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Theresa Russell to be Jury President of the 52nd edition of Film Fest Gent

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Track 29 (1988)
Theresa Russell to be Jury President of the 52nd edition of Film Fest Gent as festival celebrates Nicolas Roeg with retrospective

American actress Theresa Russell will serve as Jury President of the International Jury at the 52nd edition of Film Fest Gent, which will take place from 8 to 19 October. During the 80s and 90s, Russell was a prominent figure who competed with the biggest Hollywood actresses. Today, she is mostly celebrated for her complex and vulnerable roles in the films of British director Nicolas Roeg, to whom FFG is dedicating this year’s Classics programme.

Together with the jury - whose members will be announced later on - Theresa Russell will consider the Official Competition of Film Fest Gent 2025. This competition puts the impact of music on film in the spotlight since 1980. At the end of the festival, the International Jury will award the Grand Prix for Best Film and the Georges Delerue Award for Best Soundtrack or Sound Design.

Theresa Russell

Theresa Russell was born in 1957 in San Diego, California. At fourteen she was discovered by a photographer and at nineteen she made her big film debut. Directed by Elia Kazan, she starred in The Last Tycoon (1976) alongside acclaimed stars such as Robert De Niro, Tony Curtis, Jeanne Moreau and Robert Mitchum. Russell has since appeared in more than fifty films and television series. Despite her striking performances in Black Widow (1987, Bob Rafelson), Whore (1991, Ken Russell), Kafka (1991, Steven Soderbergh) and Wild Things (1998, John McNaughton), she will forever be associated with Nicolas Roeg’s visionary work, to whom she became a muse and with whom she shared a marriage and two sons. Together, they made six films, including the radical and erotically charged Bad Timing (1980), the near-metaphysical epic Eureka (1983) starring Gene Hackman and the often overlooked psychosexual drama Track 29 (1988), in which Russell plays a frustrated housewife alongside Christopher Lloyd and a young Gary Oldman. Russell faded from the spotlight in the 2000s, but she never stopped acting. She appeared mainly in television series and independent films such as The Believer (2001, with Ryan Gosling) and Jolene (2008, with Jessica Chastain).

Fractured Visions: A Nicolas Roeg Retrospective

Next to actress Theresa Russell, Film Fest Gent also welcomes Nicolas Roeg’s films. Roeg, who passed away in 2018 at the age of 90, is one of the most elusive and groundbreaking voices in British cinema of the last century. With the programme Fractured Visions: A Nicolas Roeg Retrospective, curated by Patrick Duynslaegher, the festival presents a psychedelic trip through a radical and experimental body of work that notably includes musical legends Mick Jagger, David Bowie and Art Garfunkel. Bowie even once called Roeg “an old wizard” and according to actor Donald Sutherland, the filmmaker was a “fearless visionary”.

“In our current era where artistic experimentation is increasingly traded for safety, a broad retrospective of Nicolas Roeg’s work is a revelation: proof that artistic courage will always stand the test of time.” - Classics curator Patrick Duynslaegher

Nicolas Roeg began his career as a cinematographer for directors such as Roger Corman and François Truffaut, but soon mad

The Festival Beat Special edition 1132

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Digital Gym
PEOPLE IN FOCUS International Festival of Creativity - celebrating the Final Lions
 
The Cannes current edition which just ended a week ago, taking place 16-20 of June announced the Lions for Film, Dan Wieden Titanium, Glass: The Lion for Change, Sustainable Development Goals, Grand Prix for Good and Special Awards France and the USA win two Grands Prix each. Brazil and New Zealand each win one 20 June 2025 - As the 72nd Cannes Lions International Festival of Creativity comes to a close, the final Awards Show honoured the winners of Film, Titanium, Glass: The Lion for Change, ...   Interview With Cuban American Director Producer Carlos Gutierrez
Capture_1032.preview.jpg
Carlos V. Gutierrez is a film and television director whose work has won numerous awards, including the prestigious Emmy Award, and has been featured on HBO and Showtime. In the commercial world, Carlos is a highly sought after director who works on national campaigns for Turbo Tax, Princess Cruises, Exxon / Mobil, Chevy and numerous others. His commercial work for clients include

