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Juliette Binoche Belatedly Hands Out Cannes Actor Award to ‘The Secret Agent’ Actor Wagner Moura During Cinéma Paradiso Louvre Festival

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Wagner Moura has finally been able to get his hands on the Cannes best actor award he won earlier this year for his lead role in Kleber Mendonça Filho’s “The Secret Agent.” Cannes jury president Juliette Binoche belatedly handed out the statuette to the Brazilian actor — who played a father who disguises his identity in […]

Paolo Sorrentino's La Grazia to open the 82nd Venice Film Festival

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La Biennale di Venezia
is pleased to announce that La Grazia, written and directed by the Oscar®-winning filmmaker Paolo Sorrentino (The Hand of God, The Great Beauty, Il divo), and starring Toni Servillo and Anna Ferzetti, is the opening film, in a world premiere in competition, of the 82nd Venice International Film Festival directed by Alberto Barbera (27 August – 6 September 2025).

Photo: La Grazia Toni Servillo by Andrea Pirrello

La Grazia will have its world premiere screening on Wednesday 27 August 2025 in Sala Grande at the Palazzo del Cinema (Lido di Venezia) on the opening night of the 82nd Biennale Cinema.

 

«I am very happy that the 82nd Venice International Film Festival will open with the new and highly anticipated film by Paolo Sorrentino – stated Alberto Barbera  – I like to recall that one of the most important and internationally acclaimed Italian auteurs made his debut right here at the Biennale di Venezia in 2001 with his first film, One Man Up, in my early years as the Artistic Director. The relationship with the Venice Film Festival became consolidated over the years with the presentation out of competition of the first episodes in the series The Young Pope (seasons one and two) and, above all, with The Hand of God which, in 2021, won the Silver Lion-Grand Jury Prize. Paolo Sorrentino’s return in competition comes with a film destined to leave its mark for its great originality and powerful relevance to the present time, which the audiences of the Venice Film Festival will have the pleasure of discovering on opening night.»

 

La Grazia, written and directed by Paolo Sorrentino, is a  Fremantle film produced by The Apartment, a Fremantle Company, by Numero 10, and by PiperFilm that will distribute it in Italy.

MUBI owns worldwide rights  excluding Italy. The Match Factory is handling international sales.

 

Paolo Sorrentino – Biographical notes


Paolo Sorrentino by Avedon

Paolo Sorrentino, film director and screenwriter, was born in Naples in 1970. His first full-length feature film, One ManUp, dates back to 2001 and was selected for the Venice Film Festival. In 2004 he directed The Consequences of Love and in 2006 The Family Friend, both in competition at the Cannes Film Festival. In 2008, with Il Divo, he returned to Cannes winning the Jury Prize. He returned in competition at the Cannes Festival in 2011 with This Must be the Place and two years later with The Great Beauty, which won the Academy Award®, the Golden Globe and the BAFTA Award for best Foreign Language Film, as well as three EFA Awards. He was selected once again in competition at Cannes in 2016 with Youth, garnering three EFA Awards, an Academy Award® nomination and two Golden Globe nominations. In 2016 he created and directed the TV series The Young Pope, nominated at the Golden Globes for Best Actor and at the Emmy Awards for Outstanding Production Design and Outstanding Cinematography. In 2018 he directed the movie Loro starring Toni Servillo and in 2019 Sorrentino directed the second series set in the world of modern papacy,

Kim Novak to receive the Golden Lion for Lifetime Achievement at the 82nd Venice International Film Festival

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The legendary American actress Kim Novak (Vertigo, Picnic, Bell, Book and Candle) has been awarded the Golden Lion for Lifetime Achievement at the 82nd Venice International Film Festival of La Biennale di Venezia (August 27 – September 6, 2025).

 

The decision was made by the Board of Directors of La Biennale, upon recommendation of the Artistic Director of the Festival, Alberto Barbera.

 

Kim Novak in accepting the offer, declared: “I am deeply, deeply touched to receive the prestigious Golden Lion Award from such an enormously respected film festival. To be recognized for my body of work at this time in my life is a dream come true. I will treasure every moment I spend in Venice. It will fill my heart with joy.”

