systemic racism throughout America’s history. Lee draws a direct line between the far-right ideology of groups like the Klan and the more mainstream white nationalist rhetoric that persists in America today, especially under the leadership of President Donald Trump.
 
BlacKkKlansman is about the tale of two men 
 
 
The film tells the story of Ron Stallworth’s infiltration of the Klan with his Jewish colleague Flip Zimmermann, played by Adam Driver. The casting is brilliant, with Washington’s compelling performance as Stallworth standing out as one of the strongest of his career. John David Washington, in his portrayal of the complex, intelligent, and quick-witted Stallworth, shows a maturity and depth that make it impossible to deny his potential as a leading man in Hollywood. His ability to navigate both the comedic and serious aspects of the film makes him a truly compelling figure to watch.
Meanwhile, Adam Driver as Flip Zimmermann provides a perfect foil to Washington’s performance. Zimmermann is a white cop who, while initially hesitant about the operation, becomes a willing participant in Stallworth’s mission. Driver portrays the character with the perfect blend of humor and solemnity, showing the internal conflict of a man who is both complicit in

6 filmmakers work in Paris since October on their new film within the 50th Residency of the Festival de Cannes

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More info about La Résidence

lica Bednáriková, Federico Luis, Maksym Nakonechnyi, Laís Santos Araújo, Baran Sarmad, and Dian Weys have joined the 50th Residency of the Festival de Cannes. From October 1, 2025, to February 15, 2026, they are staying in Paris and receiving guidance in writing their first or second feature film.

Created in 2000, the Residency of the Festival de Cannes helps filmmakers from around the world develop their projects. This 50th session, like previous ones is designed to support the emergence of new voices in international cinema while promoting a diversity of perspectives.

Six New Filmmakers at the Residency of the Festival de Cannes

Baran Sarmad © RR / Federico Luis © Philipp Nemenz / Alica Bednáriková © Liza Nedayvoda /

 Dian Weys © RR / Laís Santos Araújo © Luciano Pedro / Maksym Nakonechnyi © RR

© RR

MAKSYM NAKONECHNYI

UKRAINE

"To me, taking part in La Résidence means receiving the opportunity to concentrate on my project in safety. I do plan to finalize the script and to have it ready for the production period. In the circumstances of wartime, when Ukrainian filmmakers lack funding, fellow professionals, sustainability and security, it is a

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