CineMerit Award for Stellan Skarsgård: 42nd Munich International Film Festival to honor the Swedish actor

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Stellan Skarsgård will be honored at the Munich International Film Festival for his achievements in the cinematic art. Stellan Skarsgard is a versatile actor, in Cannes I met him at the film reception on the Arte Boat, his latest film was coproduced by Arte. While the world premiere took place in Cannes, Stellan Skarsgard described his part at the press conference as his most complex and powerful role yet, in Joachim Trier's Cannes favorite 'Sentimental Value.'

 
It is with great pleasure that the Munich International Film Festival wishes to announce, shortly before the start of the festival, that it will be presenting a second CineMerit Award. Stellan Skarsgård will be honored for his outstanding achievements in the cinematic arts. For decades, this Swedish actor has enthralled international audiences in high-grossing blockbusters such as “Pirates of the Caribbean” and “Dune” as well as in acclaimed art house films such as “Melancholia” and “Dogville”. His latest collaborative work with director Joachim Trier, a tragicomic portrait of a father-daughter relationship titled “Sentimental Value”, earned the Grand Prix at the Cannes Film Festival this year and will now have its German premiere in Munich. 
 
“Stellan Skarsgård is an extraordinary artist who captivates, challenges, and inspires audiences around the world. Every role of his demonstrates his versatility as an actor, whether it’s in the biggest blockbuster or a low-key art house drama. Conveying the most complex thought processes through his facial expressions, he has made a deep impression on generations of viewers. In ‘Sentimental Value’, he exhibits this inimitable mixture of intensity and authenticity once again.”
 
Julia Weigl and Christoph Gröner, artistic directors,
 the Munich International Film Festival
 
Stellan Skarsgård excels as a versatile character actor 
 
Stellan Skarsgård is one of the most versatile actors of his generation — in art house cinema as well as Hollywood blockbusters. At age 16, he was noticed for his role in the Swedish TV series “Bombi Bitt och jag”. His international breakthrough followed in 1990 in “The Hunt for Red October” alongside Sean Connery. Skarsgård once said that he was not someone who sought out major roles, but rather thought of himself as a “bassline” that guided the melody performed by others. Nevertheless, it was a leading role that brought him fame: as Jan Nyman in Lars von Trier’s “Breaking the Waves”, he began to work closely with the Danish director, who cast him in nearly all of his films, including “Dogville” and “Melancholia”. At the same time, Skarsgård also took mainstream cinema by storm, starring in “Pirates of the Caribbean”, “Mamma Mia!”, “The Avengers”, and most recently in “Dune” and the Star Wars series “Andor”. Regardless of the genre, what matters to him is “that the forcefulness of expression suits the tone of the film.” In “Sentimental Value”, which is having its German premiere at the Munich International Film Festival, he exhibits this inimitable mixture of intensity and authenticity once again. 
 
Exclusive FilmTalk and award 
 
Not only is celebrated Swedish actor and Golden Globe-winner Stellan Skarsgård a guest of honor at this year’s Munich International Film Festival; he will also be participating in a free FilmTalk moderated by Wendy Mitchell, a well-known journalist. At this special event, Skarsg

Ten Bets #2 for TFF #52 / Variety 's Take on Venice / Roofman has a Trailer

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TEN BETS #2 FOR TFF #52




It's Thursday so time to update MTFB's Teb bets for TFF #52.

Here's a review of last week's Ten Bets.