 

With regard to the award to Kim Novak, Festival’s Artistic Director Alberto Barbera declared: “Inadvertently becoming a screen legend, Kim Novak was one of the most beloved icons of an entire era of Hollywood films, from her auspicious debut during the mid-1950s until her premature and voluntary exile from the gilded cage of Los Angeles a short while later. She never refrained from criticizing the studio system, choosing her roles, who she let into her private life and even her name. Forced to renounce her given name, Marilyn Pauline, because it was associated with Monroe, she fought to conserve her last name, agreeing, in exchange, to dye her hair that shade of platinum blonde which set her apart. Independent and nonconformist, she created her own production company and went on strike to renegotiate a salary that was much lower than that of her male co-stars.  Thanks to her exuberant beauty; her ability to bring to life characters who were naïve and discreet, as well as sensuous and tormented; and her seductive and sometimes sorrowful gaze, she was appreciated by some of the major American directors of the period, from  Billy Wilder (Kiss me, Stupid), to Otto Preminger (The Man With the Golden Arm), Robert Aldrich (The Legend of Lylah Clare), George Sidney (The Eddy Duchin Story, Jeanne Eagels, Pal Joey), and Richard Quine, with whom she made unforgettable romantic comedies (Pushover, Bell Book and Candle, Strangers When We Meet, The Notorious Landlady). But her image will remain forever linked to the dual characters she played in Hitchcock’s Vertigo, which became the role of her life. This Golden Lion for Lifetime Achievement celebrates a star who was emancipated, a rebel at the heart of Hollywood who illuminated the dreams of movie lovers before retiring to her ranch in Oregon to dedicate herself to painting and to her horses.”

 

On this occasion, the documentary Kim Novak’s Vertigo by Alexandre Philippe, made in exclusive collaboration with the actress, will be presented in its world premiere screening.

 

Kim Novak ­– Biographical notes

Kim Novak, the last of the great glamorous movie stars of the golden era, who was the No. 1 box office star in the world in ’58, ‘59’ and ’60, lives on today as a happy legend, poet, and artist. Despite her glamourous looks, few people realize that Novak was the first woman to start her own production company in 1958. She knew that’s where the control was, and she wasn’t interested in being a “puppet” for Columbia’s Harry Cohn. Cohn said he “manufactured Novak in order to make Rita Hayworth nervous.” No star can be m

The Festival Beat Special edition 1133

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THE FESTIVAL BEAT MAKER ! SHARING MOTION AND EMOTION SINCE 1995  
 
We are working hard on a new version of our platform to better serve our community. Filmfestivals.com was established in 1995 before google even existed, turned into a social network in 2006 with a blog platform welcoming festivals and film professionnals with some 120 000 articles and counting. In the meantime we are busy maintaining the old site and offering unique visibility and promotion in our temp dailies to film and festivals pros. 
 
EMAIL ME FOR PROMOTION AND MARKETING HELP 
 
FOLLOW US : facebook0.thumbnail.png   twitter_logo.thumbnail.png      

We cover over 15 000 festivals worldwide and proudly share our knowledge of the Festival circuit with our community, we trust our audience will ENJOY THE EXPERIENCE even more once the new platform is up and running : stay tuned!. In case you missed any of these 1100+ newsletters ... you can find them all here.    

 

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PEOPLE IN FOCUS
Lucy Liu to Receive Career Achievement Award and Present International Premiere of “Rosemead” at Locarno78
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Widely celebrated for her iconic performances across film, television, and stage, Lucy Liu will be honored with the prestigious Career Achievement Award at the Locarno Film Festival on Thursday, August 14, 2025. Following the award ceremony, Liu will present the international premiere of Rosemead (2025), directed by Eric Lin, alongside the film’s cast and crew on the Piazza Grande. The following day, she will engage in a public discussion with the festival audienc

37 Producers Selected for the Locarno Networking Platform Match Me!

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A total of 37 emerging producers from 14 countries have been selected for Locarno Pro’s international networking initiative Match Me!, which celebrates its 10th anniversary in 2025. From August 8 to 10, Match Me! will curate a series of individual meetings and tailor-made networking activities, connecting participants with potential business partners, co-producers, and key industry players. The initiative serves as a vital platform for emerging producers looking to enhance their international visibility and solidify meaningful collaborations. 