1) It Was Just an Accident/Panahi
2) Blue Moon/Linklater
3) Bugonia/Lanthimos
4) The Love That Remains/Palmason
5) Sentimental Value/Trier
6) The Young Mothers' Home/Dardennes
7) The Secret Agent/Filho
8) Hamnet/Zhao
9) Deliver Me from Nowhere/S. Cooper
10) The Ballad of a Small Player/Berger


And here's the updated Bets for this week:

1) It Was Just an Accident/Panahi
2) Blue Moon/Linklater
3) Bugonia/Lanthimos
4) Sentimental Value/Trier
5) The Young Mothers' Home/Dardennes
6) Hamnet/Zhao
7) Sirat/Oliver Laxe
8) Deliver Me from Nowhere/S. Cooper
9) The Ballad of a Small Player/Berger
10) The Love That Remains/Palmason

A little movement here and there from where things were last week.  For the moment The Secret Agent has dropped off the Ten Best...but it could return.  The Love That Remains drops down but stays on the list.  Sirat enters the list at #7.  The top three remain the same with other titles like Sentimental Value and Deliver Me from Nowhere moving up a spot.

Other possibilities: Jay Kelly, Left-Handed Girl, Frankenstein, Eleanor the Great, After the Hunt, Family Rental, Pressure, Marty Supreme, Die My Love, The Mastermind.


VARIETY'S TAKE ON VENICE




We're likely about four weeks away from the announcement of the Venice lineup and then another couple of weeks past that before we find out when the films selected will be scheduled.  Those two chunks of information can help illuminate the possible TFF lineup.

I've passed along a couple of sites that have speculated about potential Venice titles and today I add a piece from Variety with their take on what could play there.  I've scoured the article for possi

Distributor Monday #3: Neon / SPC and Nuremburg / World of Reel Venice Update / Springsteen on White...Oh, And the Trailer Again

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 DISTRIBUTOR MONDAY: NEON

Neon has come on strong over the last decade as a Telluride staple.  Their first appearance at TFF came in 2016 as the distributor of Errol Morris's The B-Side.  In the years since then Neon has placed 18 other films at TFF for an impressive average of 2.4 films per year.  In that time some other notable titles under the Neon banner that have appeared at TFF include: Last year's Best Picture winner Anora, 2020 Oscar Best Picture winner Parasite, Anatomy of a Fall and Flee.

This year, Neon made the biggest splash at Cannes acquiring a bunch of properties.  Consequently they have a deep roster of films that could play at TFF.  I have at least six films (all of which were Cannes selections in various categories) that could come from Neon to Telluride.  Here's what we know about each of them.  They're arranged  from what I feel is most likely to least likely.  Films that are on my most recent "Ten Bets" list are indicated with +.  Individuals that have been past attendees of TFF are indicated with *.

It Was Just an Accident+.  Director Jafar Panahi* (strictly speaking Panahi didn't attend with his film Taxi).  Stars: Vahid Mobasseri, Mariam Afshari. Won this year's Palme d'Or at Cannes.  Release date: TBD.  IMDb description:

A small mishap triggers a chain reaction of ever-growing problems.

I believe that should It Was Just a Simple Accident play Telluride it would be the first time in the festival's history to program the Palme d'Or winner for three years running.

Sentimental Value+.  Director: Joachim Trier.  Stars: Renate Reinsve, Stellan Skarsgard*, Elle Fanning.  Won this year's Grand Prize at Cannes.  Release date: Nov. 7th.  IMD. b description:

An intimate exploration of family, memories, and the reconciliatory power of art.

Sentimental Value finished Cannes with the second best critical rating of any film playing that fest with an 8.04 cumulative rating (out of 10) from Cannes-Ratings.org.  In contrast Plame d'Or winner It Was Just a Simple Accident was 7th best with a cumulative of 7.76.

The Secret Agent+.  Director: Kleber Mendonça Filho.  Stars: Wagner Moura (won Best Actor at Cannes), Maria Fernanda Cândido.  The film won the FIPRESCI Prize at Cannes.  Release date: TBD.  IMDb description:

In 1977, a technology expert flees from a mysterious past and returns to his hometown of Recife in search of peace. He soon realizes that the city is far from being the refuge he seeks.

The Secret Agent was also well regarded critically at Cannes with a cumulative rating of 7.00 which was the 30th best among all films that played at that Fest.

Sirat.  Director: Oliver Laxe.  Stars: Sergi López, Bruno Núñez Arjona.  The film won the Jury Prize at Cannes.  Release date: TBD.  IMDb description:

A father, accompanied by his son, goes looking for his missing daughter in North Africa.

This is another film with a great critical reception at Cannes.  It had a 7.87 cumulative rating which was the 5th best of the entire fest.  It could well move onto next Thursday's second iteration of MTFB's Ten Bets for TFF #52.

Orwell: 2+2+5.  Director: Raoul Peck. Release date:

Interview With Cuban American Director Producer Carlos Gutierrez

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Interview With Cuban American Director Producer Carlos Gutierrez

Carlos V. Gutierrez is a film and television director whose work has won numerous awards, including the prestigious Emmy Award, and has been featured on HBO and Showtime. In the commercial world, Carlos is a highly sought after director who works on national campaigns for Turbo Tax, Princess Cruises, Exxon / Mobil, Chevy and numerous others. His commercial work for clients includes a Super Bowl commercial and PSA's that have won international recognition.

 

In a recent interview with Carlos, here is what he had to say:

You started your media career in advertising and won awards in that career. How did you get into advertising?

CARLOS: I was studying to be a doctor and just had one of those epiphanies where you realize you’re meant for something else. I promised my parents I would have a job before graduating from undergrad and found advertising as a great way to create and learn how productions are put together.

 

How was your experience studying at NYU and how did you go about making your first short films?

CARLOS: I really think film school is a personal experience (especially at the grad level). It’s what you make of it and if you’re willing to subscribe to the fact the first year is a boot camp. The staff and professors want you to vomit out all your inspirations and ideas so that you can start to develop your style so by the time you hit second year your confidence about who you are as a director grows. Not to mention I had Spike Lee mentoring me and I have to say he was instrumental in shaping me into a professional filmmaker. Once I won a few awards, my confidence really went up and I started to feel I could do this, that’s where the school and the staff are critical into helping you understand what it takes to be a professional filmmaker. 

 

How has your advertising career and your background influenced your filmmaking?

CARLOS: My background as a Cuban American filmmaker started with my parents who always made me feel proud to be Latino and encouraged me to never shut up about it! I really tried to put that in my films when it made sense. Advertising was a great way to learn from masters like Spike Jonze, Alejandro Gonzalez Iñarritu and Doug Liman all of whom I watched direct while I was still a producer. 

 

Do you have a favorite early project you have worked on that you are most proud of?

CARLOS: Yes, that has to be the documentary short I did on my father called Journey Into Exile where it explored his personal battles of leaving Cuba and immigrating to the US. That film won best of fest and gave me some much-needed early confidence.

 

You are a writer, director and producer now. Can you tell us about projects you are working on now in each role?

CARLOS: I’m always a writer first since that was what I was doing since the age of twelve when I was writing short stories that scared my mom, and before I was twenty, I was a published poet. Writing for me is therapy and is really something I love to do, it’s the only time you have full creative control. As a writer / director I have three films in various stages of casting & financing ready to film in the next twelve months not to mention a docuseries we are taking out to market that will be an umbrella project encompassing the history of Cuba. As a producer, I have two TV series with partners I am really excited about and that we are taking to market this year. 

Review of the Russian film ''Twenty-Six Days in the Life of Dostoyevsky'' © Film critic Mr. Lalit Rao [FIPRESCI] 19.06.2025

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Review of the Russian film “Twenty-Six Days in the Life of Dostoyevsky –The  vivid portrait of a tortured genius in crisis © Film critic Mr. Lalit Rao [FIPRESCI] 19.06.2025 
 
 
Russian film ‘‘Twenty-Six Days in the Life of Dostoyevsky,’’ directed by Alexander Zarkhi, stands as a remarkable example of Soviet biographical cinema and a poignant homage to one of Russia’s greatest literary figures, Fyodor Dostoyevsky. This 1981 film revisits the particularly intense and transformative month of October 1866, when the author was grappling with both creative and personal crises. The film’s historical and emotional richness makes it not just a period drama but a profound exploration of the psychological landscape of a tortured genius.
 