 

© Locarno Film Festival / Ti-Press

Among this year’s participants are Rodrigo Díaz from Fiebre (Chile), producer of Las Criaturas Que Se Derriten Bajo El Sol (2022), which premiered in the Short Film section of La Semaine de la Critique in Cannes; Sarah Radu from Germany’s Matadoras, producer of The Kidnapping of the Bride (2023), winner of the Compass-Perspektive-Award at Berlinale 2023 and the Short Film Jury Award at Sundance’s International Fiction Competition the same year; Darta Vijgrieze from Mitrus Media (Latvia), whose co-productions include Maria’s Silence (Berlinale 2024), January (Tribeca 2022 winner), Natural Light (Silver Bear, Berlinale 2021), and In the Dusk (Cannes 2020); Ruta Kiaupaite of Afterschool (Lithuania), producer of Pilgrims (Best Film, Venice Orizzonti 2021) and Drowning Dry, which won Best Director and Best Ensemble Cast at Locarno 2024; and Andrés Sanjurio García from Acariño Films (Spain), whose hybrid western-documentary Los saldos was selected for Visions du Réel in 2022.

 

The full list of participants can be found HERE.  

 

Ayumi Filippone, Match Maker at Match Me!: “Match Me! 2025 mirrors the new generation of rising international producers. They defy genre restrictions, conventional storytelling, and courageously research new financing strategies amid the uncertain current context. Thanks to the support of our partners, Locarno Pro is once again proud to accompany and support a cohort of 37 producers in a milestone moment of their careers.”

 

Locarno Pro runs from August 7 – 12, 2025, during the 78th Locarno Film Festival.  

 

The 10th edition of Match Me! is organized in collaboration with ACAU - Agencia del Cine y del Audiovisual del Uruguay, Cinecittà, Cinema Chile, Cinema do Brasil, Dominican Republic Film Commission (DGCINE), Estonian Film Institute, Finnish Film Foundation, German Films, ICA Portugal, ICAA Spain, Lithuanian Film Centre, National Film Centre of Latvia, Polish Film Institute, and Unifrance. 

 

Since its rollout in 2015, Match Me! has served as a launchpad for numerous talents, including Thomas Hakim (petit chaos, France), producer of the Payal Kapadia’ Cannes 2024 Grand Prix winner All We Imagine as Light; Latvian producer Matīss Kaža (Trickster Pictures), whose latest project Flow (Gints Zilbalodis, 2024) won the Oscar®, Golden Globe and César Award for best animated feature; Tatiana Leite (Bubbles Proj

59th KVIFF Honors Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard

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STELLAN SKARSGÅRD TO RECEIVE THE CRYSTAL GLOBE FOR OUTSTANDING ARTISTIC CONTRIBUTION TO WORLD CINEMA AT KVIFF
 
Swedish film and theater actor Stellan Skarsgård, recipient of a Golden Globe award, will return to Karlovy Vary for the 59th edition of the Karlovy Vary International Film Festival, where he will be presented the Crystal Globe for Outstanding Artistic Contribution to World Cinema.
 
Skarsgård will personally present his new film Sentimental Value, which won the Grand Prix at this year’s Cannes Film Festival. 
 
 
ACTRESS VICKY KRIEPS TO RECEIVE KVIFF PRESIDENT’S AWARD
 
At the opening ceremony of the 59th Karlovy Vary International Film Festival, the KVIFF President’s Award will be presented to actress Vicky Krieps, winner of a European Film Award for Best Actress for the biopic Corsage, a performance for which she was similarly recognized at Cannes in the Un Certain Regard section.
 
On the occasion of honoring Vicky Krieps, KVIFF will be showing the film Love Me Tender.
 