Alexander Zarkhi, a veteran director of Soviet cinema, brings to the film a maturity and restraint born from decades of experience. Known primarily for his collaborations with director Iosif Kheifits during the golden age of Soviet filmmaking, Zarkhi had already proven his storytelling prowess in films such as ‘‘Baltic Deputy’’ (1937). This earlier work portrayed the moral and intellectual awakening of a Russian scientist during the Bolshevik revolution and remains iconic for its ideological clarity and strong performances. But with “Twenty-Six Days in the Life of Dostoyevsky”, Zarkhi transitions from historical epic to intimate character study, focusing less on grand political movements and more on the tormented soul of a single man under extraordinary pressure.
 
At the heart of the film is actor Anatoli Solonitsyn’s magnificent portrayal of Dostoyevsky. Solonitsyn, known for his work with Andrei Tarkovsky in films like ‘Andrei Rublev’ and ‘Stalker’, was uniquely equipped to inhabit the role of a psychologically complex, intellectually intense character. His performance won him the Best Actor Award at the 1981 Berlin Film Festival, and deservedly so. He captures not only Dostoyevsky’s external mannerisms—the nervous energy, the shifting moods, the tortured expressions—but also the inner storm of a man driven to the edge by financial desperation, artistic ambition, and emotional vulnerability.
 
The premise of the film is deceptively simple. Dostoyevsky is in dire straits. He is bound by a punishing contract with an unscrupulous publisher named Fyodor Stellovsky, he must deliver a new novel within a month—or face the loss of all his literary rights for the next nine years. This oppressive deadline becomes the motor of the narrative, giving the film a relentless momentum. The urgency is not fabricated for cinematic effect; it is rooted in historical fact, as Dostoyevsky indeed wrote the novel ‘‘The Gambler’’ under these difficult conditions.
 
To expedite the writing process, Dostoyevsky hires a young stenographer, Anna Snytkina, whose initial professional relationship with the writer slowly evolves into an emotionally charged and ultimately romantic one. The film’s treatment of Anna is particularly compelling. Played with grace and intelligence, Anna is not merely a supporting character but a vital, emotional anchor. She is the only person in Dostoyevsky’s chaotic life who truly understands the emotional labyrinth he inhabits. As Dostoyevsky spirals into despair and creative mania, Anna remains patient, perceptive, and quietly resilient. Her decision to leave her fiancé, support Dostoyevsky in his darkest hours, and eventually marry him is presented not as a romantic fantasy but as the triumph of great empathy a

Brief Encounters, Mumbai, screens Jafar Panahi’s This is Not a Film

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Brief Encounters, Mumbai, screens Jafar Panahi’s This is Not a Film

Made in 2011, This is Not a Film is a genre-defying, ground-breaking film (yes, it is a film) about the reputed Iranian film-maker, Jafar Panahi, made in collaboration with one of his friends, Mojtaba Mirtahmasb, who wields the camera too. It was shot secretly in, and from, the house and building of Panahi, where he was serving a house-imprisonment sentence, for having made anti-establishment films secretly, and for supporting the revolution against the ruling Iranian clergy. The film was screened as part of a monthly screening programme, at St. Paul's Institute, in its auditorium, on the 3rd floor Alberione Hall of the St. Paul’s complex, in Bandra, Mumbai, on 14 June. The event was organised by the Bandra-based Brief Encounters platform, represented by Ms. Aparajita Sinha and her team. Attendees included film-maker O.P. Srivastava and actor-model Naseer Abdullah. 

Mojtaba Mirtahmasb

Mubi, which does not offer this film for viewing, currently, says about the film, “It’s been months since Jafar Panahi, stuck in jail, has been awaiting a verdict by the appeals court. By depicting a day in his life, Panahi and Mojtaba Mirtahmasb try to portray the deprivations looming in contemporary Iranian cinema.” “Using the barest means but inspired by their art, passion, and existence in the world, Panahi and Mirtahmasb craft a masterpiece of truth," opines Daniel Kasman, and I could not agree more. Panahi has just won the Palme d’Or (Golden Palm) at Cannes 2025, for his latest, It Was Just an Accident’.