 
 

Dea Kulumbegashvili and Agnieszka Holland to empower next generation of european filmmakers at kviff

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EFP (European Film Promotion) and the Karlovy Vary International Film Festival (KVIFF) are pleased to announce that the Georgian director Dea Kulumbegashvilli will serve as this year’s mentor for EFP FUTURE FRAMES – Generation NEXT of European Cinema. Acclaimed Polish filmmaker Agnieszka Holland is contributing a keynote speech.


In an exclusive masterclass, the award-winning director Dea Kulumbegashvilli will give the young filmmakers an insight into her professional journey from making two successful short films to her recent second feature film, April. The powerful drama about female independence competed at the 2024 Venice Film Festival where it received the Special Jury Prize.


Kulumbegashvilli was born and raised in Georgia. She studied directing at Columbia University’s School of the Arts and Media Studies at The New School in New York. Following two highly acclaimed and award-winning short films (Invisible Spaces, 2014 and Lethe, 2016) her feature debut, Beginning (2020) premiered in Toronto, winning the FIPRESCI Prize. The film also took home the Silver Seashell Jury Prize and the Golden Seashell at the San Sebastián Film Festival.


Another major highlight of the programme is the keynote speech by the renowned and multi-award-winning Polish director Agnieszka Holland who will exclusively share experiences from her impressive career spanning decades. Holland’s most recent film, Green Border competed at the 2023 Venice Film Festival and won the Special Jury Prize. 


The masterclass and keynote are part of the broader industry programme for the 2025 edition of EFP FUTURE FRAMES. Supported by Creative Europe – the MEDIA programme of the European Union, and presented in cooperation with KVIFF and its partner Allwyn, a leading multinational lottery-powered entertainment company, the initiative also includes exclusive sessions with KVIFF programmers and one-on-one meetings with representatives from UTA and Range Media Partners. The industry experts will provide feedback and guidance to the participants—and will later select one director for an Allwyn scholarship and professional development trip to Los Angeles.


All partners are proud to present a striking new line-up of recent European film school graduates whose films will be showcased during this year’s festival.


Anna Korinek, KVIFF’s Programme Coordinator and curator of the programme confirms that “this year’s selection highlights the strength and promise of a new generation of European filmmakers. The selected films stood out for their creativity, thoughtful storytelling, and distinctive perspectives. We’re pleased to present ten compelling student works that reflect the evolving voice of young European cinema. Now in its 11th year, the programme is beginning to show its long-term impact, with alumni stepping confidently into their professional careers — a testament to the strength and relevance of this initiative. The Karlovy Vary International Film Festival is proud to host this programme and to collaborate with European Film Promotion in supporting emerging cinematic voices.”


“We are truly grateful for our long-standing partnership with the Karlovy Vary International Film Festival. EFP FUTURE FRAMES offers young directors real opportunities to be seen, to grow and to connect internationally. Welcoming Agnieszka Holland and Dea Kulumbegashvili this year as part of the programme is a special honour. Their experience and voices in European cinema are a great source of inspiration”, says Sonja Heinen, Managing Director of EFP.


Pavel Turek, Chief Officer of Global Partnerships at Allwyn pronounces that “s

Ten Bets #3 for TFF #52 / Sentimental Value Trailer / The Mastermind Is Dated

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TEN BETS #3 FOR TFF #52




We're creeping up on the time frame for rapid discovery of probable Telluride selections based on information as other major fall film festivals begin to announce their lineups.  For Telluride watchers that chiefly means Toronto, Venice and New York.  Fantastic Fest and BFI/London can also provide clues.  

When those announcements happen they can rapidly change the look of the Ten Bets.  It's all about how a fest frames the premiere status for the films that they include.  Designations that are key over the next few weeks are:

"World Premiere" which is exactly what it sounds like...some fest is telling you that they will be hosting the very first public screening of a film anywhere.  So when Toronto tells you they are "World Premiering" a film that means it won't play Telluride which occurs before TIFF.  

Almost all of Venice's titles are World Premieres.  The best info from Venice comes when they announce their actual screening schedule.  As Venice cranks up a couple of days before TFF starts, films that get scheduled the first three or four days of Venice have time to get to the Colorado Rockies for a portion of TFF.

"International Premiere" which means the first screening outside the films country of origin (though "country of origin" can be a slippery term).  This designation can cut both ways in as far as ruling a film in or out of the TFF lineup.  For example, an American film the screens at Telluride and then at Toronto could be designated by TIFF as an "International Premiere".  When TIFF frames their announcement that way it could be a predictor that the film will play T-ride.  On the other hand, if a French film screens at Cannes and  is announced as an International Premiere by Toronto, that means it is skipping Telluride.

"North American Premiere":  A very useful piece of information for announcements from Toronto or New York as it means no previous play at Telluride.

"Canadian" or "New York" premieres.  In each case this kind of  "local" premiere designation almost always means a Telluride play....but NOT 100% of the time.  You have to remember that Sundance, South by Southwest and Fantastic Fest film titles could also result in the "local" designation for either TIFF or NTFF.

Ultimately all of this explains why changes in the early versions of the Ten Bets are glacial and then become quite dynamic when we begin to see announcements from these other major fests. 

All that said, here's a review of last week's Ten Bets for TFF #52:

1) It Was Just an Accident/Panahi
2) Blue Moon/Linklater
3) Bugonia/Lanthimos
4) Sentimental Value/Trier
5) The Young Mothers' Home/Dardennes
6) Hamnet/Zhao
7) Sirat/Oliver Laxe
8) Springsteen: Deliver Me from Nowhere/S. C

Distributor Monday #4: A24 / Bugonia Has a Teaser / Tidbits: Hedda, It Was Just and Accident, Two Prosecutors

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 DISTRIBUTOR MONDAY #4: A24




We continue to look at film distribution outlets that have historically had a strong presence at the Telluride Film Festival to see what films they might be proffering to TFF for the 2025 edition.  Today's company is A24.  A24 first landed at Telluride in 2012 with Ginger and Rosa and followed the next year with Jonathan Glazer's Under the Skin which made quite the splash.  Since then A24 has been an almost constant presence at TFF.  Since their debut at T-ride in 2012, A24 has only missed three times: 2014, 2018 and last year.  Last year's absence ended a four year run of A24 having multiple films at the fest including 2023 when it had four: Janet Planet, Occupied City, Tuesday and The Zone of Interest.

So, where does that put A24 on the possibility of being back at TFF in 2025?

The odds suggest that they will be back but...I'm not so sure.  A24 has two pretty big films set to come out this fall season.  Josh Safdie's Marty Supreme (Dec. 25th)  and Benny Safdie's The Smashing Machine (Oct. 3rd).  Pretty clearly with its Christmas Day release, A24 thinks that Marty Supreme is prime awards season catnip.  With Timothee Chalamet in the lead, they're probably right.  

The Smashing Machine is intriguing.  As attested to by what we've seen from photos from the set, Dwayne Johnson has managed a significant makeover.  I get the sense that this is Johnson's play for a prestige picture.

Trying to divine A24's release strategy for these and additionally any fall festival strategy is tough to do.  There are credible reports that The Smashing Machine will play Venice.  Not so much as regards Marty Supreme.

It's worth noting that the Safdie Brothers and A24 debuted Uncut Gems at Telluride in 2019.  It subsequently played Toronto, New York and London before opening in limited release on Dec. 13th followed by going wide on Christmas Day.

A24 also has a couple of other possibilities.  Here's the rundown for each listed in alphabetical order.  All participants who have attended TFF in the past are indicated with *.

Eternity.  Director: David Freyne.  Stars: Miles Teller*, Elizabeth Olsen, DaVine Joy Randolph. Release date: TBD.  IMDb description:

After death, everybody gets one week to choose where to spend eternity. For Joan, Larry, and Luke, it's really a question of who to spend it with.

This film is a true wild card from A24 at this point.


Marty Supreme.  Director: Josh Safdie*.  Stars: Timothee Chalamet, Gwyneth Paltrow, Odessa A'zion.  Release date: Dec. 25th.  IMDb description:

Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.

Marty probably is A24's best shot at an awards season
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