Panahi is a screen-writer, producer, director, cinematographer and editor, who confesses that he has no knowledge of the technicalities of film-making. Yet, over the years, he has directed many a classic: The White Balloon (1995), The Mirror (1997), The Circle (2000), Crimson Gold (2003), Offside (2006), The Accordion (2010), Taxi Tehran (2015), Where Are You, Jafar Panahi? (2016), 3 Faces (2018), Hidden (2020), Life (2021) and No Bears (2022). He is among the four Iranian film-makers that have achieved overwhelming international acclaim, the others being Abbas Kiarostami, Majid Majidi and Asghar Farhadi. Panahi started as an assistant to Abbas Kiarostami. Panahi left a message on Kiarostami's answering machine, saying that he loved his films, and asked him to give him the position of an assistant director on his next film. Kiarostami hired Panahi to assist him, for the film Through the Olive Trees

Educated at the Iran Broadcasting College of Cinema and TV, 65-year-old Jafar Panahi, born to an Azerbaijani father, began his career making short films. At the age of 20, At the same age, Panahi was conscripted into the Iranian army, and served in the Iran–Iraq War, working as an army cinematographer from 1980 to 1982. In 1981, he was captured by Kurdish rebels, and held for 76 days. From his war experiences, he made a documentary that was eventually shown on TV. His debut feature, The White Balloon (1995), won the Caméra d'Or (Golden Camera) at the 1995 Cannes Film Festival. Panahi has been imprisoned multiple times in Iran, most recently for protesting the detention of film-makers criticising the authorities. This was his first visit to Cannes in 15 years, where his films have been shown in his absence due to a travel ban. The films were ‘smuggled’ to the festival venue in a pen-drive, by one of Panahi’s friends.

This is Not a Film has many moments when nothing really happens. It begins with Panahi having breakfast, and

7 Dogs: USD 40m Saudi Arabian-Egyptian film, with Salman Khan and Sanjay Dutt, releases teaser

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7 Dogs: USD 40m Saudi Arabian-Egyptian film, with Salman Khan and Sanjay Dutt, releases teaser

His Excellency, the Chairman of the Board of Directors of the General Entertainment Authority (GEA), Advisor Turki bin Abdul Mohsen Al-Sheikh, recently launched, via his official account on the X platform, the first teaser video for the highly anticipated action film 7 Dogs, the largest Arab production with a budget of $40 million. Starring Egyptian and Arab cinema stars Karim Abdel Aziz and Ahmed Ezz, it is directed by international directors Bilal Al-Arabi and Adel Falah, who directed the famous action film Bad Boys: Ride or Die. The film is based on an original story by His Excellency Advisor Turki Al-Sheikh and the Big Time team, and the screenplay and dialogue are by Mohammed Al-Dabbah.

The events of the movie 7 Dogs revolve around the skilled Interpol officer Khaled Al-Azzazi, who succeeds in arresting the dangerous criminal Gali Abu Daoud, a member of a secret global criminal organisation called 7 Dogs. After a year in prison, the organisation returns to its criminal activities, especially in distributing a powerful drug known as Pink Lady in the Middle East. This forces Khaled, who knows the organisation inside out, to co-operate with Ghali on a secret mission that takes them to several cities around the world, to expose the remaining members of the organisation, and prevent the drug from reaching Arab streets. Despite the differences and challenges between Khaled and Ghali, they realise that their co-operation is the key to completing this mission, forming an exceptional duo that combines cunning, intelligence, and competitiveness.

Along with A-list stars Ahmed Ezz and Karim Abdel Aziz, the film brings together an international ensemble cast including Giancarlo Esposito (Breaking Bad, The Mandalorian), Italian Monica Bellucci (The Matrix Reloaded), Bollywood stars Salman Khan and Sanjay Dutt, German-Chinese martial arts expert Max Huang (Mortal Kombat), alongside stars Tara Emad (The Blue Elephant 2) and Sandy Bella (Franklin) as two officers on the Interpol team. Meanwhile, Saudi star Nasser Al Qasabi appears as Major General Nasser, facing off against Egyptian veteran Sayed Ragab as Major General Sabry, promising a cinematic epic that blends Hollywood suspense with an Arab pulse, amidst an unprecedented international cast in the region.

Filming for 7 Dogs began in Riyadh earlier this year, marking the first film to be shot entirely at Big Time Studios, the newest and largest film and drama production facility in the Middle East. These studios offer the latest technology and the most advanced capabilities, giving the film a global cinematic feel. Additionally, key scenes will be shot on Riyadh Boulevard, transforming Riyadh into a global backdrop representing major cities such as Mumbai, Shanghai, and several other global cities, enhancing the film's epic international appeal.

The film is sponsored by the General Entertainment Authority (GEA) and Riyadh Season, produced by Sila Productions and executive produced by Black Bear Productions. The screenplay is written by Mohammed Al-Dabbah, known for his successful works such as Ruby House. The film is being produced by Evan Atkinson, who has directed acclaimed works such as The Covenant and The Gentlemen.

Robrecht Heyvaert, celebrated for his visually stunning work in Bad Boys: Ride or Die and Ms. Marvel, leads the project as Director of Photography. Paul Kirby, known for his exceptional production design on Kingsman: The Secret Service and Captain Phillips, brings his visionary talent to the proj

Distributor Monday #2: Sony Pictures Classics / A New Contender for TFF #52

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 DISTRIBUTOR MONDAY #2: SONY PICTURES CLASSICS




Sony Pictures Classics (SPC) along with Netflix are the only distributors over the last decade that have averaged more than three films per year at TFF.  Their relationship with TFF has been long and consistent. SPC is the only distributor that has placed a film at T-ride every year for the nine years I looked back on.  They average 2.8 films per year. Last year SPC had two films make the TFF #51 lineup: The Outrun and Don't Let's Go to the Dogs Tonight.

SPC has six films in their basket that seem like possible TFF #52 players.  Here's what we know about each of them.  They're arranged  from what I feel is most likely to least likely.  Individuals have been past attendees of TFF are indicated with *.

Blue Moon.  Director Richard Linklater.  Stas: Ethan Hawke*, Margaret Qualley, Andrew Scott (Best Supporting Performance Berlin Film Festival), Bobby Cannavale.  Played the Berlin International Film Festival.  Release date: Oct. 17th.  IMDb description:

Tells the story of Lorenz Hart's struggles with alcoholism and mental health as he tries to save face during the opening of "Oklahoma!".

Ethan Hawke is a semi-fixture at Telluride.  He was last in Telluride in 2023 with both Wildcat and Strange Way of Life.  Despite the fact that director Richard Linklater has never taken a film to Telluride, this feels like the year and the film to make that happen.

The President's Cake.  Director: Hasan Hadi.  Stars: Baneen Ahmed Nayyef, Waheeda Thabet.  Played at Cannes in the Director's Fortnight section.  It won the Camera d'Or and the Directors Fortnight Audience Award.  Release date: TBD.  IMDb description:

In 1990s Iraq, 9-year-old Lamia must bake the President's birthday cake. She scrambles to find ingredients for this compulsory task while facing potential punishment if she fails.

SPC picked this film up after a very good reception at Cannes critically as well as picking up a couple of awards.  I just have a feeling about this film.

Eleanor the Great.  Director: Scarlett Johansson (directing debut). Stars: June Squibb, Chiwetel Ejiofor*.  Played Cannes Un Certain Regard.  Release date: TBD.  IMDb description:

In Eleanor The Great, June Squibb brings to vivid life the witty and proudly troublesome 94-year-old Eleanor Morgenstein, who after a devastating loss, tells a tale that takes on a dangerous life of its own.

Eleanor the Great played respectably well with critics at Cannes and with the certain push for Squibb for Best Actress in combination with the film being Johansson's directing debut make this an interesting possible choice fo
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